What will make you buy my book?


“Sit down, Lucas.”
The young boy took his place at the keys of the grand piano. He set his fingers carefully in the proper positions, the polished bone cool to the touch.
“Now play.” The madman leered. ” Play the lines, the lines of light in the dark. Play them. Play them well, and play them now.”
Lucas Grahd tried not to think of the blood that oozed down his shoulder from the thin puncture. He tried not to think of the dried blood on his knuckles, a friend’s blood. He tried and failed, but his eyes stayed dry and his fingers steady.
“Play them now,” the masked man howled. “The lines, connect the lines!”
Lucas could feel every whorl of his fingertips, as he touched the first key.
She’s in love
With her broken heart
She’s in love
With the dark
She’s in love
With her broken heart
She’s in love with the dark
– With the Dark / They Might Be Giants
I’ve been thinking about evil, lately. Or rather I’ve been thinking about Evil.

Mainly in a literary sense, but never just. The membrane that separates Fiction from Reality is quite porous, and I’ve never quite understood where one leaves off and the other begins — if there even is a clear demarcation. I don’t think they are binary, is what I’m saying. Our eyes, our hands, the senses five — all can lie, and the story of a hero can make pulses quick and move the heart blood of a nation. Things that aren’t Real still are. Certain ideas and stories and incarnate ideals have a weight, a presence. They matter. They have matter and mass, and gravity begins to bow at their approach.
Without dipping into too theological depths, allow me to elucidate. Superman, The Doctor, Jesus, Coyote, Heracles, the Monkey King, Shiva, Sam and Dean Winchester, Frodo, Katniss, Tyrion,Santa Claus, Odin, Horus. They aren’t just empty names — they have meaning, they have weight. They have a place in their own stories, but also in the stories of our own lives. As a symbol, a periodic element of courage, or grace, or love, or cunning — these names have wrought great change. Measurable, quantifiable change in the laboratory of Reality. I may be assuming a lot, but I know that in my own mind, my own psycho-chemistry these names have had their effect. I try to align myself with the good, and avoid the evil.
So, as I tell my own stories — I realize that I’m creating my own pantheon.
Which is a roundabout way of saying that the Evil Ones, the dark shadows to these heroes’ light, they matter too. Sauron, Shai’tan, Lucifer, the Master, Lex Luthor. If there must be an absolute negative pole in my view of the cosmos, what am I to name it?
Names matter too, maybe most of all.
Which is an even more roundabout way of saying, I’m calling it The Dark. Whatever it is, that quiet force of End, the blotter of sunny skies, the sideways laughter in empty halls. The Option serves The Dark, of that I’m reasonably certain.
So, no one asked, isn’t this just the Nothing and the Gmork all over again? Probably. But I like to think I’m reflecting a universal truth, a universal name. As a child I was afraid of the Nothing and it’s servant — and now when I write I am afraid of the Option and its master.
I’m honestly not sure what I’m getting at.
“It’s one of those things a person has to do; sometimes a person has to go a very long distance out of his way to come back a short distance correctly.”
― Edward Albee, The American Dream & The Zoo Story
And here I am, hey blog. HEY, HEY BLOG.
BLOG. HEY. HEY BLOG.
[This is what I do when I see a cow out the car window. Just replace ‘blog’ with ‘cow’ and it’s the same dialogue. It is incredibly endearing, and never annoys anyone else in the car.]

So, yeah — let’s shake some cobwebs off. My production of Pippin is finished, so now I can reroute those system resources back to all of the other plates I have spinning in the ether. Let’s list them! YAY, LISTS.
1. Spell/Sword Zeta Draft. This would be an amazing name for an anime. This is the big project, my main focus. Incorporating all the feedback from my Beta Readers, and working my way to the penultimate draft. I’m planning to add about 5000 words to the draft, so I’ll need to get one last set of eyes on the manuscript before I move forward to Self Publishing Ragnarok.
2. Self Publishing Ragnarok. Also an amazing anime title. My goal is to get the book into a buy-able format, through CreateSpace and Kindle Direct Publishing through Amazon. I’m researching all of the technical knowledge needed for doing that, so when I am ready to move forward it won’t be a giant learning curve clusterfuck.

