Christmas Saved – Quest Complete!

shadeaux800 miles and a whole lot of wrapping paper and food later, I’m back.

You should listen to the new Shadeaux Bros. Christmas Album.

It’s our fourth album, but if you’re following the storyline [who isn’t?] this album is chronologically first, and is aptly titled First Christmas.

What, you don’t adopt a mysterious persona and save Christmas every year? Weird.

We Move West

And here I am, hey blog. HEY, HEY BLOG.

BLOG. HEY. HEY BLOG.

[This is what I do when I see a cow out the car window. Just replace ‘blog’ with ‘cow’ and it’s the same dialogue. It is incredibly endearing, and never annoys anyone else in the car.]

I know you can HEAR ME COW.
I know you can HEAR ME COW.

So, yeah — let’s shake some cobwebs off.  My production of Pippin is finished, so now I can reroute those system resources back to all of the other plates I have spinning in the ether. Let’s list them! YAY, LISTS.

1. Spell/Sword Zeta Draft.  This would be an amazing name for an anime. This is the big project, my  main focus. Incorporating all the feedback from my Beta Readers, and working my way to the penultimate draft. I’m planning to add about 5000 words to the draft, so I’ll need to get one last set of eyes on the manuscript before I move forward to Self Publishing Ragnarok.

2. Self Publishing Ragnarok. Also an amazing anime title. My goal is to get the book into a buy-able format, through CreateSpace and Kindle Direct Publishing through Amazon. I’m researching all of the technical knowledge needed for doing that, so when I am ready to move forward it won’t be a giant learning curve clusterfuck.

IS THE JPEG OF YOUR COVER ART BELOW THE MAXIMUM PIXEL LIMIT???
IS THE JPEG OF YOUR COVER ART BELOW THE MAXIMUM PIXEL LIMIT???

3. Cover Art.  I’ve seen some early sketches from Mike/Poopbird, and I can’t wait to see the finished product. Got to make sure I have all the specs for pixel limits, image size, etc. to make it easy and painless for him once the design is complete.

4. Titan’s Wake.  My occasional Pathfinder campaign. Time to kick it in the shins and get the PC’s moving toward something approaching the plot. Scheduling has been an issue, leading to some signal loss — gotta get the players on some sort of regular game night schedule, or the campaign is just going to fizzle.

5. The Ocean of Not. New and shiny Legend of the Five Rings campaign! Meeting with the players in early January to make characters, and hopefully kick off the game shortly thereafter. I’m planning on having a forum component for this one, and most of the players are Lodestar alumni —very excited to get back in the trenches.

6. Shadeaux Bros. Christmas Album. Got to jump on this one with both feet, as it does have a built in deadline. Unfamiliar with our previous work? Take a listen and be forever changed.

7. A Few Good Men.  I have a small part in the next Mainstage production at the theatre. I get to play an actual person, which is not my strong suit.

Broad physical comedy is what I do.
Broad physical comedy is what I do.

8. Regular Blogging. I need to get back on a regular update schedule, 3-5 times per week. Maybe I’ll bring back Story on Demand to prime the pump, but I’m hoping now that working on the book is moving back to my main creative focus, I’ll have more time and writerly thoughts to expound upon.

Lot of stuff. Lot of cows. I love the feeling of energy and mind-space coming online – really looking forward to all of these projects!

 

White-Hot Greasefire of Entertainment

Pippin-Anxiety
Josh Darnell as Pippin, with The Players

Pippin opens on Friday.

If you’ve been wondering why the blog has been so quiet — here’s your answer. I’ve been directing a production of this musical at our Friendly Neighborhood Theater, the Town & Gown Players.

Here’s the part — were I a normal human being — where I would gush about the show. Partly from genuine excitement and pride;  partly in a cynical, manipulative attempt to convince you to come see the show.

But as this blog provides ample evidence, I am not a normal human being. I have a complicated relationship with positivity. Most evident in creative projects where I am invested. I have a, shall we say, extreme reluctance to speak without restraint, to truly commit to the excitement. How about a list of your neuroses related to this, I hear you all shouting with animation and curiosity at your computer screens. Okay!

1. Pure superstition. If I say that the show is good, amazing, colossal, etc. etc. I’m calling down the attention of the gods. I live in Athens and hubris-smiting is most definitely on the menu. A musical is a super-complicated, involved creative endeavor with thousands of moving parts. Everything has to gel – the music, the movement, the acting, the vocals. Layered on top of that is the spiritual mumbo-jumbo of any community – you want every person’s chi to align just so. I do not need Hermes to start

This doesn't happen in the show. Only in my heart.
This doesn’t happen in the show. Only in my heart.

feeling capricious or mercurial[HAR HAR HAR] and throw  a wrench up in my show, just for giggle-shits.

