I Dreamed the First 5 Episodes of a TV Show

I’m a quasi-lucid dreamer, so its pretty common for me to have a reasonably solid recall of what I dream on any given evening. Especially if I discuss it with someone immediately upon awakening, it helps to lock in the memory as a narrative. My beloved was treated to just such an incident Sunday morning when my late morning wanderings through the Dreamworld left me with a pretty solid outline for a television show.

“It’s a CW show, I think. Or at least a faux CW show. Part of how the show works is to get the audience invested in 147_jeffreyalanlovewithspearandswordweba certain style, then slowly subvert it.”

Dead silence for several moments, then my beloved stalked into the bathroom. I heard the shower turn on. Fair enough.

I’m putting  a brief description here on the blog for several reasons:

  • Sweet idea.
  • Some lonely TV exec might stumble across this and want to steal/buy it.
  • I can only pimp Spell/Sword so much in a given week.
  • My memory is a cagey beast. It’s good to get some things down while I still have it in my sights.

So, my dream centered around a group of high school kids travelling on an oversized school bus. They traveled from school to school, encountering a different wacky circumstance each week. Teen angst, unrequited love, all the tropes you can stomach. That’s where the CW idea came in — just a bus full of pretty, pretty folks. Except for one weird dude [more on him later.]

Admittedly, in my dream-logic — the kids went to each school to go to some sort of convention. Very DragonCon — lots of people in costumes, events, performances, etc. Clearly that won’t work for the television show, so I think a good conceit would be that the kids are from a Performing Arts Magnet School – they spend 4 months out of every year travelling from school to school, putting on shows.

The goal is to have the first 4 episodes be like Glee — but first half season of Glee when it was actually charming and good. Musical numbers, dance, scenes from famous plays, the works. We’ll get to know the main cast through their roles in the troupe — Lead Actor, Lead Actress, Tech Kid, Beautiful Wallflower, Soulful Fat Kid, Hyper Nerd Girl, etc.  The first few episodes are almost pure cotton candy — the kids have a demanding show to put on, and they pull themselves together at the last moment. One of the kids falls in love with someone at one of the school – but OH NOES, they have to leave on the bus at the end of the week . An Important Lesson is Learned About Disabilities/Drug Abuse/Gender Roles/Topic Du Jour.

I think the idea of the ‘School a Week’ premise lends itself well to the format. Lots of opportunities for Special Guest Stars, Themed Schools [Oh NO, this is the Racist School!], etc. For the show to work, the trope must be perfectly executed — the audience must be purely committed to this bubblegum pop show.

Which brings us to Episode Five. And the Weird Dude.

The one kid that doesn’t fit with the group, on the bus, on this show always wears black. The size of a linebacker, he wears a black trench coat with the collar always pulled up, obscuring most of his face almost like a mask. He has a battered backpack that he keeps near him at all times. He never speaks. He always wears black dirt bike gloves.

In my dream, the other kids just seemed to accept that he was there. All of them avoided him, of course, but there wasn’t really an explanation for why he was on board. I think for the show we”ll need some sort of contrivance — maybe he’s a kid from a bad past, who’s on the trip for rehabilitation? Maybe he’s the bus driver’s son — the teacher’s son? Or maybe no explanation at all – the kids think of him as That Weird Kid — accept his presence, but ignore him most of the time.

During the first four episodes, the audience is treated to a few glimpses of him. Staring out of windows into the dark, sitting silently in crowded lunch rooms. A few of the younger Kids on the Bus try to befriend him, but are met with stoic silence.

Artist - Jack Foster
Artist – Jack Foster

Most disturbing, the audience sees the Weird Kid collect a weird assortment of what could be considered weapons. Paper weights, letter openers, the arm off a desk — all crammed into his ratty old backpack.

The goal would be that astute viewers feel a growing sense of unease about the Weird Kid, a dark undercurrent to all the wacky hijinks ensuing each episode. Is the show working towards some sort of Colombine/Newtown sitiuation?

Finally, Episode Five.

The episode transpires very much like the first four — the Kids on the Bus arrive, and put on a performance for the school, in between trying to bone up on their course material for the EOCT on the horizon.  The main conflict is between them, and the entrenched theatre kids already at the school. They resent these fancy-ass kids coming in and stealing their thunder — but then they learn an Important Lesson about working together, and team up to put on the Best Show Ever.

After the last commercial break, we come back to the lunch room. The Kids are being congratulated by their new friends after the performance, and are packing up their things to get back on the bus. In the midst of this jubilation  the Weird Kid stands up and speaks for the first time.

Or rather he screams. A primal yawp, a guttural cry of absolute frustration and pain. The lunchroom goes silent, and shocked students pull back, giving the huge kid in the trench coat a wide berth. Some go for their cell phones to call 911, but they are stopped by the icy gaze that Weird Kid fixes on all of them. He looks at them with a deep well of sadness, pity and contempt — and slowly begins to stalk out of the school A long tracking shot of him walking through the halls, all who encounter him quail and make way.  Not a word is spoken — this should be a long sequence. A total departure from the frenetic, happy fun-times of the show previously.

The Weird Kid slams the doors of the school open and walks out into the late afternoon sun, fall leaves are drifting through the air. He looks up into the sky, lost in thought. The two youngest Kids on the Bus [AJ and AJ] creep up to the Weird Kid, and stir up the courage to ask him what’s wrong.

The Weird Kid places a gloved hand on each of their shoulders, and shakes his head. He leads them to the bus as he speaks quietly. “You can not understand. The time is upon us. The dark time, the end time. Ragnarok is a silly word, but it is the time.”

Weird Kid takes his seat and stares out the window again.

The other Kids get on the bus, and they pull away from the school.

They drive away for a few moments, then cross a bridge over a lake — seen earlier in the episode upon arrival. tumblr_lyh47jWq1H1qchs4mo1_500The bus slows to a halt, as they spot a group of people on the far side, it appears to be some sort of parade.

