Back of the Book

boy/girl

squire/mage

comedy/tragedy

hero/villain

beginning/end

murderer/guardian

madman/sage

friend/slave

true/false

hunter/prey

jonas/rime

spell/sword

witch/is which?

[Just playing around with some text – potentially for the back cover of Spell/Sword. As a young nerdling I used to spend quite a lot of time in bookstores and libraries.  I’d spend hours reading the inner jacket, and the back of every book — deciding if it was what I wanted to read next. In bookstores most of all, five bucks for a new paperback was a serious investment. Of course, I immediately became a critic. I was flabbergasted at how many ‘back cover summaries’ were totally misleading, and were clearly written without the author’s knowledge. I was still a little too young to understand about marketing, publishing, etc.

But I vowed, that when I wrote MY book, then I would make sure I didn’t have a crappy summary on the back cover. And since I’m self-publishing, I can have whatever wacky text I want.]

 

The Quiet Prince’s Contract

I need a vessel. A mortal form to hold my power and my mind, to allow me to influence and shape your world. Those are the rules, and unlike that rapscallion Fairchild, that means something to me.

They must be willing, and accept me into their mind. I would prefer someone attractive.

The host’s mind will be shut away while I walk the world. A strong mind will survive, and be improved by our time together. A weak mind will most certainly go insane. I promise to leave the vessel as soon as Fairchild is defeated.

I cannot guarantee their safety. We are at war, and I do not know the future.

When you are ready, have them go to sleep with a fresh, red apple in their hands. That is the sign that the deal is struck.

In return, I will use my considerable power and knowledge to help you defeat my tawdry brother. My armies will rise and march against his. And when the war is over, and I am King of Hell Entire — then all within my power will leave this place until the death of Talitha’s grandchildren. Two generations free from devils and demons, both.

Not an inconsiderable payment.

If you betray me, you will have many long eternities to wish that you hadn’t.

Delay too long, and you begin to smell of betrayal.

I know you have a certain appointment to keep, a moonlit stroll through the Sarmadi sands. It would be most unfortunate if you were to miss your rendezvous.

Dally not. – Time is the cruelest enemy.

The Only Ink

“You don’t know me.” Quintus stood up. “You question my worth, and you question my devotion — and when I challenge you, you fuss like a barnyard rooster.”

The duelist stalked a few paces away in a cold fury.

“Fine. If words are what you want. If words will make you believe that I am ‘worthy’ of your trust, of your grand ideals — then hear me. I will die for Simon Garamonde. I will kill for Simon Garamonde. This entire world could burn and go gray with ash, and if he could walk free and unspoiled I would consider it a worthy trade. Every moment that his heart is under a devil’s hand, mine breaks anew. There.”

Quintus face looked down on the sleeping gnome with utter contempt.

“Is that acceptable, librarian? Now that I have used your precious words, is my pain – my love more real? Can you feel it now? Are my words true — am I worthy? Words are air, my heart is full of blood and steel. Those are the only ink worth writing with. Now speak.”

Man-Horse

The first responses from my Alpha Draft readers are trickling in — mostly positive, but with a stern helping of jack-booted constructive criticism.  I’ve already said “Well, here’s what I was going for — but oh god, you’re right. You’re absolutely right. I AM FILTH.” about seventeen times, and I’ve only heard from two readers.

I’d like to be more specific, but there’s still a lot of Alpha Drafts out there in the wild — and Science is my watchword on this process. I don’t want to pollute the other readers, gotta keep the sample clean. If I say that my readers are having problems with that centaur poetry in Chapter 11, then it’s sure to make all the other readers gaze at my sensual equine haiku with a more critical eye.

Just let yourself feel it. The rhythm, the majesty.

That’s all I ask.

The Tiny Frog

In a tiny forest, next to a tiny pond, lived a tiny frog.

