Lodestar blather.

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What’s it all about? What is the cipher of Lodestar? I’ve been thinking about it a lot lately, as we creep ever closer to the end.

The art we make is a window. The artist sees the world through its lense, and the audience can catch a glimpse of the artist’s true nature. Lodestar is the longest work I’ve contributed to, so shouldn’t it reveal the most?

I find myself looking at the broad shape of it, and finding it oddly inscrutable. Certain themes are clear: great deeds require sacrifice, morality is inconvenient, exploration, friendship, freedom, sorrow.

But what about all the strange little curliques of my subconscious? Why are the devils so sure? Why are the villains so true? Why are the dinosaurs philosophers? Why do all the cities have plazas, and the temples have spires? Why is Simon a romantic fool, and why is the Grand Wizard dead? And why is all in ruin? Gilead, Kythera, the Dragoons, Caleron, Quorum, Bards Gate. Even Hell itself totters and quakes.

Serve or Destroy. Why is that the binary? They are fundamental tropes for the genre, but why do they emerge now? Who made the White Sword? What did the Lost flee?

What am I afraid of?

The Same

“The servant does as the master wishes. The master desires bread, the servant plants grain. The master desires a keep, the servant lays stone. The master desires gold, and the servant bleeds steel. At the end of all things the servant is still a servant.” Oak replied.

Mercy

Mercy.

Have you ever thought about that word, Servant of Light?

What it really means?

It means you are greater than I. That you forgive me, that you spare me — that you deem me suitable to exist. That you alone are equipped to know what is Just, and Right. You are the arbiter of the universe, and anything that you do not understand, or fear is worthy of destruction, but through your infinite mercy you will allow me to draw another breath in this world. That anything that is not like you is wrong, is contemptible, is evil.

Is it any wonder we want to destroy you?

That you, a child in this world – given only a few spare years of thought and life, can stand there before a being that has known and experienced more time than you could dare to even conceive, and have the temerity to judge me?

Long ago, before we came to this world, before the world before that, and the world before that — when we were first created in the very cauldron of the Beginning. Each being was given a choice. Will you Serve, or will you Destroy?

I think you know what me and my brethren chose. We are the Hounds of Necessity, the Storm Undying. We are required, we are in the bones of creation — I serve a far greater purpose in this universe than you could possibly imagine, I am EVIL, Servant of Light. And I am old, and I forget nothing and regret nothing. Do you know what Hell is, little thing? Hell is never forgetting, Hell is enduring, and Hell is dreaming of the day when you can break every piece of your disgusting little world, and all of the self-righteous false mercy that it holds.

To prove you false, to show your true selves – stripped of all your lies and empty hopes.

You are all animals, and I will not be judged by the mouse who offers me a crumb of his precious cheese.

So, no. I don’t want your mercy. And I promise you, there will come a day when you will understand the deepest well of my heart.

You all will.

The King of Open and Shut

DragonCon

 

Once upon a time, I had certain delusions. Delusions that I would finish my book, and have nice shiny copies to hand out to random people at DragonCon. I had this really elaborate ARG I was going to set up, and it would become a viral sensation — securing my place in publishing, and I could quit my job and eat Hot Pockets on my couch forever.

So yeah, I’m still editing, so that isn’t going to happen.

But, I will be at DragonCon! Who else is going to be there?

If you can find me, and mention Spell/Sword I will be fucking shocked — and immediately anoint you as the first Slaughter Wizards of the nascent swordpunk fandom.

Bad Idea

The adventurers stood around in stunned silence, as the illusory image of the Red Wizard faded from view. The strange machine chuffed quietly, working it’s unknown program through the pipes and gears that extended into the stone ceiling out of view. The simple glass decanter sat on the desk, a third full of a blue liquid that glowed slightly – a shade of blue that no one could ever remember seeing before.

The words of Korthan Zul seemed to hang in the air, repeated in the stunned memory of the Lodestar crew.

“My disciples, how glad am I that you have made your way to my inner sanctum. Only

Artist – Killian Eng

you have proven worthy to glimpse the greatest expression of my power — my mastery over Time Itself.

I stand now on the brink of total domination of the world. The Scepter is in my hands, my armies are strong and vicious, and the pitiful forces of Good are a spineless rabble. But…there is always a but. Even I cannot plan for all the strange storms of the Future, so here I have prepared a doorway into the calm seas of the Past.

If the worst should occur, and I should fall – take this liquid that you see behind you. I have built a machine, that distills the very essence of Time. Drops stolen from the river. One swallow will take you anywhere in Time you choose. Go. Go back before the moment of my defeat, and bring the knowledge I will need to triumph.