The parade advances — no instruments, no floats, only people in regimented lines. They wear the costumes that the Kids on the Bus wore for this episode’s performance. Their eyes are blank and empty.

And then, things begin to appear behind the parade, making their way along side. Vaguely man-shaped, tall stilt-like legs and arms, small circular heads surmounted with oblong caps.

The Weird Kid springs to action, ripping his backpack open. “Let me off the bus. It’s time, I’ll fight. I’ll fight!”

A mishmash of improvised weapons fall out, and Weird Kid grabs the two largest — he bulls past the teacher and bus driver and out the side door.

Just in time to see the tall things begin their work. They begin to eviscerate the parade – calmly, surgically — cutting off limbs, peeling off flesh, slitting hamstrings, and a dozen other horrors of torture. Weird Kid takes a step forward, but then quails as one of the tall things approach. Through a haze it seems to transform into a dark-haired man wearing the uniform of an EMT.

“You kids allright?” the thing asks. “There’s been a terrible accident, some sort of gas released in the area. Making people see things. Could you all get off the bus so we can check you out?”

Weird Kid flees back onto the bus, and slams the door behind him.

“Drive.” he says. “It’s no use. It’s no use.”

The bus driver floors the bus in reverse, and the Kids on the Bus sit back down in utter shock. The bus drives off into the gathering dark and an uncertain future.

IS THAT WEIRD ENOUGH? NOPE, I THOUGHT ABOUT IT SOME MORE.

This all made perfect sense in my dream, but this is where it really goes down to Crazytown.

All of the Kids on the Bus are the heroes of the Illiad. They are the reincarnations, avatars, whatever of the Greek heroes — and the time has come for them to stand against the might of the gods.

The conceit would be that Homer’s Illiad is a version of a real event — a showdown between mortal and immortal, with the fate of the world in the balance.

If this sounds awesome to you, then you are officially a Classics/English nerd.

The tall things are the gods, or maybe their most powerful servants — something alien and other, some powerful force that was stomped out in the time of Homer. And now its up to this bus full of CW pretty kids to step up to the plate.

I EVEN STARTED FIGURING OUT WHO WAS WHO ON THE BUS.

The Weird Kid is Diomedes [Dennis Mead], he who even the God of War fears. And interestingly enough, not the main character of the show. The two kids who try to befriend him are Ajax and Ajax [AJ and AJ], I think I would flip the script and make Achilles and Odysseus female and the leads of the show. Agamemnon is the teacher, Meneleaus the bus driver. Oh man, I could go on. Helen is male, and so is Paris. Hector is my secondary lead.

I just love the idea of establishing all the Glee/High School tropes — then cramming them into the oldest of tales, to turn back the clock on those tropes to their most primal forms.

And this is what my beloved has to hear on the way to lunch on a Sunday morning.

Names for the show:

Kids on the Bus

Heroes [oh, that one’s taken?]

Legends

Thanks for reading.

Supernatural can’t stay on forever, after all…

Book Feels

spellinside

It’s still very surreal to have the proof of the book here. That this thing that’s lived in my head for years is now a physical object. That I can reach into my bag and pull it out and touch it. That it can prop open a door, hold down the corner of a picnic blanket, serve as a completely ineffective projectile weapon.

I took some quick pictures to share on the Facebook Page [What? You haven’t liked Spell/Sword on Facebook? NAUGHTY.] Like a proud papa I want to make sure anyone who follows the blog gets to see them as well.

Such a tall genre-busting fantasy novel!
Such a tall genre-busting fantasy novel!

The book it’s standing on is the new Lemony Snicket book, and it’s super awesome by the way. It was just a convenient stand, my book is not trying to establish any sort of dominance in the pack.

Mobile Suite pilots are my core demographic.
Mobile Suit pilots are my core demographic.

People have asked me how I feel — and as usual I don’t have a ready answer. Proud? Yes. Excited? Yes? Terrified? More than a little.

So close to the finish line. One last pass through the proof to catch any errors or formatting issues — and to have a crisis of faith on the quality of innumerable facets of the narrative. After that, just a few more days and the release date will be set.

A Succinct List of Why the Spell/Sword Cover is Awesome.

Cover Design/Layout: margaretpoplin.comIllustration:poopbird.com
Cover Design/Layout: margaretpoplin.com
Illustration:poopbird.com

1. Mentions witches.

2. Has a sword on it.

3. Look at those crazy numbers! What’s that all about?

4. Well designed shoes.

5. Legible.

6. I mean, for real..those numbers! They are so interesting and strange. I’ll be the author is pretty cool. And handsome.

7. That girl looks pretty mean. I’ll bet she’s a badass.

8. What’s up with that kid’s hair? Ha ha ha…I mean, really.

9. Where can I get some of those shoes?

10. Ten reasons seems pretty arbitrary.

11. Why not eleven?

12. Seriously, kid. Get a comb.

13.  It’s not hip. It’s not cool. It’s not edgy or geek chic or expansive. It would look completely out of place next to a Wheel of Time cover, a Game of Thrones cover, and the Name of the Wind cover. It would look completely out of place on the Fantasy shelf at Barnes & Noble. And that’s the point.

14. It’s simple. It’s clean. It’s dorky. It delights me that people who read the paper version will be slightly embarrassed to have people see the cover. It raises a giant Nerd Flag and waves it for all the world to see.

15. Wait. What’s the weird little symbol on the spine? Mysterious.

16. It’s distinct, it’s different, it’s memorable.

17. Kind of like that kid’s hair.

18. For better or worse the cover is exactly what I want. It’s exactly what you’ll find inside. A weird, off-kilter world just shy of a cartoon fever dream. Things are silly, things are odd, things are real. Silly things matter even though they shouldn’t.

19. Oh, hey! It’s got witches in it.

 

Spell/Sword Inspiration

Aragorn.
Aragorn.