3. Cover Art. I’ve seen some early sketches from Mike/Poopbird, and I can’t wait to see the finished product. Got to make sure I have all the specs for pixel limits, image size, etc. to make it easy and painless for him once the design is complete.
4. Titan’s Wake. My occasional Pathfinder campaign. Time to kick it in the shins and get the PC’s moving toward something approaching the plot. Scheduling has been an issue, leading to some signal loss — gotta get the players on some sort of regular game night schedule, or the campaign is just going to fizzle.
5. The Ocean of Not. New and shiny Legend of the Five Rings campaign! Meeting with the players in early January to make characters, and hopefully kick off the game shortly thereafter. I’m planning on having a forum component for this one, and most of the players are Lodestar alumni —very excited to get back in the trenches.
6. Shadeaux Bros. Christmas Album. Got to jump on this one with both feet, as it does have a built in deadline. Unfamiliar with our previous work? Take a listen and be forever changed.
7. A Few Good Men. I have a small part in the next Mainstage production at the theatre. I get to play an actual person, which is not my strong suit.

8. Regular Blogging. I need to get back on a regular update schedule, 3-5 times per week. Maybe I’ll bring back Story on Demand to prime the pump, but I’m hoping now that working on the book is moving back to my main creative focus, I’ll have more time and writerly thoughts to expound upon.
Lot of stuff. Lot of cows. I love the feeling of energy and mind-space coming online – really looking forward to all of these projects!
Hmmm…I was planning on continuing the ‘Three Falcons’ bit I was working on — but I honestly kind
of like how it hangs right now.
This piece is background/world information for my new tabletop campaign and I think it serves the purpose well enough. Introducing some flavor of the world, a tragedy and a bit of a mystery. Too much more and I’ll start giving things away to my players — and we don’t want that do we?
In other news:
Come see my play!
I’m about a week away from beginning final edits in earnest on Spell/Sword.
I wrote an awesome song today for this year’s Shadeaux Bros. Christmas album.
The Emperor waits.
White rain falls and dark earth waits.
Three falcons, red blood.