Do not fail me. Evil never forgets. It Begins Again – It Endures Forever”

The loris, Mr. Wuzzles crawled down from his place on Carbunkle’s shoulder and wrapped himself around the gnome, pinning his arms with fuzzy insistence.

“Do. Not. Touch.” the loris said sternly

The Quiet Prince’s Contract

I need a vessel. A mortal form to hold my power and my mind, to allow me to influence and shape your world. Those are the rules, and unlike that rapscallion Fairchild, that means something to me.

They must be willing, and accept me into their mind. I would prefer someone attractive.

The host’s mind will be shut away while I walk the world. A strong mind will survive, and be improved by our time together. A weak mind will most certainly go insane. I promise to leave the vessel as soon as Fairchild is defeated.

I cannot guarantee their safety. We are at war, and I do not know the future.

When you are ready, have them go to sleep with a fresh, red apple in their hands. That is the sign that the deal is struck.

In return, I will use my considerable power and knowledge to help you defeat my tawdry brother. My armies will rise and march against his. And when the war is over, and I am King of Hell Entire — then all within my power will leave this place until the death of Talitha’s grandchildren. Two generations free from devils and demons, both.

Not an inconsiderable payment.

If you betray me, you will have many long eternities to wish that you hadn’t.

Delay too long, and you begin to smell of betrayal.

I know you have a certain appointment to keep, a moonlit stroll through the Sarmadi sands. It would be most unfortunate if you were to miss your rendezvous.

Dally not. – Time is the cruelest enemy.

The Only Ink

“You don’t know me.” Quintus stood up. “You question my worth, and you question my devotion — and when I challenge you, you fuss like a barnyard rooster.”

The duelist stalked a few paces away in a cold fury.

“Fine. If words are what you want. If words will make you believe that I am ‘worthy’ of your trust, of your grand ideals — then hear me. I will die for Simon Garamonde. I will kill for Simon Garamonde. This entire world could burn and go gray with ash, and if he could walk free and unspoiled I would consider it a worthy trade. Every moment that his heart is under a devil’s hand, mine breaks anew. There.”

Quintus face looked down on the sleeping gnome with utter contempt.

“Is that acceptable, librarian? Now that I have used your precious words, is my pain – my love more real? Can you feel it now? Are my words true — am I worthy? Words are air, my heart is full of blood and steel. Those are the only ink worth writing with. Now speak.”

Parallelogram’s Report

I write these words in haste, the Lodestar flies at sundown and I plan to be on it. After the siege of Starmhill I intend to be on something well-defended and mobile until the end of this war.

Interesting query. ‘this war’ – no nomenclature has developed among the participants. What will this war be called by the survivors? I imagine that depends entirely on the victors, in the usual fashion.

No time for digression. Four words that fill my scholar’s mind with dread. If this world falls to the devils, I fear there may never be time for digression ever again by any human mind.

My studies have long concerned the different planes of reality, with a focus on the Umbral Plane — the Shadow Dimension. In the past month, my knowledge went from blood-crucial to trivial. The events that transpired at Kythera, and the city’s subsequent destruction have severely diminished the connection between our world and the shadows. Saving the world from a great threat, certainly — but also curtailing my further studies.

Logically I should be glad, but my mind still aches that I will never journey into the Umbral Realm and divine its secrets.

And in the wake of the destruction of the Arkanic capitol — a new foe has appeared, and moved with precision and menace across the globe. The forces of Hell, iron-clad legions of perfect evil and regimented sorrow. They serve Fairchild, the King of Glass.

‘The King of Glass’ is an imperfect translation into the Common tongue. The Infernal language is far more gifted than ours in conveying levels of meaning, especially in relation to pain and suffering. A more unpacked translation would be – The King of Breaking Glass, the taste of copper in the back of your mouth when you hear the sound, the alarm that all mortals feel when they hear the sound, the knowledge that everything can be broken.

Though, to be exact – Fairchild is not truly a king. He is a prince. The devils are not native to our world, they traveled here from some unknown place beyond.  I’ve looked through dozens of scrolls and tomes this afternoon, looking for more information – but there has been no conclusive evidence found that clarifies what drew them here. Many sources corroborate that there was once a true King of Hell, a godlike being of pure malevolence. Either he died or was left behind in their travels, and his royal court arrived in Aufero with no clear leader.

Reports vary, but most seem to say there were nine princes of hell. A few reports set the number at seven, and a few as many as thirteen. Regardless of the original number, they immediately gathered their supporters and vassals, and descended into a vicious civil war. Devils are creatures of law, for their society to function, there must be an absolute authority – there can be no gaps in the system. They needed a King. After several centuries, Fairchild was triumphant – subjugating his brother and sister princes through trickery, seduction and force.

Another digression. This is not a history of the royal court of Hell. This is about the methods available to them for visiting our dimension — and the unbelievable way they have found to subvert them. My time grows short, the sun is near the horizon.