“Why’d you write the book?”

“Huhn?” I said, cornflakes falling from my surprised mouth.

“The book. Spell/Sword. Why did you write it? What inspired you?”

“Uhhhh.” The spoon hovered over the bowl. “Look, my cereal is getting soggy and you know I am borderline neurotic about that, so…”

“Fine. I was only showing a little interest in your work, a little curiosity if you will. Thanks for responding so elegantly.”

My mouth was already full of more cereal, so it took a moment for me to respond. I munched furiously and swallowed, pointing accusingly with the spoon — then took another bite. My hatred of soggy cereal is a cruel mistress.

“You’ve never cared before! Why the interrogation all of a sudden?” I demanded through half a mouthful of cornflakes.

[It actually sounded more like “Myouff nevarr cared befoo! Ay the inrerroration paul of a suddeth?”]

The orange cat flicked its tail and said nothing. I hate it when he’s like this. Aragorn is more sphinx than

Aragorn.
Aragorn.

housecat, a grand old lion and shaman of the Cat Tribe — but he can be a proper bastard when the mood strikes him. Like most cats.

“Hey…look. I’m sorry.” I took one last quick bite of pre-soggy cornflakes. “It’s just a big question.”

Aragorn eyed me, green eyes level.

I wiped some milk off my chin. “It is!”

The orange cat sighed. “You don’t have an answer, do you? People like to know where books come from, what motivated the author, the journey from idea to page to finished product. You should have a short, easily-digestible sound bite prepared for this question. Don’t you know anything about marketing? Prospective customers want an easy hook when purchasing from an artist online. Young Genius, Aged Artist Returning to the Craft, Nerd Royalty, Passionate Young Woman/Man, Social Justice Crusader, Super Cool Hipster, Erotic Smut-Peddlar. Pick an easy bucket and climb up in there, silly human. You should really have all this figured out—you are self-publishing after all.”

“But the answer isn’t short or easily digestible. It’s not even coherent.” I protested. “And that is some seriously cynical e-marketing advice, Aragorn.”

“I’m a cat. We take in cynicism with our mother’s milk.”

“How does it taste?” My eyes dipped of their own volition towards the mostly empty cereal bowl in my hands.

Aragorn flicked his tail again and turned to leave.

“Wait, wait! I just don’t have an easy answer. I’m not one of those people who knew from age 9 that their dream was to write. You know? Study hard, build their craft, working slowly and inexorably towards their heart’s goal? And I’m not one of those people who were just minding their own business when a lightning bolt flash-seared their pants to the chair, and they immediately started writing a Profound Work. I mean there was some of both of that, but it all kind of happened in fits and starts — and mostly by accident.”

The orange cat looked over his shoulder with faint interest, halting his exit. I put the cereal bowl with the small residue of milk at the bottom to buy myself a little more time to prevaricate. Aragorn approached the offering, keeping his green eyes on me.

“I mean, sure. I’ve been a reader basically my whole life. I was reading my mom’s books when I was 10, way before I was ready for them. Dune, Sword of Shannara, everything I could get my hands on. And fantasy was always the thing that fascinated me. All through middle school and high school, just burning my way through every piece of genre fiction that the library and my meager funds could provide. Eddings, Tolkien, Williams – anything, everything! And maybe in some sort of vague, half-hearted way I noodled around with the thought of becoming a writer some day.”

Aragorn’s tongue rasped away at the milk in the bottom of the bowl in the sudden quiet as I took a breath.

“But never seriously, never with any drive. Sure, I wrote a few scenes and skits and short stories through high school and college, but it never even occurred to me to think of myself as a writer. Maybe because the people in my Creative Writing class who did were insufferable ponce-wicks — but also because me and the Future are always on our first date. I like her, things seem to be going more or less well, but I don’t know her at all.”

“Hmph.” Aragorn chuckled into the milk. “So, how did you accidentally write a book?”

"Stupid human."
“Stupid human.”

“Well, not really by accident. Okay — this is long and involved, let me give you the short-short version. A couple of years ago, I started running a Pathfinder campaign…”

“What?”

“You know, Pathfinder? It’s a lot like Dungeons & Dragons, but it’s more similar to 3.5 than that awful, awful 4th edition.”

The orange cat simply blinked and went back to cleaning the cereal bowl.

“Okay. You don’t care about that. Uh…okay, me and some friends started writing a story together online. We mainly did it to avoid boredom at our respective jobs, but it quickly turned into something very expansive and involved. Like, over the two years we wrote over a million words for this story.”

“Is that a lot?”

Cats. They just refuse to be impressed.

“Yes. It’s a lot, Aragorn. And in the middle of all that I developed a whole world, hundreds of characters, super involved multi-layered plots and history and backstory and..you see where this is going? I suddenly had the Stupid Epiphany: This is how novelists work. They start, and they don’t stop — then at some point they have enough words to call it a novel.”

“That is stupid.” Aragorn said.

“So, in the midst of this vague idea, I met a guy at DragonCon named Joe Peacock.”

“Is that a real person? And did you just verbally hyperlink something?”

“Yes and yes. He gave this awesome presentation on Akira–”

“Okay, stop that. Stop linking things in the middle of our conversation, it’s just rude.” The orange cat’s tail lashed with agitation.

“Sorry. Anyway, I was looking on his blog and I stumbled across this massive article he wrote about Self-

Artsy shot.
Artsy shot.

Publishing vs. Traditional Publishing. It was really cut and dried, step by step instructions. It reduced the process to something concrete — something that I could actually see myself doing. Combined with my Stupid Epiphany it got me to open up a Google Doc and type ‘Chapter One’. I’ve never started a novel because I was absolutely sure I would never finish — and if I did nothing would come of it. Now I felt like neither of those were excuse enough anymore.”

“So,” the orange cat mused. “You wrote a book to prove that you could write a book? That’s it?”

