Okay, okay — I know I’ve been quiet here on the blog, but I just wanted to remind everyone of my Goodreads Giveaway! Click the image below to enter — the contest ENDS IN JUST OVER A DAY AND A HALF!!!!
Gundam Pilots not eligible to win.
You do have to be a Goodreads member to enter, but who isn’t these days. Also, add me on there so I can be nosy and see what books you are reading.
I promise to actually blog a bit in the next week, updates on Riddle Box progress, nerd matters, etc. etc.
What, your friends don’t put on avant garde puppet shows?
Wow.
Get better friends.
I contributed a couple of monologues to the project, so I’m beyond excited to sit down and see them performed. I was also working on a rockabilly theme song for the show, which sadly won’t be recorded in time. Here it is, for your entertainment pleasure.
I want the leather of my sword-grip to creak as my knuckles go white. I want the lightning to crackle between my fingertips like Egg Shen. I want the Flux Capacitor to ignite as I travel through time.
I want the power, I want the fairy tale.
I want to run down the secret hallway, and slam my rainbow colored key into the console of the Black Lion. I want to save the universe with Rock and Roll, my electric guitar made of steel and griffon-talon. I want to wake up in the middle of the night to the sound of Holmes and Watson clattering by in a horse-drawn carriage.
I want the legend, I want the world of doors.
I want the Master Sword dreaming in the glade, and Excalibur in the Lady’s hand, and Cloud picking up Zach’s sword — his mind all wind and shadow.
I want all the promises that the world is not as it seems. I want Mulder and Scully in a Ford Taurus arguing with the night. I want all the possibilities, the promise of wonder. I want Seven Dragonballs, even if I never get to make a wish.
I want the doors. The endless, endless doors.
I want this world to be not as it is. Or, at the very least, I want the walls of this world to get a little thinner. Thin enough to hear the music from the Universe One Over.
I want to tell my story and I want my mom to get better and I want there to be enough money and I want Emerson back. I want my Beloved to never know pain or doubt, and I want my friends to never know want or despair.
I want to break the rules. I want to undo and shine and defeat and cheat death, cheat life, mashing in the codes on my controller and rolling back the cruel grip of time.
I want to snatch the lost from death’s grip.
I want to not be afraid. Of the Unmaker and its thousand, thousand shadows.
I want there to be more magic in this world, because there is so little — just a tiny, tiny drop.
Such a little thing to shine in the darkness. The secret flame we clutch in weary hands through the wind and rain.
I want the thousand heroes, I want the doors open wide.
I dropped a few copies of the book off at the high school I used to work at, with strict instructions that they be dispersed only to the truly devout nerds in attendance.
Today I got an email from one of my teacher friends, and my very first piece of true Spell/Sword fanart. Also a sweet review:
Actually, I just finished the book right after I sent you the fanart. Overall, it was great. Maybe could’ve used a few runs of spell-check, but great overall. I’m a bit confused, though- you never really explained what Jonas did to earn the title of murderer. Is it going to be explained in the next book?
Also, your original cover is great. Really solid, yet open for ideas.
Dang, Andrew. Why you gotta be like that about the Spell Checkery? That’s to be expected with Artisinal Fantasy. [COPYRIGHTED.]
My heart is glowing in an embarrassing fashion. I’m so excited to put this on my internet refridgerator, and on my literal refrigerator after I print it out.
Thank you so much for the drawing and for reading the book, Andrew! I wrote the book for weird kids like you…and me.
There comes a moment as an author, when you know you’ve made it. When you know, just know that … it was all worth it. That moment is now. Or rather, last night, the first time I saw this video. One of my friends and first readers Allen Rowell, is local filmmaker and director in […]
I’m considering entering a short story into the Sword&Laser Anthology, and I’ve been throwing the handful I’m considering up on my FB page for feedback.
Here’s a master post of all the ones in contention. The theme of the anthology is ‘unusual or unlikely’ stories within the science fiction or fantasy genre. Thoughts on these? Do you think I can whip one of these into shape, or should I start from scratch?
The Book of Teon – A demi-god records his final words and remembers an age of wonder.
Knight of the Scroll – A follow up to ‘Book of Teon’ a contemporary scholar studies the recording from the previous tale.
[I’m also considering combining these two into one story.]