Devils cannot visit our world without aid. It is a function of the laws of our world, by which they must abide. A mortal agent of some sort must choose to let them in. Choice seems vital, according to all of the texts I’ve studied. Whether through a spell, or a contract, or the construction of an elaborate portal — the mortal soul must knowingly choose to allow the devil in. Folklore is full of tales of devils tempting the people of Aufero with all sorts of earthly pleasures in return for entry — and our history [especially recent] has shown the great time, patience and planning the devils have devoted to building Hell Gates. Brimhorne, the Piccan Undercity, the ruins of Thay, the great dam of Jacra. Mortal agents, toiling sometime for generations — choosing again and again to give the devils sway.

And now this gate in Gilead. The description provided by the barbarian, Agnar was evocative enough, but sadly lacking in technical information. I’m including it here for later reference.

“Two pillars,” Agnar blurted. “Two pillars of thick crystal-looking stuff. But not showy crystal, like fancy ladies wear. More like the crystal that bends and shapes sunlight, breaking it into colors. Edges cut perfect, each pillar a mirror of the other, angling up from the floor then towards each other. Wedged between the points of the pillars, a ring of metal that glows blue from some enchantment, and chained within that ring is the Browncloak. Golden light— thick, like liquid sun— pours out of his chest like a waterfall, and through that waterfall walks the devil legions.”

I have dug through scroll after scroll, leaving the stacks in such awful disaray. When the Tomemasters return, they will be sickened by my clutter — but I was desperate to find some mention of this, and I think I have been successful. One fortunate benefit of the vicious battle today — the Forbidden Texts Repository was left unlocked, and unwatched. I have dreamed of being within this tiny room for years, so many questions that could be answered, so many scholarly riddles finally unwound! Frustrating to finally be inside, but have a time limit and one narrow field of inquiry.

A stone tablet, conservatively dated at -13289 VA. Thousands of years before the coming of the Lost [Precursors, Arkanic Civilization] — the Time of Dragons. I almost couldn’t decipher the text — it is a primal form of Draconic, beyond ancient in syntax, and the tablet has suffered much to the ravages of time. The tablet itself is incomplete, only a third of what was clearly a much larger piece — and many of the ideograms have been completely blotted by wind and water.

It seems to be a codification of the laws of Aufero — almost a charter of sorts. The author is unclear, but it seems to speak of some sort of meeting place, or place of judgement . All of the strange travelers who had found their way to this world, having the rules explained to them. Perhaps I read too much into some of the nouns, inadequate time for a proper analysis.

The main section that caught my attention was a reference to a Circle of Gold – it reminded me of the barbarian’s description. The author of the tablet seems to be recounting a question asked by some sort of lord — the question directed to the higher power that presided over the judgement, or meeting. The following translation is incomplete, and hopelessly innacurate – but I believe that it catches the gist of the exchange.

Lord: But why must my people be kept outside the walls?

Higher Power: That is the way of it.

Lord: Is there no way we may enter into the city?

Higher Power: Only at the citizens’ invitation. Only at great cost. Only through the proper ways. And never for more than a [period of time].

Lord: This is unjust. All of the other lords have been treated fairly, as is their due.  It is not right that we should be so denied. All others are welcome in the city, is there no way that we may not become citizens ourselves?

Higher Power: You speak true. A balance is required. Through one door only can your people forever enter the city. Through a Circle of Gold. 

After this, the gathered personages all nodded as if this ‘Circle of Gold’ was a common term, that required no further explanation. The rest of the tablet makes no mention of it. On a hunch — and truly, out of desperation — I searched through a series of lexicons dated from the founding of Valeria. I only found reference to something known as a ‘Circle of Power’, a magical construct that could bridge the gulf between worlds — the interesting section was that it required something of both worlds to operate, a willing sacrifice.

My hypothesis is as follows. Somehow, Fairchild discovered the existence of this Circle of Gold — a loophole in the very fabric of this reality. The man referred to above as the ‘Browncloak’ [Izus Torossian, infamous assassin] is the willing sacrifice from our world — but what was the sacrifice of Hell?

I am certain the process was far more complicated, but I have no more time to study. I will grab as many books as my arms can carry on the subject, and transport them to the Lodestar — in hopes of continuing my studies on this matter. I cannot swing a sword, or lead an army — but if my knowledge or scholarship can aid our world…. I pray that it might.

Parallelogram – Scholar in Absentia, Primex Loghain

Devil in the Green

Let me tell you about the first time I saw Fairchild.

I was working at Papa John’s — the day shift. I had just moved back to Athens after a blurred year away, and it was the first job I found. It was terrible money, and ultimately destroyed my car at the time — but hey, free pizza.