2. Cynical Directing Style. I’m not quite sure where I picked this up — but I truly believe that if I tell an actor that what they are doing is good, they will immediately get worse.  As an actor myself, fear is the best motivator. If you believe that you are doing a good job, you will stop working to get better – you will relax, get comfortable. It’s a short trip to Craptown. Every rehearsal, every performance you should be striving to exceed your previous attempt.  Add to that the weird parental aspect of being a director — actor-children work much harder when they are unsure of Daddy’s approval. It’s cynical, but it works. Most of us performers have some sort of approval-need or bone-deep insecurity, as a director you might as well plug in to that and use it to get them to do sharper pirouettes. I’ve actually made a point to get better about this one, giving GRUDGING positive notes. Baby steps!

3. First Impressions. The beginning of a play is a holy moment. The moment when the lights go down — it’s pure, unbridled potential. Anything could happen — a whole new world is being born right in front of you. I treasure that moment, and I hate to pollute it. Especially with generic ‘Rah-Rah Show’s SO AWESOME’ posturing. So, if I started rambling on about how great the show is, or how much I like X scene, or Y song — then I’ve put things in your head. Expectations, judgement, etc. The less said the better. Come to the temple with your eyes unclouded.

So, what can I say about the show – through the net of my psychosis?

The set looks amazing. My designers really outdid themselves – I can comfortably say that it is unlike anything we’ve put on that stage in the past 10 years, easy.

The light design is also excellent. My bacon was Epic Level saved by the last minute addition of our Light Designer.

The choreography is excellent, thanks to my crack Choreography Squadron.

The band is crisp, and the musical director’s re-scoring of several key moments is inspired.

Pictured: The Cast of Pippin
Pictured: The Cast of Pippin

The cast? Solid. I know that sounds like faint praise — but I’ll double-down. This cast is Solid Snake.

I won’t say anything more, due to neuroses listed above. But when the curtain opens Friday night, that’s where you want to be.  I want you to see what the cast has accomplished, has earned through months of hard work.  I believe you are going to see something exceptional.

If you are anywhere within a 50 mile radius of Athens, GA – you should make a point of attending.

Click on the image up top to buy tickets. You can pick your seat and everything, through the magic of the internet.

 

Is that…a Walther PPK made of Valyrian Steel?

Skyfall-JamesBond_2377965b

 

Okay, let me explain. If you get the reference, just go with me on this.

I enjoyed the newest installment in the hoary James Bond franchise quite a lot. Skyfall is a moody, textured look at the character and icon of 007 — personally I found it a perfect addition to Daniel Craig’s tenure as the character. I’ve heard varying reports about whether or not this will be his last film as “dude’s old”. But if this is his final performance as Bond, this is a perfect way to go out. Exploring the last part of the hero’s career, and a true brush with mortality and frailty.

But I there’s one thing that is revealed, that concerns me.

Spoilers henceforth.

One of my favorite sections of the movie is the final act.  Bond retreats to the moors of Scotland, and we get a glimpse of his childhood — something never shown previously in any other film. [Not even the wacky-ass original Casino Royale.] There was something primal about him returning to his ancestral manse, on his noble steed [the Aston Martin!]. Some serious low-tech battle prep — followed by the usual helicopter explosions, high kill count, brutal kicks to the face and a knife fight [of sorts] — all the action required for the end of a Bond film.

It wasn’t until the second time that I watched the movie, that I noticed something.

tumblr_mdekzsMdoq1qap6vbo1_500

 

Right there, on the top of the gate leading to Bond’s family home.

A stag.

This can only mean one thing.

James Bond is a Baratheon.

I…I…don’t know how I feel about this.

This changes everything.

For the uninitiated, House Baratheon is from George R.R. Martin’s A Song of Ice and Fire, currently more popularly known through the HBO series, Game of Thrones. 

I don’t know how I feel, because the Baratheons are all, well… kind of dicks. [Or all kinds of dicks? How does that phrase work?]

Robert Baratheon: whoremongering drunk. Renly Baratheon: pompous fancy-lad. Stannis Baratheon: pompous grumpy-dad.

Not the most august of families — even acknowledging the political power they hold throughout the narrative. Does super-cool, badass James Bond really belong in this family?