” Partly, I guess. That got me through the first chapter, but after that it was about telling the story.”

“The story?” Aragorn curled up into a more comfortable position. ” What’s your book about?”

“Oh god. Well…” I picked up the immaculately scoured cereal bowl and dropped it in the sink. “How long do you have for this?”

[To be continued…maybe? 

Take a minute and ‘Like’ our page on Facebook, that way you can enjoy my randomness at more regular intervals.]

The Tudyk/Pikachu Intolerance Litmus

Image provided by:margaretpoplin.com
Image provided by:
margaretpoplin.com

Sometimes we perceive ourselves on the sidelines — when we witness intolerance, or hate, or discrimination. When we don’t personally know a Muslim, a black person, a woman, or a gay.

I mean, those people are rare, right?

But I get it — it’s hard to get enraged when you don’t have a personal connection to the subject of abuse. They’re just concepts. Not people, not our friends, not anything worth breaking the social contract for — calling out some casual or professional racism, sexism, trans-hate, etc. etc. — or just general shitty, rude behavior.

So, here’s what I do when I find myself waffling on whether or not I should speak up or show support for an individual or group. An individual or group that is getting worked over by systemic violence, workplace discrimination, or any of the thousand-thousand petty assaults humanity heaps on the Tribe of Other.

Just mentally replace whatever person or group is being attacked with something universally good. Something that every single one of us can agree is wonderful — and would provoke all of us to righteous rage if  we witnessed them being maligned or assaulted in any way.

alan_tudyk_99
Alan Tudyk pictured with Smolder Mode activated.

I pretend that they’re talking about Alan Tudyk and Pikachu.

Do you have any idea how fucking pissed I would get if someone was rude to Alan Tudyk in front of me? Especially if he and Pikachu were having some sort of picnic? You know, snuggling and eating cucumber sandwiches and reading fairy tales out of a big leather book. LIKE THEY DO.

“Shut your face, man. Alan Tudyk is a national fucking treasure and I won’t have you slander his good name. Of course we all his enjoy his work in Firefly — but have you even considered his less known roles? Like in Knight’s Tale or Dodgeball? Have you even considered his voice work? His voice work? I,Robot AND Wreck-It Ralph – phenomenal work. And Pikachu is a cuddly lightning mouse. A. LIGHTNING. MOUSE. THAT IS CUDDLY.”

That’s the trick. Make it personal. Use whoever you need to inspire the Godly Wrath. [Restrained and classy wrath please — anyone who would diss Pikachu is beneath soiling your own hands with physical violence.]

Because they are people. They are real. They are [nearly] just as important as Alan Tudyk and Pikachu. If Alan and Pikachu want to get married, that is a blessed event. If some of my money will keep Alan and Pikachu from getting killed in a country I’ll never visit, then please take some — I would just waste it anyway. If Pikachu wants to evolve into a girl Pikachu or a boy Pikachu, I know Mr. Tudyk is still going to be right by their side, and I should too. If Mr. Tudyk and Pikachu want to worship in a mosque, or a synagogue, or a church, or an empty field, or on the rim of an active volcano that is their right and I can’t imagine why anyone would have a problem with it.

pikachu_epic_pose_by_dhencod-d55ji0n
Pika!

Because even though I’ve never met them, I know that they are awesome. They are worthy of my love, worthy of my respect. And wouldn’t it be great if we extended the same certainty to the rest of the human beings, animals and Pokemans that share this dimension with us?

Just a thought.

Can I add that it is a sad state of affairs where Google Image Search doesn’t yield a single picture of Alan and Pikachu together? If anyone more photo manipulative than I could make that happen, you would get 750 points for the Hufflepuff.

UPDATE: 750 Points to Hufflepuff for Margaret Poplin! Thanks, Margaret! She did the photo manipulation – not sure about the pic of Mr. Tudyk, but the Pikachu art came from here.

Fan-fraction

Xander Berkely - played Captain Isaac Whitaker in the film version of A Few Good Men.
Xander Berkeley – played Captain Isaac Whitaker in the film version of A Few Good Men.

I’ve complied my Bizarro World fanfiction onto one page for easy consumption. I’m sure that Aaron Sorkin never expected there to be fanfiction of A Few Good Men, but he almost definitely never expected some starring a forgettable throwaway character, only intended for exposition.

You Can Call Me Isaac

I kind of had a lot of fun with this one. It turned from a silly, one-off joke into something approaching a Stoppard Rosencrantz And Guildenstern are Dead. Not approaching closely admittedly. My side-story has a few more psychic duels and resurrections than Stoppard’s work.

But, as I said — I found myself digging the project more than I expected. I’ve always enjoyed the idea of the aging hero pulled back into the fray. The days of youth, wonder and power cracked back open when the need is dire. And really, any excuse to have super-powered characters cavort on rooftops is fine with me.

I did some quick web-research, and found the actor who played Whitaker in the film version – Xander Berkeley.  Dude looks pretty badass, and has some interesting genre credits to his name. So if his people are interested in the TV show rights, they can give me a jangle. Don’t tell Sorkin, though. I don’t want him to write an uplifting monologue to batter me into submission.

You Can Call Me Isaac V

Two days of air and fire.

Hermes and Black Mask danced in the shadows of the city. Cat and mouse and dagger and cloak — a secret duel hidden from the eyes of the mortals below.

The green-masked man ran faster and faster. He found new clothes, he ate food from dumpsters and the bottom of diner tables, he slept not at all. The field kept him up, kept him alert, burned the bacteria from the garbage he pushed into his mouth. Never a moment to stop, to breathe. Out of every shadow stepped Black Mask giggling. From under park benches, seeping through storm drains, out of every closet the violin laughter.  They clashed again and again – a hail of cutlery flung from a diner kitchen, an empty dumpster dropped from a midmorning sky,  two off-duty policemen opened fire – their eyes dead and blank under Black Mask’s grip.