One of the big tasks that I had to do everyday, was food prep. All of the various pizza ingredients had to be carted out of the walk-in freezer. The cheese had to be fluffed [no-shit technical term], the meats had to be sorted — and all of the vegetables needed to be prepped fresh each day. The tomatoes were chopped, the onions were diced [pure misery], everything sliced and prepped with a big steel knife.

I hated it, but in a mute sort of way. It was systematic and mindless. Plenty of time to plot my escape, or let my mind wander.

For some reason, I really did enjoy cutting up the green bell peppers.

For the uninitiated, here’s the process. You cut off the cap [stem part] with a knife, then scoop out the seeds and guts inside. Then you would toss the whole thing into a big chopper with a crank, a few spins and out would come eviscerated vegetable.

It’s hard to explain exactly what I enjoyed about it. Other than the wanton destruction. The peppers were always nice and cool, and pleasantly crisp when you sliced into them. It was neat and self-contained, a little green world — protected by a thick barrier. Chop up onions, you get more onions — chop up a green pepper, you are Galactus.

One day I cut the top off of a bell pepper, and found something new.

Fairchild.

The pepper looked completely normal on the outside, maybe just a little twisty at the bottom — but inside was a tiny green growth, a nub of another pepper growing inside. It was a much brighter green then its host, almost fluorescent green, twisted and strange growing in the center of things.

My immediate thought : “This is what cancer is.”

Because it wasn’t a blight, or a bug — it was something that grew from within the little world, innocent and merry and green, green, green. All it wanted was to grow, and was blithely unconcerned with what that meant for rest of the pepper.

I’ve scanned the internet for a good picture of one of these things, and I absolutely cannot find one suitably impressive.

This is a red pepper, but you get the idea.

It was just so pleased with itself — that’s what struck me. So vibrant and wicked and sure of itself – it almost waved in delight to be discovered.

Look what I am doing, it said. It’s so very nice inside of here, would you like to pull up a chair? Things are going so well!

That image sticks with me. And so when it was time to create a villain for the last act of Lodestar — the green, green cancer sauntered into my mind, as blithe and merry as ever. A devil, a prince of devils dreaming of being King. A trickster and a manipulator — one so very, very sure of his success. Fairchild, the King of Glass. He had appeared in bit parts in other stories, but it was time for him to take center stage.

And if the heroes of Aufero aren’t most clever and potent, he will sit on the throne of my little world until the end of days.

But even if they succeed, I know the image of the green pepper in my mind will survive — so Fairchild will too.

A short story that features my green devil – The Cost – if you care to peruse.

 

 

 

 

Cyrus

[I know I just posted this a couple of weeks ago — but I STILL LIKE IT, DURN IT. It’s funny how names and associations stick with you throughout the years — I never grow tired of the name Cyrus for any sort of warrior, swordsman or knight — and Chrono Trigger is completely to blame.]

And his hand slid through the hilt as if it were made of dream.

The barbarian stumbled forward, thrown off balance. He turned around, and the sword was gone.

In its place stood a hooded figure, old gray travelers cloak worn thin from endless miles on the road. Agnar glanced around and saw the temple seemed to be caught in gray amber, the clerics at the doors were nearly statues they moved so slow, the demons outside were a painting in stillness. A moment out of time.

The figure squared his shoulders, and fell into a natural fighting stance. Strapped across his back was a massive greatsword, the length of it tightly wound in dark cloth. The cowl slipped back, and Agnar stared into a stranger’s face. His face was clean-shaven, flat as slate — his hair was nearly gone, just gray fuzz on the sides of his head.

“Need is not enough.” the traveler said.

Agnar tried to respond, but found himself mute.

“Fate is not enough.” the traveler said, and Agnar felt the winged mark on his palm burn and itch.

“Rage is not enough. Skill is not enough. Might is not enough. All of these are dust.”

Sand began to pour from the sleeves of the traveler’s cloak, Agnar tasted the desert on his tongue.

“Only love is enough. Only truth is enough. Only sacrifice is enough.”

The traveler turned, and looked out towards the doors of the temple.

“You can bring death, but can you bring life? You have walked in the Light, can you bear its lack? Go out into the world, go without the Bright Lady’s balm, survive, and redeem one of the wicked. One evil soul brought back to the light, and I will be yours to wield — from now unto the Cracking of the World.”

The traveler walked away, and faded even as time slowly wound back to its proper pace. Agnar stared ahead at the demons pounding on the doors of the temple, and felt a dry, empty feeling steal through his limbs. A man who has lived his life ever by the sea, withers and dies when he can not hear the waves crash.

Marlowe looked up with great pain, and smiled with the sadness of knowledge. “Your trial begins, brother. You have stepped out of the Light.”