Well….maybe, maybe not. But I do think their House words fit him to a tee.

Print

Okay.

Maybe I can get on board with this.

But if in the next Die Hard movie, it turns out that John McClaine is a Stark, Targaryen or Green-Apple Fossoway, I’m done.

DONE I TELL YOU.

A Sexy Open Letter to Sexy Adults Sending Sexy Emails

Seriously. Emails?

Fucking emails?

LITERALLY?

[And yes, I’m responding to the Petraeus Boondoggle.]

I want you to do me a favor. Stop writing your sexy email. Yes, I know you have it open in the next tab over — you’ve been marinating on it all day,  in between doing, you know actual work – grooming and squirming your mental eros into a nicely formatted 4000 word missive. Just stop, for like five seconds and do something for me.

I want you to look at the newspaper on your desk. Yes, I said the newspaper. I know you have a newspaper on your desk. You know how I know? It’ll become clear momentarily — for now just humor me. Okay, now look at the top of the newspaper. Do you see the date?

DOES IT SAY 1997?

What? It doesn’t? It says ‘2012’!?!

Well, heavens to Mergotroid! That’s a Flintstones reference, I’m trying to couch my humor in something you’ll understand, as clearly you have not been paying much attention to some major developments in technology, communication and internet horse-sense.

So before you press send on that Sexy Email — which you are probably sending while at work, on a computer owned and monitored by your soulless corporation of choice — I would like you to consider some Super Science Alternatives. [And one Classic.] All of these methods are much harder [if not impossible] to track, log and throw up on CNN for all of us to leer at.

SUPER SCIENCE ALTERNATIVE #1 : Google Chat

Or really any chat program ever existed. I mean, freaking Words With Friends has a chat feature — but I pick Google Chat because it has a handy ‘Go Off the Record’ option, that means the conversation will not be logged. Just think about it, you could have your sexy email time — like right away! All the time! It’s almost like there should be a word for this. Cyber-sexting? Inter-fucking? Come on, I’m trying to drag you people into the dial-up AOL era, get on board!

SUPER SCIENCE ALTERNATIVE #2 : Tumblr

Use this social network for what the kids use it for. Flirting and arranging hookups and fuck assignations. Here’s what you do — create an extra email account, then use that to create a tumblr profile. Have your paramour  do the same, and voila! Double bagged anonymity — with the added bonus of you can mark your blog as ‘Private’ and then send private messages to each other that are never published. If you start catching heat from the press — or you know, your wife or whatever — just delete the Tumblr profile and walk away.

JUST WALK AWAY.

And don’t be cute and make a tumblr name like penetraeus.tumblr.com — that’s just asking for trouble.

SUPER SCIENCE ALTERNATIVE #3:  Text Messages

I know you’re all thinking — but what about TIGER WOOOOODS?!?

Well, actually I congratulate you. Thank you for noticing something that happened in the world after the Olympics were in Atlanta.

Look, here’s the deal. As long as you have the good sense to delete the text messages saved in your phones regularly — most providers don’t log text communication more than 72 hours old. [If any nerds read this, check me  — this was with some very quick and dirty research into Text Message Subpeona laws. I wouldn’t want to lead these poor Sexy Emailers astray.]

And finally, the CLASSIC ALTERNATIVE: Write a letter.

Because, my reasonably sound suggestions aside, Sexy Emailers. Everything you write on the internet is there forever. If you type it on a computer, it is NEVER GONE.

NEVER. EVER. GONE.

I know you’re approaching your sex life with the same aplomb and discretion of a lemur discovering a pudding-dispensing Roomba — but please, as you slave over your Sexy Emails. Exercise a little common sense.

If you really want your written canoodling to go completely under the radar. Take a pen, write it on a sheet of physical paper and mail it to them.  They can destroy it after they read it, and your fierce passion can burn all the brighter in the flames of your words’ death.

So, short version:

STOP SENDING SEXY EMAILS. STOP IT RIGHT NOW.

 

 

Judge the Book by its Cover

I am beyond excited….and more than a little terrified. I actually have an artist working  on the cover art for Spell/Sword.

Cyberman – Mike Groves [poopbird]

I insist that you click on this super-rad Cyberman art and check out some other examples of his work. He’s got a lot of style-flexibility, but everything he does is interesting, distinctive and [as mentioned] on the north side of Rad. We had a great brainstorming session last week, and I should start seeing sketches in the next couple of weeks. I almost wrote ‘barnstorming’. I really want to have a barnstorming session in the immediate future.