Hermes phased through a wall to avoid the forks and knives. He caught the dumpster and hurled it back into the heavens. His hands blurred as he snagged the bullets from the air and tossed them aside.

And he loved it.

The field was like a drug.  It burned in his veins, it sang in his temples. The restraint he had held himself to back in the old days was gone, he was a god and couldn’t let himself stop. Partly because Black Mask would kill him if he let the field fall, but mostly because it felt too damn good.

Hermes became stronger, he became faster. The skill of his younger days fell into his hands like a ripe apple. He caught his reflection in a storefront window and laughed at the fat flesh still spilling over the top of his pants.  He was ready. Ready to stop running.

2008030157900301He chose an abandoned airstrip on the fringe of Dulles International. It was the perfect battleground. No civilians, zero cover,  few spare objects that could be turned into weapons. Hermes stood at parade rest and waited. It was 0400 and the day’s heat was already beginning to gather.

Black Mask did not disappoint. A howl of wind and he was there.

“Tired of being the rabbit, Captain Whitaker?” he called, two dozen yards across the tarmac.

“Tired of you…Dionysus.”

“Oh you remembered! The god of revels, the god of wine, the god of madness.” Dionysus hugged himself tightly with elation.

“You killed that boy. Why?” Hermes demanded.

“He was such a complainer, a whiner, a problem. We performed the Pantheon process in secret to several of the Marines there, he was the only one that responded,” the black mask waggled in exaggerated disappointment. “I’m sure you remember that the process leaves the subject physically weak and impaired for several weeks to months afterwards. Poor lad was getting bullied by his unit because he couldn’t run fast enough, or keep up with the drills. He started writing tear-stained letters to his family, the Corps, his Congressman. Entirely too much noise, too much attention being called. Guantanamo Bay has been the …shall we say, retirement home?…for Project Pantheon for quite some time now.  Zero Exposure, you remember. We couldn’t risk any bright young men like Jack Ross putting the pieces together. The opportunity presented itself, two members of his unit were ‘educating’ him with cord and duct tape, and I just reached in his chest and stopped his heart. A little bird’s heart in my hand. Squish.”

Dionysus clenched his gloved hand to demonstrate.

Hermes moved, the green field humming. A half-moment of distraction was all he had needed as a younger man, he prayed that was all he needed now.

The black mask moved in slow motion. Hermes could see his old comrade’s eyes widen with surprise. They widened even more as his hand plunged into Dionysus’ chest.

“Like this?” Hermes growled. “Squish.”

The black mask was still, then tilted back. Gales of laughter erupted and Dionysus shook with glee. The shadow outline of his form began to break up and splinter, like a pile of leaves in a wind. The black pieces blew away in the hot wind before dawn, and Hermes was alone on the tarmac.

Hermes looked down at his empty hand. “Dionysus, god of theater.”

The black masked man wasn’t here. He’d never been here. Not on the airfield, not in the streets of the city, not even in the back of his car. He’d reached into Hermes’ mind from somewhere far away, and played him like a puppet on the stage.

But why? What was the point? The horizon began to glow slightly with the onset of dawn, but brought no answers.

Hermes knew where to find some. He knew who to ask.

—-

Thursday at 0600, he stowed away on a transport heading for Cuba. He watched his men, Kaffee and Weinberg board the plane before slipping into the storage are in the belly of the craft. What would they think if they knew that their commander was not a dozen feet away, curled inside a metal cargo space munching on a few bags of beef jerky?

The Marines stationed at Guantanamo Bay are fanatical about their service at the forward area — vigilance, training and Gitmo_Aerialdiligence are expected and rigorously enforced. Hermes slipped past them like they were statues. He found a position on top of a guard tower, and crouched like a gargoyle – reaching out through the field to find what he was seeking. A large energy spike, somewhere underground, beneath the Guantanamo installation.

He slipped into a side door of a small building used to store medical supplies. The hidden door was easy enough to locate, and pry open. Hermes walked  down empty halls filled with abandoned equipment and broken glass. At last he found what he sought. A large metal door, the edges sealed. A palpable cold radiated from the metal, and his hand stuck to handle as he turned it.

A naked corpse was laid in the center of the freezer, on top of a couple of crates. The man was young. Couldn’t be older than 20. Shame.

Hermes laid his hand on the corpses head and whispered. “I am Hermes, the god of the crossroads. The messenger. The messenger.”

The messenger between the mortal world and the world of spirit. The world of the dead.

The human body is a sack of water. A sack of water that is animated by electrical impulses. If one has the way of it — the will, the training. One can replicate these electrical impulses in dead tissue. One can speak to the dead.

The green field hummed and Hermes groaned with exertion. His vision blurred, but then snapped to when Santiago’s eyes opened.

“Where am I” he said.

“Not important.” Hermes replied.

This was an extremely strenuous task, and the dead were always foggy. It was best to get the intelligence you needed as quickly and swiftly as possible.

“Do I get to go home?” Santiago asked, his voice cracked and sere.

“Yes. Yes, Santiago, you get to go home.” Hermes felt his eyes began to burn. “You had a dream. A dream about a man in a black mask.”

“Yes. I remember. He scares me.”

“I know. He can’t hurt you anymore. I need you to remember the dream. Did you ever see his face?”

“He’s laughing.” Santiago whispered. “He keeps calling me rabbit bait. But the rabbit is terrifying. He looks like a wolf with rabbit ears, and a green mask.”

Bait for me. “Don’t look at the rabbit, Santiago. The black mask. Can you see his face? Show me. Show me, please. And then you can go home.”

Santiago did. The face, clear as a painting in the dead man’s mind. Different then Hermes remembered, he’d had plastic surgery to hide his age and prominent features. He was here, on this base, hidden in plain sight.

“Thank you, Listener…Santiago. Now, it’s time to go home.” Hermes let the green field relax and the dead tissue went cold.