An early frost had killed the rest of his spawn-brothers, and when the lone tadpole-with-legs wriggled out of the tiny pond the other frogs were much dismayed. The Greenlord, in a fit of classical allusion, dubbed the newborn “Schadenfreude”.

The tiny almost-frog nosed forward in the mud. If its eyes could see it’s first view would have been a thunderstorm. If it’s ears could hear it’s first sound would have been the distressed wailing of the other frogs.

However, his eyes were not quite formed yet, and his ears were filled to the brim with pondscum – so, he didn’t see the storm, he didn’t hear the wailing. Schad’s only memory of his wriggle-day was a taste. Quite by accident, his nubby mouth clomped onto a fallen blackberry. It popped in his mouth and exploded with purple-sweet, a riot of spring.

And so, despite the bleakest of omens and the most dire of beginnings — Schad hopped into the world with a vague, unformed idea that the world was wonderful.

Despite all that he learned afterwards, and much effort to convince him of the contrary – the tiny frog never abandoned this precept.

When the older frogs pushed him down, and took the juiciest mosquitos for themselves — he would swim to the quiet bank by the willows, and make up silly songs about water and hedgehogs.

When the summer grew hot, and the pond nearly dried up — he took great delight in building castles from the cracked, drying bottom-mud.

When the winter ice came, he was the last to dream in the mud — dancing a jig in the bitter air, as the other frogs looked on in disapproval.

When the time of spring-love was through, and he was alone and unmated — he sang his pond-songs to the new tadpoles, and danced a solemn air across a broad oak root.

Schad danced and sang and built and dreamed – the world turned, and a plate of sorrow was his constant diet. But it never erased the first sensation of his soul, the taste of fresh blackberry.

And then the snake came.

Sliding from beyond, from the dark forest — black and gray, with eyes like white river-stones. Long as a mile, and wide as a river. It gobbled up a brace of frogs in an instant, then wound itself around the pond once, twice, thrice. The few frogs to escape had fled to the pond, and piled one on the other – croaking and groaning and smacking in terror.  The looked to the east and the west, to the north and the south — but the enormous snake filled the horizon. Then one old-frog saw something, and shouted and pointed — his yellow eyes goggling.

Schad was dancing along the snake’s back.

In pure shock, the trapped frogs fell silent. Above the hiss of the snake’s scales they could hear.

Schad was singing. A silly song about hedgehogs and water.

The snake saw the tiny dancing frog too.

The diamond-head of the snake moved towards the tiny singing frog, and then came to a stop. It was too far to hear, but it seemed as if the snake was speaking to Schad.

Schad made a handsome bow and said something in reply, green face beaming with delight.

The tiny frog hopped into the air, and landed squarely on the snake’s head. Schad cupped two green hands to his wide mouth and called across the pond.

“It seems I was left out again, just my luck I suppose.  You were all in a cluster, an easy meal — while I was alone, sleeping in the briar. As for you, I’m afraid that this is a water snake.”

Schad laughed and did a little jig, and then the snake popped it’s head and snapped Schad up – less than a bite.

“Well.” the old-frog said. “At least that asshole went first.”

[Story on Demand for Patrick.]

Parallelogram’s Report

I write these words in haste, the Lodestar flies at sundown and I plan to be on it. After the siege of Starmhill I intend to be on something well-defended and mobile until the end of this war.

Interesting query. ‘this war’ – no nomenclature has developed among the participants. What will this war be called by the survivors? I imagine that depends entirely on the victors, in the usual fashion.

No time for digression. Four words that fill my scholar’s mind with dread. If this world falls to the devils, I fear there may never be time for digression ever again by any human mind.

My studies have long concerned the different planes of reality, with a focus on the Umbral Plane — the Shadow Dimension. In the past month, my knowledge went from blood-crucial to trivial. The events that transpired at Kythera, and the city’s subsequent destruction have severely diminished the connection between our world and the shadows. Saving the world from a great threat, certainly — but also curtailing my further studies.