Mike Groves – aka Poopbird – is a phenomenal artist, living in my hometown of Athens, GA. You should follow all of the links below and rub your grimy internet-hands all over his virtua-product. He is also an amazing tattoo artist, so if you need some ink (especially nerd-ink) he’s the man to call.

Poopbird.com

Tumblr.

Deviantart.

I can’t wait to see what he comes up with — even though the anxiety-engine in my head is already revving up.  Cover art means we’re getting closer and closer to the book being real, and launched into the world where everyone will hate it.

But at least the cover is going to be boss.

What’s Pippin about?

Well, it’s about us.

People. Humans. Actors.

All three terms are synonymous, but mainly people that call themselves actors. That identify as actors. The people who leave their day job, drive across town, and work for free for 3-4 extra hours a night. We’re desperate, we’re fiending — we need to get on stage. We need to do that thing. That thing, that art, our art.

Oh, context. I’m directing Pippin for the second time, one of my favorite shows, at Town & Gown. Musings henceforth.

This is a show about drug-fiends. Art-fiends. They hate it, but they need it. Broken pieces, broken things, broken beings.

“We’re actors–we’re the opposite of people!”

-Tom Stoppard / Rosencrantz and Guildenstern are Dead

But they can’t do it alone. They need an audience. And they need a main character. The player chosen to fill the role of Pippin is always referred to as the ‘newest member’ of the troupe, a recent addition. Later in the show, Catherine remarks that ‘He touched my hand. They’ve never done that before.” How many Pippins has this troupe chewed up?

They lead him and the audience to the central question of the show. A life dedicated purely to art, seeking the ever-elusive unicorn called Perfection? Or a life dedicated to someone else, to something forever Imperfect?

Will you Serve, or will you Destroy? There it is again! [Sorry, literary sidebar. I’ve been noticing this binary in a lot of my storytelling — interesting that it’s here too, in one of my favorite shows.]

I’m most intrigued by the ‘new’ ending of the show.

In the original Broadway edition the show ends with Pippin refusing the temptation of the Leading Player, and remaining alone on stage with Catherine and Theo. The show ends anticlimactically with the famous line ‘Trapped, but happy. What did you expect for the end of a musical comedy? Ta da!’

The audience is left feeling weird and confused, which I like — but the show clearly leaves us with the belief that Pippin made the right choice, and will find true satisfaction in a less extraordinary life.

But in the newer edition, an alternate ending has appeared. Pippin still refuses the temptation, but as the players slink off into the ether, the young boy Theo calls them back, echoing Pippin’s Corner of the Sky.

So, what is the audience supposed to feel now? Other than vaguely more pleased, because the show ends with a song? Is the show trying to validate both choices? Or are they simply suggesting that  Pippin makes the mature choice, and that there will always be stupid kids coming along to chase the dream for you?

Ha. Or am I just projecting way more meaning into this piece then it can truly support? It wouldn’t be the first time? Pippin is definitely a ‘problem show’. It doesn’t quite work, the pieces don’t really line up the proper way to be a perfect allegory.  Strange artifacts of its many revisions linger, laden with potential meaning but ultimately dropping the whole thing in your lap at the end.

So, to return in limping fashion to the initial question. What is Pippin about? Well…things? A lot of things?

Can I get back to you on that?

 

One Last Glimpse Through the Dragon’s Eye IV

Elora Delcroft slid down off her horse with relief. It had been a long ride, story-collecting. Wars were vicious, nasty things — but they always yielded a vast harvest of new songs and tales. She had set out, some months ago before the Thirteen Day War to visit the tiny town of Hapgood, and she had been determined to finally visit. Even though she had heard of the devastation the voracious devil legions had visited on the place, and it was mostly a ghost town — she had made her way down the broken road from the north, and made her careful way through the mountains.

The bard had expected to find rubble, and maybe a few scared farmers she could share the good news of the triumphant victory in the ruins of Gilead to the east. Instead she found a stranger tale.

Stabbed into the earth, at the end of a field was a massive greatsword. It glowed fiercely, burning with holy light, somewhat diminished in impressiveness from the sweaty workshirt that was tossed over it’s hilt, and the lunch pail hung off the crossbar.

The half-elf walked up to the edge of the field, and looked down on the barbarian, Agnar — sweating and toiling in the fields with furious concentration. He dug each hole with vigor, then placed a single seed in each depression, then covering each gently with utmost attention and care. He was also vigorously lecturing each seed on the proper level of growth he expected to see, as well as some effective tactics for combating the winter chill that was only a few months away.