—-

A short-statured man sat at a desk in the command center of Guantanamo Bay. He was the base commander’s aide and Lt. Col. Nathan Jessup kept him busy sending communication to the Pentagon and administering the day to day duties of the forward base and detainment center. He knew everything that happened on the base one way or the other, and was able to quietly adjust certain orders to suit his true position, his true mission.

A man wearing a green mask walked into the office. “Hello, Tom.” he said.

Tom looked up from the stack of papers and smiled. “Hello, Hermes. You found me. Even quicker than I expected. Bravo,00000462_ac_0001 sir. I was worried when this all began, but you’ve snapped back into shape in a remarkable fashion. You may even wear off that gut in a few weeks if you keep the pace up.”

“Why, Dionysus. Why all of this?” Hermes stood at parade rest in front of the desk.

“Why for you!” Tom said with mock surprise. ” It is time to gather the sons of Project Pantheon again and begin our great work. The Marines here have been a total disappointment, they don’t have any of the old fire that our unit had. I need you, you and the others that remain. I activated you first, because you are the messenger. You can bear my commands even faster than my Remote Psychic Link. Save me weeks of time.”

“What if I say no?”

Tom laughed. “Say no? That’s ridiculous, Hermes. I can see it in your eye. You’re tired of being a fat old man shuffling paper. You want the field, you want the power. I have given it to you — we can tear across this world like the gods that we are. Think of it, Hermes! Kings and presidents kneeling at our feet. Countries toppled at a whim. Wars orchestrated to the tune of our psychic symphony. It’s why we were made, it’s what we are. As it was in the age gone by, let it be again here and now. We are gods, Hermes, gods!”

“I’m a soldier, Tom. Not a god.” He pulled his green mask free and tossed it on the desk. “And you can call me Isaac.”

Tom started to laugh, and then choke. The canister of gas that Isaac had hidden inside of his mask spewed forth a nearly invisible stream of poison. Isaac adjusted the straps of his stripped down gas mask and watched as his old comrade began  to turn red, then purple. Dionysus’  psychic field flickered on reflexively, but the damage had been done. The bag of water was punctured.

Isaac waited several minutes after Dionysus stopped moving. He carefully tucked the poison canister in his pocket and opened a window so the cyanide gas could dissippate. He laid two fingers against the dead man’s throat and made absolutely certain his heart had stopped.  He considered breaking the man’s neck just to be sure, but his iron training still  held him. Zero Exposure. Better if it looks like a plain old heart incident. Just like poor Santiago. I hope they do a better job of sweeping this one under the rug.

Isaac looked down at himself, at the dozen or more small scrapes and bruises he’d gathered in the past few days. He knew the moment he let the field drop, he’d be nearly incapacitated by pain. Not yet, Isaac. Got to get back to DC first, then to the nearest hospital.

The old soldier found himself grinning as he tugged at his waistband. “I’ve lost a few pounds at least. This beats the shit out of jogging.”

Isaac slid his mask into the wide pocket of his BDU, and leaped out the window.

bar-11

An attractive young woman sat alone at the bar, her hands idly twirling a cocktail straw as she stared into her glass.

Isaac slid onto the seat next to her, careful to keep his sling from jostling her. “Commander — I hear you won your case?”

“Captain…Isaac?” she replied in surprise. “Yes, yes we did. Lt. Kaffee and Sam and I. What…what happened to you?”

“Car wreck. Dumb luck.” he said philosophically. “Got quite a bump on the noggin, I was out for days. Sorry I missed the trial.”

“That’s okay. Must have been quite a car wreck.” she said, looking over the arm sling and the visible bandages on his hands and neckline.

“Hell of a thing. Buy an old soldier a drink?”

“Sure.” she smiled. “What’ll you have?”

“Nothing green, other than that — lady’s privilege. Where are Weinberg and Kaffee? Why are you celebrating alone?”

“Eh. Sam went to see his kid, and Danny…well, I’m not really sure what that one is all about. He had some work he wanted to do.” she shrugged, and signaled to the bartender. ” You in a hurry, should I get you something light?”

“Commander, I have nowhere I’d rather be.” Isaac leaned his uninjured arm on the bar. “Nowhere at all.”

“Good.” she smiled. “And remember, I said you could call me Joanne.”

[The final installment of my fanfiction covering the adventures of my character in A Few Good Men, Isaac Whitaker. Thanks to the cast and crew of Town & Gown’s production for inspiring and enjoying it. ]

You Can Call Me Isaac IV

A few hours later, Isaac leaned against the bricks of a rooftop stairwell.  The building was about ten stories tall, and provided an easy observation point for the taller building across the street.  He glanced at his watch, 2100 hours and studio-rooftopJack Ross was working late. The young lawyer’s light was one of a few that remained burning in the offices across the street.  Isaac watched Ross leaf through several file folders, and make copious notes on a yellow legal pad.

Isaac looked over the rim of his shattered spectacles, and wondered why he had been sent to kill this young man.

He checked the bandages on his left leg and shattered knuckles. The backpack had held a field issue first aid kit, and he had been able to dress his wounds in a portable latrine left unlocked at a construction site a few miles from where he’d wrecked the Regal. Also in the bag were a freshly laundered pair of Army BDU’s, so he had quickly shoved his blood-spattered khakis into the basin of the latrine and put on the clean clothes. They were clearly sized for a younger, much slimmer version of Isaac Whitaker — but he had managed to squeeze into them.

There were two other things in the backpack. An MRE – lasagna, his least favorite – and the object that he now held in his hands as he kept an eye on Jack Ross’ late night work.

It was a wooden mask, featureless except for a narrow slit for the mouth and two thin holes for the eyes. It wasn’t black, it was plain Army green. The paint was flecking on the edges.

Back in the unit, when they were first issued them, he had listened to the scientific rationale with half his attention. The unit had been trained to cause people to ignore them, by employing their psychic field to dampen the mental activity of others. It made people pay less attention to them, be far less inquisitive than they should be.  And somehow the masks helped — by removing recognizable human facial characteristics, it made the members of the unit even easier to ignore and disregard.