Logically I should be glad, but my mind still aches that I will never journey into the Umbral Realm and divine its secrets.

And in the wake of the destruction of the Arkanic capitol — a new foe has appeared, and moved with precision and menace across the globe. The forces of Hell, iron-clad legions of perfect evil and regimented sorrow. They serve Fairchild, the King of Glass.

‘The King of Glass’ is an imperfect translation into the Common tongue. The Infernal language is far more gifted than ours in conveying levels of meaning, especially in relation to pain and suffering. A more unpacked translation would be – The King of Breaking Glass, the taste of copper in the back of your mouth when you hear the sound, the alarm that all mortals feel when they hear the sound, the knowledge that everything can be broken.

Though, to be exact – Fairchild is not truly a king. He is a prince. The devils are not native to our world, they traveled here from some unknown place beyond.  I’ve looked through dozens of scrolls and tomes this afternoon, looking for more information – but there has been no conclusive evidence found that clarifies what drew them here. Many sources corroborate that there was once a true King of Hell, a godlike being of pure malevolence. Either he died or was left behind in their travels, and his royal court arrived in Aufero with no clear leader.

Reports vary, but most seem to say there were nine princes of hell. A few reports set the number at seven, and a few as many as thirteen. Regardless of the original number, they immediately gathered their supporters and vassals, and descended into a vicious civil war. Devils are creatures of law, for their society to function, there must be an absolute authority – there can be no gaps in the system. They needed a King. After several centuries, Fairchild was triumphant – subjugating his brother and sister princes through trickery, seduction and force.

Another digression. This is not a history of the royal court of Hell. This is about the methods available to them for visiting our dimension — and the unbelievable way they have found to subvert them. My time grows short, the sun is near the horizon.

Devils cannot visit our world without aid. It is a function of the laws of our world, by which they must abide. A mortal agent of some sort must choose to let them in. Choice seems vital, according to all of the texts I’ve studied. Whether through a spell, or a contract, or the construction of an elaborate portal — the mortal soul must knowingly choose to allow the devil in. Folklore is full of tales of devils tempting the people of Aufero with all sorts of earthly pleasures in return for entry — and our history [especially recent] has shown the great time, patience and planning the devils have devoted to building Hell Gates. Brimhorne, the Piccan Undercity, the ruins of Thay, the great dam of Jacra. Mortal agents, toiling sometime for generations — choosing again and again to give the devils sway.

And now this gate in Gilead. The description provided by the barbarian, Agnar was evocative enough, but sadly lacking in technical information. I’m including it here for later reference.

“Two pillars,” Agnar blurted. “Two pillars of thick crystal-looking stuff. But not showy crystal, like fancy ladies wear. More like the crystal that bends and shapes sunlight, breaking it into colors. Edges cut perfect, each pillar a mirror of the other, angling up from the floor then towards each other. Wedged between the points of the pillars, a ring of metal that glows blue from some enchantment, and chained within that ring is the Browncloak. Golden light— thick, like liquid sun— pours out of his chest like a waterfall, and through that waterfall walks the devil legions.”

I have dug through scroll after scroll, leaving the stacks in such awful disaray. When the Tomemasters return, they will be sickened by my clutter — but I was desperate to find some mention of this, and I think I have been successful. One fortunate benefit of the vicious battle today — the Forbidden Texts Repository was left unlocked, and unwatched. I have dreamed of being within this tiny room for years, so many questions that could be answered, so many scholarly riddles finally unwound! Frustrating to finally be inside, but have a time limit and one narrow field of inquiry.

A stone tablet, conservatively dated at -13289 VA. Thousands of years before the coming of the Lost [Precursors, Arkanic Civilization] — the Time of Dragons. I almost couldn’t decipher the text — it is a primal form of Draconic, beyond ancient in syntax, and the tablet has suffered much to the ravages of time. The tablet itself is incomplete, only a third of what was clearly a much larger piece — and many of the ideograms have been completely blotted by wind and water.