It was a late planting, and would be a lean harvest come spring. But it might save thousands of lives around the world. Beyond this field, she saw others working in nearby fields, planting.
Agnar Devil-blood, Champion of Sarenrae – bearer of the mighty sword, Cyrus would have other adventures –but for now his Bright Lady has put him to work in the strangest of fields, with the most uncomfortable of work.

Elora smiled. He looked as if he were enjoying himself. She shrugged out of her traveller’s cloak, and rolled up her sleeves.


Carbunkle, the First Librarian — the Sage of Sages rode screaming through the halls of the Primex Loghain on a shiny red scooter. He had a plate of flapjacks in one hand, a large mug of brown beer and the handlebars in his teeth. His Second, the scholar Paralellogram followed more sedately, dragging a blue wagon piled high with books and scrolls.

Every door on every level was open, flung wide — and the people of Aufero came and went. Touching the books, moving the books, and reading the books. The gnome had built a fiendish enchantment into the gates of the Library that prevented any texts leaving without first being stamped vigorously with a cheeky orange stamp showing his leering face and the words “BRING THIS SHIT, BACK.” on it — and at night a thousand sprites worked tirelessly putting each book back in its place — but during the day, the knowledge flowed freely, people talked loudly in designated Soundproof zones — and everywhere comfortable chairs and couches, alway waiting for a new reader to sit down.

He shouted something rude to his receptionist as he whizzed into his office, but she didn’t even look up from filing her fourth set of claws. The emancipated eidolon still refused to demean her glowing form with such trivial human concepts as clothes, but Lucina had taken to other forms of hygiene and fashion with alarming speed.

The First’s library was crammed with children. Some gnome, some blood-relation — but plenty more of just ragged, off the street gutter scamps. The war had left more than a few orphans, or broken children in the streets of Pice – and the First’s Story Hour was a welcome reprieve from the grief and toil outside — and a convenient place for Carbunkle to investigate the children’s woes and worries. More than a few left with gold pieces quietly slipped into their pockets – or stern instructions for their less-than-benevolent caregivers to come see the First bright and early the next morning.

Carbunkle cracked open the wide tome, and cleared his throat theatrically.

“Once upon a time, in the desert, four people found themselves locked up in a nasty hot prison made of stone and hate….”


Agros bobbed quietly in the water, and Fin balanced perfectly on an outcropping of stone.

The Symphony of Blood had taken its toll on the Flying Island, now it could best be called the Floating Island. The vicious attacks of the devils had nearly gutted the aerolith landmass, and it had slowly sank — barely making it out over the ocean before coming to rest.

Only a third of the city was still above water, but enough. Enough room for his school, his home.

Behind him his students followed his motions carefully. Mostly dwarven, expatriates from Ospria — but a few of the younger races were scattered amongst them.

His hands moved, perfect and slow. The eyes of his students followed, and they echoed the movements as best as they could.

There was so much more to teach them — they could learn the physical in months, but the spiritual? How could he teach, what had been so hard for him to learn?

A wave crested, and a shining drop of salt water landed right between his eyes. Fin smiled, and heeded his Uncle’s words.

The drop is not the wave, the lesson is not the Way, the word is not the truth. Begin. It is enough.


The King of Open and Shut smiled. A new level rose on the Red Tower, as Hell bent to his will.

The Red City was crowded, crammed full of angry warriors and bitter fiends. He would hone that ire, make it as sharp as a poniard. They had much work to do to prepare. To prepare for the day, that the mortals would beg for them to return.

An empty skeleton laughed in a red city, with the joy of a delighted child.


Echo and Ziria met, at the base of Coracle Station — the ruined outpost of Seafoam. They had not spoken in weeks, but he had come when she called — as she would have come if he asked it. The water above their heads shone with filtered sunlight, refracting oddly through the oily residue that the tower still dripped with. A filthy land construction, but it had a purpose — and it could be turned to the sea’s purpose. It had been built to harness the Precursor’s Machine, and Echo had need of its might. The devils would return one day, and she wanted to be certain that her ocean was death to their kind.

Ziria listened to her plan calmly, then bowed without sarcasm. “As the future Queen, how can I do anything but obey?”

Echo rolled her eyes, and called the creatures of the sea to her. She cut through the waves, swimming between this world and the World of Spirit as simply as breathing. Her friends and subjects — her most precious charges swam close with joy and excitement. She would return to the crumbling tower in time, but for now she was content to simply move — to fly beneath the waves, as free as a thought, as free as a wish, as free and wild as the sea itself.