I, of course, was not present at the Battle of Jato Valley. The Fox Clan was not involved in this skirmish between the Great Clans, and our presence would have been looked at with great anger and disdain by Matsu Tsuko, the Lion Clan general. She would have viewed the inclusion of a small clan of no particular renown in her day of glory as an affront. And her rage at our clan being the witness to her ensuing shame would have been great indeed.
And, of course, I was only seven years old.
Jato Valley is a geographic location of little significance other than this battle. It lies between the Lion and Crane lands, in a small bit of land flanked by a granite mountain range to the north and a small river to the south. It is the homeland of the Falcon, a small Clan similar to our own in size and influence. How could they have angered the Fortunes so? To bring such calamity into their quiet corner of the Empire? I have visited their crumbling keep many times in my studies, and the only stories that Toritaka Yaki tells with any vigor are of the Battle of Jato Valley. As if that one day of blood and sorrow has forever dimmed the past, obscuring the older tales of his clan’s former glory.
I, of course, agree with him – but I would never dishonor the elder’s clan by voicing such thoughts out loud.
For the Battle of Jato Valley did much to obscure the light of many great samurai, and as my studies dare to suggest – continue to darken the honor of many of the Great Clans.
My apologies, honored reader. I write these words as if all were clear to you. We always write as if our time in this world is the only time, and that the things we deem of import shall remain so on down the ever spinning gyre of the wheel. As a young student I was often keenly aggravated by the ancient scholars prattling on for turns and turns of the scroll, before finally making it clear the thrust of their tale. So, I shall speak as if I am long dust, and you know nothing. For, if I may politely remark, when I was a student I knew a great deal of nothing myself.
Please accept my profound apologies. I am certain you are a credit to your clan, and your ancestors.
The Battle of Jato Valley is a riddle. A circumstance that still troubles the students of bushido, the priests of the kami, and lowly scholars such as myself. It concerns the most grave breach of the Celestial Order – a betrayal beyond the ken of the Sun and Moon.
The Emperor had three sons. And then he had three enemies. Blood against blood, the most shocking sacrilege. They fled the Voice of Heaven and took refuge with their allies in the one place they knew would receive them. The hall of Toritaka Yaki, their archery instructor as children — and a defensible position. None of the Great Houses would have dared to shelter them — but the Falcon spread its wings and brought them into the nest.
Hantei Pono. Otomo Tekiko. Otomo Yoru. 17,15 and 10. The heir to the throne and his two younger brothers – the greatest criminals the Empire has ever known.
I take quite a risk writing their names, here in fresh ink. The Emperor has made it a crime to ever refer to them from now until the End of Time. If I were a wiser scholar I would blot them, but I have an unfortunate flaw in my character. I pray that my honored reader will do their best to ignore my indiscretion.
When the Hantei himself stood over their broken bodies, he is said to have called for fire. He took the brand in his own hand, and poured the pitch over them — taking great care, of course, to never touch them. The flames burned for hours, leaving only their bones. The Emperor had their remains put into three jars and had them painted with the mon of the Falcon.
Matsu Tsuko carried the jars herself, and laid them at the feet of the Falcon daimyo and spat in his face.
“The Emperor commands you to keep these urns with you always.” She is recorded as saying. ” These Falcon traitors, these three sons of Toritaka shall forever be a reminder of the dishonor you have brought to your Clan.”
The Lion general then turned and stalked out of the hall, speaking no words of her own dishonor that day.
For the overwhelming force she had brought to bear against the pitiful rabble that had dishonored
themselves so greatly to serve the Three Falcons had paid dearly for her arrogance. The Battle of Jato Valley is one of the few defeats that the Matsu had ever experienced, and with such high stakes – the very honor of the Emperor himself, ah. She had thought to fight an easy skirmish, outnumbered her enemy five to one.
The Matsu’s army won the day — but only at the price of half her army. The Three Falcons and their allies, ronin all, fought like gods of death.
They showed the truth in their souls. And for such dishonored men to show such strength, is perhaps the most disturbing portion of this tale for many of my respected colleagues.
Honor is the samurai’s might. How could these vilest of traitors have faced down so many of the Empire’s best?
I, of course, have a notion.
– Kitsune Miho
Okay, let me explain. If you get the reference, just go with me on this.
I enjoyed the newest installment in the hoary James Bond franchise quite a lot. Skyfall is a moody, textured look at the character and icon of 007 — personally I found it a perfect addition to Daniel Craig’s tenure as the character. I’ve heard varying reports about whether or not this will be his last film as “dude’s old”. But if this is his final performance as Bond, this is a perfect way to go out. Exploring the last part of the hero’s career, and a true brush with mortality and frailty.
But I there’s one thing that is revealed, that concerns me.
Spoilers henceforth.
One of my favorite sections of the movie is the final act. Bond retreats to the moors of Scotland, and we get a glimpse of his childhood — something never shown previously in any other film. [Not even the wacky-ass original Casino Royale.] There was something primal about him returning to his ancestral manse, on his noble steed [the Aston Martin!]. Some serious low-tech battle prep — followed by the usual helicopter explosions, high kill count, brutal kicks to the face and a knife fight [of sorts] — all the action required for the end of a Bond film.
It wasn’t until the second time that I watched the movie, that I noticed something.
Right there, on the top of the gate leading to Bond’s family home.
A stag.
This can only mean one thing.
James Bond is a Baratheon.
I…I…don’t know how I feel about this.
This changes everything.
For the uninitiated, House Baratheon is from George R.R. Martin’s A Song of Ice and Fire, currently more popularly known through the HBO series, Game of Thrones.
I don’t know how I feel, because the Baratheons are all, well… kind of dicks. [Or all kinds of dicks? How does that phrase work?]
Robert Baratheon: whoremongering drunk. Renly Baratheon: pompous fancy-lad. Stannis Baratheon: pompous grumpy-dad.
Not the most august of families — even acknowledging the political power they hold throughout the narrative. Does super-cool, badass James Bond really belong in this family?
Well….maybe, maybe not. But I do think their House words fit him to a tee.
Okay.
Maybe I can get on board with this.
But if in the next Die Hard movie, it turns out that John McClaine is a Stark, Targaryen or Green-Apple Fossoway, I’m done.
DONE I TELL YOU.
I am beyond excited….and more than a little terrified. I actually have an artist working on the cover art for Spell/Sword.

