A manor. A murder. A mystery. The doors are closed, best keep your eyes open.
Jonas and Rime arrive at the House of the Heart-Broken Lion, interrupting a play and an opulent dinner party. An actor falls dead on the stage, the doors

Plate XX – “Lancelot Approaching the Castle of Astolat,” circa 1867-69
are locked, the authorities summoned. Rime has one night to solve the mystery and escape before too many questions are asked and her wild magic is discovered. Jonas is just excited that there’s really good cheese.
Thirteen guests in the manor. All the doors are locked. One of them is the killer. Can she solve the case before dawn?
A sea-elf shaman, a wood-elf scholar, a bard with an electric guitar. A gentle priest, a vicious trader, a rude dwarf who does not speak. These guests have secrets, could there be a secret guest?
Blood in the shadows, a killer stalks the halls of the Heart-Broken Lion. How can Our Heroes triumph against a foe that neither spell nor sword can catch?
- Secrets of Jonas’ past revealed!
- [Not all of them, but, you know, some!]
- Rime has a crush!
- Cryptic clues!
- Red herrings!
- Partial nudity!
- Bedroom hi-jinks!
- Sweet guitar solos! [Described.]
- A giant cow!
A truly original mystery shamelessly cribbed from Agatha Christie, Colombo, and N.C.I.S. Fantasy fiction bent into a new, strange shape.
Can you solve The Riddle Box?
[Argggg. I hate writing ad copy. This is my first stab [of many] getting Riddle Box into something easily marketable. Back of book, Amazon description, etc. I am shit at the elevator pitch — comments and reactions very much appreciated!]
I LOVE THIS. I’m a bad elevator speech giver as well, but I really think you got something here. Exciting, fun and intriguing.
Hey, thanks! It’s still pretty wonky, I’m glad you like the first pass.
Every time you end a paragraph in an italicized question, I think the pitch is over, which makes the next paragraph feel like it’s drawing out what has already been stated. I like the questions, but maybe they should all (but the first one) be at the end and cut down a bit.
Fair. This is effectively just a long riff until I stumble into some copy I like — the final version will be much shorter and tighter.