Haskeer pulled a lump of glowing hot metal from the forge, and slammed it onto his anvil.  Three nearby gryphons looked on with bemused interest, but his view of them was soon blocked by the massive bulk of his assistant, the living armor Rulf.

The half-orc worked feverishly at his task — with cunning hammer strokes, he pounded and folded the metal. Before his eyes a steel rose took shape. The Knights of the Rose had been horribly reduced in number by the war, but he was hopeful that new squires would be appearing any day. Lady Seaflower had stopped by Caleron just a few weeks ago, encouraging him to go on a recruitment trip to all the major cities. “ A hero like yourself makes a much better sales pitch, then a battered old hedge knight like me.” she had smiled.

The rose complete, he nodded to Rulf…the living armor carefully plucked the still burning metal off the anvil, and plunged it into the water. Then he laid it carefully on a low wooden table, and studied it intently. The strange construct had been fascinated by the craft, and had proved an eager pupil — in an eerie sort of way.

He wanted to go on the rallying trip for the Knights of the Rose, but he found the position of Living Legend uncomfortable  — much as he viewed the role of King that loomed before him.

Cai had lingered for nearly two months since their wedding, but the great man’s strength had finally given out. Alastelle had sat by his bedside until the very end. The protective dome around the city had sedately popped, like a soap bubble. Now the people of Caleron looked to him for protection….a serious duty.

His ‘farm’ was larger than he imagined, but the forge was about right. He had work to do, good work. The world must be prepared for the darkness waiting around the bend of Time — if not the devils, then the thousand other faces of Evil. The endless play, the Twilight Kingdom – where the actors wore a thousand masks to hide the dark heart behind. He, and his friends would not waste the years of peace — and he would do his best to fill the world with the greatest weapon against the Dark.

Children. Beloved children, raised in strength and joy. New stories, with the very best of beginnings.

Haskeer smiled tuskily, and tapped his hammer once on the anvil. It rang like a bell.

One Last Glimpse Through the Dragon’s Eye III

“So you see, I would be a terrible captain.” Ballast concluded. “We’d all be drunk, dead and fucked — not necessarily in that order in a week. And we lost a good bit of the crew during the Symphony of Blood..we need someone level headed, cool under pressure, but someone that can scare the tar out of all the grunts on board.”

Mara picked up the strange wide brimmed hat, surmounted by long dangling rabbit ears. The gunslinger thumped one with her index finger. “Okay. But I’m not wearing this.”

“But, it’s traditional, Mara.” Ballast protested.

The red-haired woman pulled a hammer back on her revolver. “That’s Captain Flemay to you, squab.”

“Aye-aye, Captain!” the sinuous rogue snapped into a sarcastic salute. “You heard the captain!”

The crew of the Red Rabbit snapped to attention, including a scarred dark elf, wearing smoked goggles. A half-orc with bright green skin nudged her, and grumbled.

“I should’ve stayed in Pice, selling my hot dog sammiches. The new boss looks tough.”

“I don’t know.” a halfling with a wild tuft of hair crossed his arms confidently.. “She’s not too bad, and wait until she sees how I can control wind!”

He raised his hand, and a small gust of wind briefly tousled his hair.

“Pretty cool, right?” Mobius grinned proudly.


In a quiet corner of the world, a small tree sapling grows next to a lake. It’s leaves are a quiet green, but edged with black. The lake’s water is pure and clean, but the grass nearby has begun to twist and yellow.

The tree grows. The tree waits. The tree remembers.


The Keeper of the Grand Library in Carroway awoke, yawning. He felt a slight headache, and was surprised to look into the concerned eyes of his daughter.
“Father…you’re awake!” she said with relief.

“Well, of course I’m awake — that’s what people do in the morning.” he grumped.

“You don’t understand, Father — it’s been months. You contracted the extremely rare, but incredibly dangerous Plotzia Influenza Convenialus — the Convenient Coma Sickness! We weren’t sure how long you were going to be out, we feared for your life!”

“Listen, Alice. I have studied my entire life, and that sickness is pure superstitious poppycock. The idea that someone could be comatose for exactly as long as some larger narrative required — preposterous! As if disease gave a rip for plot. Now help me pack my things, I must make haste for the Library in Flenelle! The first Ritual must be completed!”

Alice sighed and gently pushed the old man down onto the edge of the bed. “Father…I think you need to hear a few things first.”