You Can Call Me Isaac – 80’s period psychic soldiers battle for supremacy amidst the backdrop of Aaron Sorkin’s A Few Good Men. [yes, really.]
Star Prophet – My submission for ‘The New Yorker.’ Purposefully strange.
Oh nothing. Just my first official notes for The Riddle Box. I still need to decide on a lot of character names [probably won’t until I get into the first draft] and the timeline is wafer-thin — but here is the proto-skeletal structure of my second book.
So, for those of you finishing Spell/Sword and wondering where The Riddle Box is…whelp, this is what I have so far. And a lot of crazy ideas.
Ahhh…this is much more exciting than begging for reviews.
It’s like a sore tooth, I just can’t stop fussing with it. It’s not making me or the tooth any happier, so it’s time to start focusing on something that’s actually productive.
Planning for The Riddle Box, the next book in the series. This one’s primarily a murder mystery, so I actually need to think through my cast of characters, the location, and some of the mechanics before I start hammering away at my keyboard again. Oh man, I already know the first scene — can’t wait to start writing it next week!
I seem to have developed a fixation with bulleted lists. This may become a problem.
Story on Demand — I dropped this feature from the blog a few months back, so I could focus on editing and some other creative projects. Any interest in seeing it return?
Nerd Planning! I still have two active campaigns running, I should probably figure out how the Cult of Zero is going to further manipulate the band of heroes they’ve psychically indoctrinated — and how the Face-Thief Oni plans to subvert the noble samurai of Kori Horudo.
[This is a work in progress, to be updated and amended as curious folk ask questions that I haven’t answered here. Let me know what questions you have or clarifications needed in the comments below.]
So, you can now buy my book on Amazon — in Kindle and Paperback format. Just like a ‘real’ book! Or rather, just like a traditionally published novel. My book is sitting on the same virtual shelf as books published by Tor, Daw, and Random House. It’s a cool feeling. Maybe if I’d published five years ago I would be bothered by the fact that Spell/Sword will never appear on a shelf at a physical bookstore — but with paper going the way of the utahraptor or dodo it doesn’t bother me in the slightest.
So how did I get here? A lot of research, a lot of trial and error — there’s a lot of navigation and study required when you’re piloting the ship all on your own. When I first got started I spent a lot of time reading other author’s posts on publishing and found them tremendously informative.
Joe Peacock’s The Absolute No-Bulls**t Guide To Writing, Publishing And Selling A Bookwas incredibly helpful and motivating. I strongly recommend you take some time and give it a read — it’s straightforward, concise and utilitarian. It de-mystifies the entire process, which was invaluable for me at the beginning. I’m going to try to not go over the same ground here, but focus more on my specific experiences with CreateSpace and Kindle Direct Publishing. I’ve begun to think of Joe as the Older Brother to the Internet — can be an overbearing prick, and he’ll kick over your GI Joes — but he always has your best interest at heart.
This guide is going to be part step-by-step How To — and partly me pontificating about my rationale for making the decisions I did. I hope it’s reasonably helpful.
Level One: Write a Book. [Grasslands]
In whatever manner you prefer. It took me about nine months to bang out the rough draft in between day job, nerd pursuits, other creative endeavors and various life calamities. I’ve only done this once, so I’m in no position to offer advice on how you get this step done. Just some paltry bullet-points.
Write.
Self-imposed deadlines were invaluable to me.
Write.
Now that I’ve gone through the entire process, I CAN say that this is the most fun part. Remember that and enjoy it.
Level Two: Edit a Book. [Ice Cavern]
To the greatest level that your pocketbook and Friend’s List will permit. I employed over 20 Alpha Draft and Beta Draft readers to catch all my bonehead grammar mistakes and weak narrative. I know that this can never truly equal a professional copy editor — but I am completely confident that I’m extremely close. I have some serious heavy hitters in my rolodex: college professors, Shakespearean scholars, creative writing savants, genre nerds, gnomes. Depending on how my finances fare, I may consider going the pro route next time around. I can’t stress enough how important this step is.
To put it in perspective, I wrote the draft in 9 months. I edited for 13 months. Thirteen long, grueling months of Not-Fun.
It sucks. It’s boring. It’s frustrating.
Do it.