Isaac had done a lot of terrible things wearing this mask. Hermes did a lot of terrible things.

And now he had to put it on again.

It had been so easy to slip back into his training, his conditioning. He had been completely unobserved moving through the busy nighttime streets — he had leaped from rooftop to rooftop, slid down telephone poles in total silence, made himself invisible to an entire city bus of passengers, as he sat Indian-style on the roof. And it felt good.

Isaac squeezed both sides of the mask with his hands, feeling the smooth grain of the wood. It felt wonderful. I guess I never let myself think about how much I missed it. How crippled I’ve felt all these years. Fat and fucking old, jogging around my house and shuffling paper.

IMG_0254He’d been so caught up in it, in the high of the field, that he hadn’t truly been thinking. Black Mask was watching, he knew that. Any of his old unit would have little trouble keeping tabs on him. In the old days, the Hermes days, they never could have kept up with him, but now it would be child’s play — his field was still strong, but he was years out of practice.

Only one thing made sense right now. Find Jack Ross.

Enough, Whitaker. Get on with it. Isaac slipped the green mask on.

He ran towards the edge of the roof and kicked off. A few bricks were dislodged by the force, and he sailed through the air. His psychic field blazed green, but he had waited until the road below was completely deserted. The only one to see was Jack Ross as Isaac burst through his office window.

“Holy Hell!” Ross staggered back from his desk, eyes wide.

The young lawyer managed to grab a lampshade as an impromptu weapon. Hasn’t been a desk jockey too long. Isaac took it out of his hand and grabbed the front of Ross’ coat. With a quick heave, he slammed the younger man down on his desk and leaned in close.

“Tell me, Ross.” Isaac spoke in a whisper, praying that his voice would be unrecognizable. “There’s some very scary people that want you dead — any idea why?”

Ross swallowed and tried to collect himself. Isaac felt some sympathy. It’s been a rough day for everybody, kid.

The young lawyer ran his eyes over the green mask, and started as he saw the faint glow still remaining from his leap across the street.

“It can’t be. I never thought it was true.” Ross said fuzzily. ” Project Pantheon was real?”

Project Pantheon. The unit. Him, and the others. The psychic soldiers of the Cold War.

“What do you know about Project Pantheon?” Isaac forced himself to keep his voice quiet.

“Nothing! I’m working on a case, the murder case of this PFC in Guantanamo Bay. He was killed by a couple of his squad members.” Ross took a gasping breath, and coughed.

Isaac almost gasped himself, but kept the pressure on the young lawyer. From a thousand years ago, this morning, in the quiet life of Captain Isaac Whitaker of the JAG Corps,  he had been discussing this very case with an attractive young woman from Internal Affairs. “Santiago.” he whispered.

“Yes, Santiago!” Ross said with relief.” I got a big carton of evidence, copies of all of his personal communication sent 59981310_ce431f1908_zover from IA. But there was something extra, a journal kept shut with rubber bands. It wasn’t on the manifest, so I was curious — I opened it. It was…it was crazy. Some sort of psycho-therapy dream journal sort of thing. All of this raving about these nightmares that Santiago kept having, about psychic killers in the army. Project Pantheon, he wrote the name over and over again. And a ton of fucked up drawings — dragons and devils, yeah —  but always these figures wearing army fatigues and masks. Masks like you’re wearing.”

Isaac let the young lawyer go and stepped away. He could hear Ross swallow and slowly start to sit up behind him.

This Santiago kid –  he’s a Listener. Or he was a Listener. The process that unlocked the unit’s psychic fields always had similar effects: increased agility, awareness, strength, speed. But early on they had discovered that different people manifested different types of abilities. Super strength, remote viewing, mental domination, and others far stranger and more difficult to classify. One of the rarest was being a Listener – the ability to gather intelligence in the dream-state, to travel through the sleeping minds of the enemy and pull out battle plans, tactics, military secrets. The problem was that the information could only be processed by the sleeping mind – so it always came out in the this nightmare mish-mash. The two members of the unit that had the ability kept journals next to their bed, and always filled them with insane scribbling — then dutifully turned them into command to be deciphered. But Santiago was way too young to be a member of Project Pantheon. Unless they never really closed it down. Unless…

There was a member of Project Pantheon in Guantanamo Bay. Isaac felt his insides boil. They had killed that poor kid to hide themselves, framed the two Marines that Weinberg and Kaffee were defending…and now they were using him to mop up Ross. All for the young lawyer’s dilligence.

Isaac turned to face Ross. He knew what he had to do. His hand rose, fingers splayed.

“You will forget this, Ross. You will forget the journal, you will forget. A hawk flew into the window, broke it, scared you. You will never be alone for the next two weeks. Public places, carpool to work, keep your service revolver loaded and nearby at all times. Now go home, and get a good night’s sleep.”

Ross nodded, grabbed his briefcase and walked out the door.

Isaac watched him go and then turned back to the broken window. He found himself staring at his reflection in a small piece of glass that still hung in the frame. The green mask gave nothing away. “Goddammit.” he sighed.

He walked to the window, still holding the lamp he’d taken from Ross. Brandishing it like a scepter, he called out into the night.

“No. I didn’t kill him. But you’re going to have to let him go. You’ve got larger problems, you’ve got some serious shit to deal with. You’ve got me. You’ve got me really fucking pissed off. My name is Hermes and I’m the God of the Goddamn Crossroads. I am the messenger, you mother fuckers. Now come and chase me.”

His field blazed emerald and Hermes leaped out into the dark.

Hermes

 

 

You Can Call Me Isaac III

The human body is a sack of water.

A sack of water held together by the thinnest of walls, shot through with electrical cables and guitar string. From the tips of our fingers the current flows, water and energy radiating from our heart, our brain.  Turn the dial on the microscope and our cells are the same. Tiny bags of fluid and light.