I insist that you click on this super-rad Cyberman art and check out some other examples of his work. He’s got a lot of style-flexibility, but everything he does is interesting, distinctive and [as mentioned] on the north side of Rad. We had a great brainstorming session last week, and I should start seeing sketches in the next couple of weeks. I almost wrote ‘barnstorming’. I really want to have a barnstorming session in the immediate future.
Mike Groves – aka Poopbird – is a phenomenal artist, living in my hometown of Athens, GA. You should follow all of the links below and rub your grimy internet-hands all over his virtua-product. He is also an amazing tattoo artist, so if you need some ink (especially nerd-ink) he’s the man to call.
I can’t wait to see what he comes up with — even though the anxiety-engine in my head is already revving up. Cover art means we’re getting closer and closer to the book being real, and launched into the world where everyone will hate it.
But at least the cover is going to be boss.
An act of salesmanship is never an act of truth.
That’s not to say that it is a falsehood, or a pure fabrication. Certainly there are many who call themselves salesmen that deal in outright deceit, but they’re just liars. Plain ordinary liars.
No, salesmanship is all about awareness. Complete knowledge of the product: it’s particulars, benefits, problems, logistics and idiosyncrasies and your most reliable perception of the character
of your customer. Everything you say, everything you withhold is an attempt to calmly weave the product into the customer’s needs and desires. You concentrate on what you know about the product, and carefully present only the parts that you intuit will be attractive to your mark. You are creating a narrative, a workaday tale — a story with purpose. To make the sale. To win.
This is antithetical to the creation of art. An act of art should always be an act of truth. Individual truth — the opening of the inner eye and allowing the energy of your private whirlwind to express into your medium:something. Anything. As long as it’s true. Or real. Or important.
I’m still a ways from publishing Spell/Sword — but I’m already thinking about how I am going to sell it. The plan remains to self-publish, then grassroots my ass up the zeitgeist to something more than a blip. Financially and culturally. So I need to be able to sell the book. To other artists, to family, to friends, to total strangers, to people who love fantasy, to people who hate it, to people who never read. But every time I approach the problem in my head, I feel this enormous lassitude. It feels wrong.
In my day job, I am a salesman. I’m extremely good at it. But the key seems to be my total lack of concern. Apathy towards the product, and disinterest in actually making the sale. It allows you to be dispassionate and objective — truly focused on reading the situation and the customer. But with the book, where I’m hopelessly invested in the product and emotionally overwraught in the sale – it’s much more difficult.
It doesn’t help that I’m specifically trying to find my own little niche in the genre. It feels cheap to say “Oh, it’s just like ‘X’ and nothing like ‘Y’, and if you like ‘Z’ then buy, buy, buy!” But when I try to pitch it on its own terms, it just sounds hollow and uninteresting.
There’s a guy, and he has a sword. And there’s a girl and she’s got magic. They don’t like each other, then some shit happens and then they do. Also: hi-jinks.
I could do a laundry list of the random things in the book.
Electric-Eel Powered Jukebox. Prescience. Dwarven ghosts. Lesbian bards. Sweaty wyverns. Hangovers. Friendship. Mailboxes. A devil-spawned assassin. Fairy tales. Horse euthanasia. Wizard duels. Mysterious backstories. Prophetic dreams. Cheese. Plot-holes. Garden plots. Sorcerer bondage. Magic swords. An ogre with red boots. A blue fish. A white bridge. A first kiss. A last breath. Hyper-intelligent frogs with steam-powered roller skates. Banter.
Okay, I wound up kind of liking that one. But still, the problem remains. All that sounds fun, but I don’t know how convincing it is. Part of me wants to sell the book the same way that I wrote it. Honestly, with great love and with no artifice. Well, maybe a teensy bit of artifice.
This is important. This is true. This book is real. It matters. Or at the very least, I need it to matter.
So, yeah. Buy it or whatever.
Oh, my. This question is in bold. On WordPress, that’s like a Tumblr post dissing Doctor Who — it demands a response. What do you look for on the back of the book, or in a sales pitch for a book, when you’re considering reading something from an unknown author?
Where do ideas come from?
Certainly they can be built inside the human mind, but at least in my experience, they often come from elsewhere. The ether, if you will. Often when thinking of a character name, or a detail I just make a space in my head and let the idea pop in. I have total faith in these moments, even though I couldn’t explain the rationale if I had a gun to my head.
Admittedly, this may just be a justification for an unwillingness to slog. An idea presents itself, complete and shiny — why go through all the work of outlines and planning and research, just tune in the radio station and let it blare.
But, I am intrigued with the physical precense of ideas — that they could have an origin…and a purpose. With the past few stories I’ve been working on, I’m rolling around the concept of an Evil Idea. A malevolent entity that travels in the heads of mortals, infecting them like a virus. As weird as that piece was, I guess ‘The Option’ is a good enough name for my Big Bad as any.
This is a bit of a re-tread of Inception’s philosophical themes, the power of an idea — the immortality of an idea. Same goes for the V for Vendetta memes flooding the internet yesterday, you can’t kill an idea. People live and die for ideas, the course of entire civilizations turn on one or two great ideas.
That sounds like a great villain to me.
Is this too esoteric to support some fiction? Just too weird? Thoughts? Can’t you see that this question is in bold?!?!?