Level Three: Prepare to Publish a Book [Fire Volcano]
Paper Version — I did a fair amount of research onto several online presses. The other main one I considered was Lulu.com. They are really great if you want to order in bulk and warehouse the product yourself. They have tons of paper and trim options – soft cover and hard back. But that’s a pretty big if – especially when you’re in my position. A total unknown pushing some wacky genre fiction. As much as I would love to have a hard cover of my book, it just didn’t make sense to lay out the startup money for something that was going to sit stacked in my breakfast nook.
I slowly shifted my thinking towards CreateSpace as they print on demand, and sell directly through Amazon.
Artist – Hugo-H2P
You establish the cost of your book through the size, page count, etc. — then you set the list price at whatever you want. Anything above cost is your profit. [Pro Tip]: The cost of your book increases if its sold through Amazon, instead of bought directly through CreateSpace. This wasn’t an issue for me, as I really wanted the legitimacy of an Amazon storefront, but it may be something to take into account if you have your own webstore.
Finally, the website was easy to navigate, except for a few minor snags — I’ll talk more about that later.
Kindle Version – Or rather – Why not on Nook, Kobo, Smashwords, etc. etc.?
One reason: the Kindle Lending Library. It makes my book free to the thousands and thousands of Amazon Prime members. At this phase it is far more important that people read my book than people buy my book.
I know there’s a lot of discussion about Amazon’s draconian domination of the e-book Wild West — but from my perspective it’s hard to argue with that kind of market share. The Kindle is the dominant e-reader on the market, and anyone with a smartphone or tablet can read just as easily using their free app.
Level Four: CreateSpace [ Sky Platforms]
Okay. You’ve got the book all edited and shiny, now it’s time to set everything up with CreateSpace for the paperback. The site is very user-friendly if you are reasonably proficient with the internet and simple online interfaces. I’m a giant dork so I had little trouble, only occasionally having to use the forums, Help section, and one quick phone call to Customer Service. It leads you step by step through the process.
1. Birth Certificate – Name of your book, author name, synopsis, all that sort of thing. Pretty self-explanatory.
2. Print Specifications – Selecting the size of your book, whether or not you have color images to print inside, etc. I didn’t have any interior artwork for Spell/Sword so I selected Black and White printing — and the smallest book size, because my novel isn’t particularly long. I’m sure there’s a lot of reasons for all the different sizes, but I didn’t put much thought into it. I like the size my book is, end of story. Take that reasons.
3. ISBN Number – This is a little complicated. And once you decide your book is locked to that number [oversimplification, I know] so give this some serious thought and research.
CreateSpace owned ISBN: Free! But…it sets the publisher of your book as CreateSpace, and limits your distribution options later. There is a little bit of a stigma to services like CreateSpace and Lulu, and if in the very remote chance that you want to sell your book to a traditional publisher later you can’t just move your ISBN, you’d have to make a whole new edition with a new ISBN number.
CreateSpace licensed ISBN: $10.00. Same problems as above, but frees up most of your distribution options.
Personal ISBN purchased through CreateSpace: $100.00. But you personally own the ISBN number for your book, and can set the publisher of record. My book is published by me under the name Lodestar — which is the small business I’ll be setting up to handle my paltry revenue. It also means that I can move my book to any other printing service, or use another service concurrently with CreateSpace whenever I need. I’m also thinking about having it tattooed on me somewhere.
Personal ISBN purchased directly: I…didn’t do much research on this. You can get it cheaper buying it yourself, then inputting it into CreateSpace . But it meant using another site, and another process so I just went ahead and bought my personal ISBN through CreateSpace. To me, the convenience was worth whatever markup they have.
4. Cover – Now, CreateSpace does offer a free cover generator as well as professional design services. I used neither. Don’t be a chump and use the free cover generator — it’s fine if you only want your mom to read the book. I’m sure the professional services they offer are fine, but I’d much rather give the artists that I know personally my money.
The layout of the cover is extremely important as CreateSpace needs it to match exactly with the specifications for the cover — most importantly the spine which is a function of page total. There were lots of numbers and jargon, my designer knew what they meant and put it all together for me. I’ve noticed that many self-publishers take the DIY part of this route a little too much to heart. I recognized that I knew virtually nothing about layout and graphic design and paid a skilled friend to handle it, same goes for the actual cover design.