It seems to be a codification of the laws of Aufero — almost a charter of sorts. The author is unclear, but it seems to speak of some sort of meeting place, or place of judgement . All of the strange travelers who had found their way to this world, having the rules explained to them. Perhaps I read too much into some of the nouns, inadequate time for a proper analysis.

The main section that caught my attention was a reference to a Circle of Gold – it reminded me of the barbarian’s description. The author of the tablet seems to be recounting a question asked by some sort of lord — the question directed to the higher power that presided over the judgement, or meeting. The following translation is incomplete, and hopelessly innacurate – but I believe that it catches the gist of the exchange.

Lord: But why must my people be kept outside the walls?

Higher Power: That is the way of it.

Lord: Is there no way we may enter into the city?

Higher Power: Only at the citizens’ invitation. Only at great cost. Only through the proper ways. And never for more than a [period of time].

Lord: This is unjust. All of the other lords have been treated fairly, as is their due.  It is not right that we should be so denied. All others are welcome in the city, is there no way that we may not become citizens ourselves?

Higher Power: You speak true. A balance is required. Through one door only can your people forever enter the city. Through a Circle of Gold. 

After this, the gathered personages all nodded as if this ‘Circle of Gold’ was a common term, that required no further explanation. The rest of the tablet makes no mention of it. On a hunch — and truly, out of desperation — I searched through a series of lexicons dated from the founding of Valeria. I only found reference to something known as a ‘Circle of Power’, a magical construct that could bridge the gulf between worlds — the interesting section was that it required something of both worlds to operate, a willing sacrifice.

My hypothesis is as follows. Somehow, Fairchild discovered the existence of this Circle of Gold — a loophole in the very fabric of this reality. The man referred to above as the ‘Browncloak’ [Izus Torossian, infamous assassin] is the willing sacrifice from our world — but what was the sacrifice of Hell?

I am certain the process was far more complicated, but I have no more time to study. I will grab as many books as my arms can carry on the subject, and transport them to the Lodestar — in hopes of continuing my studies on this matter. I cannot swing a sword, or lead an army — but if my knowledge or scholarship can aid our world…. I pray that it might.

Parallelogram – Scholar in Absentia, Primex Loghain

Headphones

The girl with the headphones pinched her nose and closed her eyes. The bus and the people roared around her, her thumb cycled the volume up and up.

She opened her eyes, and the bus was hers. The people were back behind the glass where they belonged. The girl with the headphones coiled a finger through the wire, and leaned her head back against the window. Frost and steam did battle behind her, in the gray streets.

The old steel worm chugged along, bending in the middle – armor rippling around a corner. A tall boy with corkscrew hair dangled from a white pole. His eyes were black and curious, making a naked cartography of her shape.

The girl frowned, and her thumb moved.

The boy let himself hang from the rail, his body making a triangle between the floor and the roof. He smiled at her, and refused to get behind the glass where he belonged. His shirt was a grimy green, and had a mermaid printed with blank ink.

Her stomach crawled and she turned her face toward the front of the bus.

The mermaid boy twined around another moment, then thudded to the floor when the bus screamed to a stop. The girl with the headphones gritted her teeth in satisfaction.

He hooted and grumbled, then pulled himself to the doors of the steel worm and was gone.

The glass reformed, and the girl was alone and satisfied.

A block later and she forgot the mermaid boy. She did not think of him  again.

[Story on demand for Leigh — her suggestion too me in a weird direction, as it often does — mainly because I was thinking more about my last trip to Chicago, the City of Ice. Thanks for the idea!

For those of you playing the home game, I did write another “mermaid” themed SOD, click here to be underwhelmed. Suddenly, Mermaid.]

Devil in the Green

Let me tell you about the first time I saw Fairchild.

I was working at Papa John’s — the day shift. I had just moved back to Athens after a blurred year away, and it was the first job I found. It was terrible money, and ultimately destroyed my car at the time — but hey, free pizza.