The water, the walls, our bones, our cells — these are all physical things who do not react well to being flung against a hard surface at 67 mph.

But the energy, the electrical impulses controlled by the human brain, these are intangible things. They care not for matter, or gravity, or pain. If one has the way of it — the will, the training. The mind’s electricity can illuminate us.

Isaac Whitaker was a lightbulb turning on, tungsten wire glowing red hot.lightbulb

—-

He was a few paces from the smoking Regal before he came to.

His left leg below the knee was a red ruin, a thin sheet of blood covering his calf and black dress shoe. In his left hand he held the Regal’s driver-side door. His fingers had bent the frame when he ripped it free. Isaac tossed it absently to the ground, noticing that his vision had an odd jagged line across it.

Isaac groped at his face with both hands, and pulled his steel-rimmed spectacles off. The top half of the glass had shattered in a ragged horizontal line. He tilted them up with bemusement, and saw green light reflected.

The middle-aged man in ripped, bloodstained khaki hung in the air — his feet several inches above the pavement. He levitated, a nimbus of green energy surrounding him. Around his head the energy spiked and rippled, a crown of light.

Shit. I forgot about that part.

Isaac shut his eyes, and concentrated — fumbling  through his own mind, like a man exploring his childhood home in the dark. The green light faded and he slowly sank to the pavement.

He put on his broken glasses and peered around the crash site. The iron training held him fast. Zero exposure. No witnesses.

A pair of civilians were trotting up with concerned looks on their faces. An elderly black woman holding a grocery bag, and a thin white kid wearing a leather jacket.

“You allright, man?” the kid called, an unlit cigarette dangling from his hand.

Isaac held up his hand, just as the masked man had in the parking deck. You remember how, Captain. Now do it.

“You didn’t see anything. You are already forgetting this. You are walking away, and going around the corner and thinking about what you need to do when you get home.” Isaac commanded, his voice harsh.

m4lice-alice.tumblr.com/
m4lice-alice.tumblr.com/

The old woman and the kid stopped in their tracks, and turned as sharp as a military parade. They both marched away out of sight. The street he was on was deserted otherwise,   blank warehouses on either side. He would have a few moments to collect himself, to try to grapple with the situation.

“How can I?” he said to the empty street.

His feet carried him over to the crumpled car, and he looked at his reflection in the rear window. It was the same face he had looked at this morning in his office mirror, the same spreading paunch, the same khaki uniform shirt missing one button. But he was not the same. Isaac Whitaker was gone, he was Hermes again.

The messenger god. The god of crossroads. The god of vagrants and thieves.

He felt the tears and hysteria beginning to build behind his eyes again, and he pushed them away.  His thick hands curled into fists and he brought them down on the Regal’s trunk.  No pain, though he could see that two of his fingers were broken — puffy and purple at the joints. That was the danger of the psychic field, of harnessing the mind’s energy. The sack of water was weak and you could puncture it without realizing it. They had been trained to constantly check their extremities for damage, much in the way that lepers were taught.

The scientists hadn’t thought about that when the experiment began. It had been something that General Thurman had come up with, when one of the unit had died of gangrene after some bullet holes went unnoticed. The mission had been a success but Hephaestus was dumped into a body bag, and shipped back stateside.

The mission. Something for me in the trunk.

Isaac made himself walk back to the driver’s seat and retrieve his keys, instead of simply ripping the trunk open. Control was important, restraint was important. Only using the field when needed, that was something most of his unit never understood. It was why he had made it back with most of his sanity intact when the unit was decommissioned. The band of steel stapled around his leg, his abilities caged, and a place found for him in the JAG Corps.

The key turned in the trunk slot and it popped open. A green Army backpack was wedged in one corner. His hands trembled only slightly as he pulled it out. A white stamp was on the top flap – an army boot with crude wings on either side. His mark, his call-sign  Isaac pushed the flap open.

There were various items stuffed down in the bottom, but on top was a manila envelope. He bent the metal tabs and opened it, a large picture spilled out into his hands.

The picture was of a thin man, wearing a Navy dress uniform. Isaac recognized him

Artist - Jack Foster
Artist – Jack Foster

immediately.

“Jack Ross? What do you have to do with this?” he asked the air.

Ross was a colleague, a military prosecutor. A much younger man than Isaac, no way he could have been involved with the experiments, the training, the black operations, the casual slaughters. Isaac turned the picture over.

Scrawled in red lipstick were instructions. “KILL. 0 EXPOSURE. RETURN.”

“Goddamit.” He stuffed the picture and envelope back in the bag, and pulled the strap over his shoulder. “I don’t do this anymore.”

He needed time. Time to think, time to let his heart stop bleeding adrenaline. He knew the masked man would be watching. I’ll go through the motions, think my way through this. 

Isaac turned and started walking away from the wrecked regal. He ran through the laundry list. Clothes, bandages, time to further inspect the contents of the backpack, locate Ross, reconnaissance, infiltration, interrogation, termination.

He stopped a dozen yards away from the car, caged by his training. Zero Exposure.

Isaac concentrated, the electricity of his mind tearing through the air behind him. This was not his strong suit, but he should be able to make a small spark.

The gas line of the Regal ignited, and a thick whump-sound filled the air as the gas tank went up. Smoke and fire spread through the car quickly.

Isaac straightened his jagged spectacles and walked away. He was committed now. Police would find his car within the hour, and in a few hours more connect the charred license plate with Captain Isaac Whitaker. The DC police weren’t exceptionally competent – but a missing persons report could prove troublesome. He would need to act fast.

A grim smile stole across his face. He was Hermes, the messenger. He could act very fast indeed.

Isaac ripped his uniform shirt off and tossed it in a nearby dumpster. He walked on in a plain white undershirt, as the smoke from the burning car rose behind him.