5. Setting up the Template – Okay, this part was a little convoluted.
You need to have your book laid out on a PDF to upload to CreateSpace for review. When I first started playing around, I just exported a PDF from my Google Drive and uploaded it to see what it would look like.
It was a hot mess.
My mother is a graphic designer and printer, so I have a vague understanding of margins — but clearly not enough for these purposes.
Luckily, CreateSpace offers Word document templates. It took some grunt work copy and pasting each part of my book, chapter by chapter into the template — but it ensures that the printed page comes out correctly. Also, print is set with a ‘justified’ margin as a default. I had to go through several times to find all the places where the spacing was weird and correct.
Review the template again and again … then five more times. You’ll never catch everything, but you have to put in the sweat equity to get as close to flawless as possible.
Once the template is complete, you save it as a PDF, then you’re ready for upload.
6. File Review with CreateSpace
Once the files are uploaded, you’ll be able to view the book page by page online.
You can’t directly adjust anything at this step. Anything you want to change, you have to go back to your template — make the change — then upload a new PDF.
Spell/Sword doesn’t have any interior images — so I’m no help there.
7. Proofing
Once you submit everything for review [Interior and Cover], CreateSpace takes 24 Hours to review and make your book ready for proofing.
You have two options here:
Paper Proof: This is what you want to get the first time around. An actual, honest to god copy of your book. You get it, you hold it in your hand. You get to go through it with a colorful marker, hunting for every typo and spacing issue that you missed on the template. It’s truly a wonderful moment. [You do have to purchase your proof, it’s the established cost of your book plus shipping. ]
Online Proof: It’s identical to the Interior Reviewer you used earlier.
If you need to make changes after reviewing your proof, you have to back to the template and resubmit it all again, and wait 24 Hours again. For Spell/Sword I got the paper proof first, then after making all the corrections I felt confident that the Online Proof was sufficient.
PRO TIP: Even after your book is published you can ALWAYS make corrections and go through the process again — it will just mean that your book is not available for sale while it’s being reviewed and proofed again.
8. Final Thoughts/ Issues
After you approve your proof, your book becomes available for sale within 24 Hours. In my case it was up on CreateSpace itself within an hour — than on Amazon later that night. The site was very helpful guiding you through the rest, deciding on distribution channels, etc. I freely admit I kind of glazed my eyes and picked the standard options.
Now, some grousing!
Shipping through CreateSpace is a little stupidly expensive — especially when you’re an Amazon Prime member, used to getting 2 day shipping for free. I understand that it probably has something to do with preventing you from purchasing too freely through them instead of Amazon, their parent company — but still! Spell/Sword is 8.99 on Amazon — if I want to buy someone a copy and send it to them, it’s actually cheaper and quicker to buy through Amazon then get copies at cost through CreateSpace.
Friends have ordered copies through Amazon, and they arrive in a standard Amazon box – but the books are completely loose. None have been damaged so far, but it made me raise an eyebrow.
Royalties: I actually haven’t been published long enough to get my first check — I’ll update this when I have more experience.
Level Five: Kindle Direct Publishing [Ghost Carnival]
Almost as an afterthought, CreateSpace guides you into the warm clutches of KDP. They export all of your information about the book, the interior, and the cover all in one go. All of the info and cover exported fine — but I quickly discovered that the layout for the print version looked crazy weird on the Kindle.
I actually found an easy workaround – I directly uploaded my CreateSpace Word document to KDP, and it looked fine. I’ve experienced a fair amount of paranoia, because the Kindle comes in so many sizes [including native apps on iPad and PC] that making sure that there were zero formatting issues. I’ve read the book on my 3rd gen Kindle and it reads just fine at various sizes, and none of my E-Readers have complained YET. YET.
When you start obsessively searching your book on Amazon [not that I did, that would be silly] you may notice that the Kindle and Paperback versions initially have different pages — just give Amazon 48 hours, they automatically group them together. I also noticed that initially when searching my book titile, it came up fifth — but after a few days of sales, it populated first. Admittedly I picked a weird ass name for the book — that slash in Spell/Sword plays hell with some search algorithms.
Yowza! This thing got involved . I think I’ll keep this going as I plunge further and further into Self-Publishing RPG. Let me know if you have any questions in the comments below!