One of the big tasks that I had to do everyday, was food prep. All of the various pizza ingredients had to be carted out of the walk-in freezer. The cheese had to be fluffed [no-shit technical term], the meats had to be sorted — and all of the vegetables needed to be prepped fresh each day. The tomatoes were chopped, the onions were diced [pure misery], everything sliced and prepped with a big steel knife.

I hated it, but in a mute sort of way. It was systematic and mindless. Plenty of time to plot my escape, or let my mind wander.

For some reason, I really did enjoy cutting up the green bell peppers.

For the uninitiated, here’s the process. You cut off the cap [stem part] with a knife, then scoop out the seeds and guts inside. Then you would toss the whole thing into a big chopper with a crank, a few spins and out would come eviscerated vegetable.

It’s hard to explain exactly what I enjoyed about it. Other than the wanton destruction. The peppers were always nice and cool, and pleasantly crisp when you sliced into them. It was neat and self-contained, a little green world — protected by a thick barrier. Chop up onions, you get more onions — chop up a green pepper, you are Galactus.

One day I cut the top off of a bell pepper, and found something new.

Fairchild.

The pepper looked completely normal on the outside, maybe just a little twisty at the bottom — but inside was a tiny green growth, a nub of another pepper growing inside. It was a much brighter green then its host, almost fluorescent green, twisted and strange growing in the center of things.

My immediate thought : “This is what cancer is.”

Because it wasn’t a blight, or a bug — it was something that grew from within the little world, innocent and merry and green, green, green. All it wanted was to grow, and was blithely unconcerned with what that meant for rest of the pepper.

I’ve scanned the internet for a good picture of one of these things, and I absolutely cannot find one suitably impressive.

This is a red pepper, but you get the idea.

It was just so pleased with itself — that’s what struck me. So vibrant and wicked and sure of itself – it almost waved in delight to be discovered.

Look what I am doing, it said. It’s so very nice inside of here, would you like to pull up a chair? Things are going so well!

That image sticks with me. And so when it was time to create a villain for the last act of Lodestar — the green, green cancer sauntered into my mind, as blithe and merry as ever. A devil, a prince of devils dreaming of being King. A trickster and a manipulator — one so very, very sure of his success. Fairchild, the King of Glass. He had appeared in bit parts in other stories, but it was time for him to take center stage.

And if the heroes of Aufero aren’t most clever and potent, he will sit on the throne of my little world until the end of days.

But even if they succeed, I know the image of the green pepper in my mind will survive — so Fairchild will too.

A short story that features my green devil – The Cost – if you care to peruse.

 

 

 

 

Sitar

I play and she dances.

That is how it works. That is it.

The heat of her day, and the hat on her head, and the crease of her waist and the slight boredom in her green-green eyes.

I thump down on the strings and an eruption of trees – pines today. Green like her eyes, but I place them outside her reach with petty twangs. She spins faster, catching the rhythm. A few coins clatter. It’s hot.

I throw gold notes at her feet, but her steps erase them – Nena the Cruel, the Cat Dancing. Give her a heart, and she will return a hard-scrabble scrap rat-tat-rattling around your rib cage.

She makes the devil jealous. The sun weep.

I fill the plaza with water, my fingers on the strings. She steps onto the waves like a birthright, her hem dry.

The crowds pass, but they do not see. This marble and stone corner of the world full of spite and spiders — full of amaranth and ambrosia. At the end of the day I will slide my hand under her elbow, and she will jerk it away. My desire-sweat drips, and she kills me again with green-green daggers.

I bring a spirit of fire into the forest, I build a wall of earth — it is never enough to hold her. A snake winds around the base of my spine and I want her and want her. I scream down into my hands, and the strings do their best to answer.

My hands move. Nena dances.

I play and she dances.

That is how it works.

[Story on Demand for N.E. White]