Blanket Times

I’ve been withdrawing a bit over the past few weeks.

That isn’t innately a bad thing — we all need time to recharge, flip the switch from Extra to Intra — but its something I have to acknowledge.  Acknowledge and control.

Partly it’s a reaction to how busy and involved I was in various projects over the past few months. Directing a show, working on the book, etc.  And partly it’s a reaction to some family and life issues.

I’ve been describing it as a “responsibility allergy”, but it’s more of a reversion. To all those

Skottie Young - Artist
Skottie Young – Artist

halcyon days when I could crawl inside a book or a video game and the world would leave me be. Honestly, in those days, the World had precious little interest. A fuzzy blanket of disinterest over my head as I traveled with Link, or Crono, or Serge, or Long John Silver, or Garion, or Paks, or Mulder and Scully.

As I said, it’s not innately harmful — and honestly it’s damn therapeutic. I’ve beaten two [!] video games in the past month or so, finished up some books, and been binge-watching Netflix like whoa. If I could just lay in my house for a few days and play Ni No Kuni, that would be simply grand.

But I also Have Shit to Do.

Work, performing in A Few Good Men, Play Reading Committee, Sexy Bassoon Listening Party, Burlesque Beta, Shadeaux Bros., Titan’s Wake, The Ocean of Not.

And writing.

Most importantly WRITING.

Puppet monologues. My A Few Good Men fanfiction. Working a little more on The Option sequence. I kind of liked that snippet I tossed off, The Lines — maybe pursue that, forward or backwards in time.

And always Spell/Sword. I’m on hold until the last few of my Beta Readers finish their review, but the final push is coming. I’ve also got lots of background work to do with my cover designer on the layout for the print edition.

So, Blanket Times — but only in moderation.

Spell/Sword Cover Art Revealed!

Artist - Mike Groves/poopbird
Artist – Mike Groves/poopbird

And there it is. The cover art for my book.

This is real. IT’S REAL.

Let me let me tell you why I love this art.

1. It’s fun. Looking at it just makes me smile. It’s unapologetically goofy and cartoony. Most fantasy art takes itself so freaking seriously.

2. It’s different. This doesn’t look like 98% of the fantasy novel illustrations I’ve ever seen before. Not on the shelves at Barnes & Noble, not on Amazon.com or anywhere else.

3. It’s clean. All of the negative space just pleases me aesthetically. A traditionally published novel would want to cram more information and more verbiage on there. I’ll probably have my name on their, somewhere very small, but that’s it. I also think it’ll really stand out when seen online as a tiny thumbnail on someone’s Kindle.

4. It makes me think of Chrono Trigger. My book sits very comfortably in the mental space occupied by Dungeons & Dragons, JRPGs, and manga. I adore that this would not look terribly out of place on the cover of any of those three.

5. It will make people vaguely embarrassed to be seen reading it. Not so much with the Kindle version, but people who have the paper copy. Anyone reading this will be broadcasting to the world that they are a Huge Nerd.

Huge props to Poopbird on the illustration, you should follow the link from here or the image itself and check out his entire portfolio and buy stuff from him.

I hope this gets you marginally excited about reading the book. I know it gets me far more than marginally excited about finishing it.

Bubbling Brew of Malaise

Grump grump grump.

I have entered into a period of vague dissatisfaction.

There are many exciting things on the horizon for Spell/Sword: final edits are almost done, designer is lined up for my cover, cover illustration is complete, entered into the Amazon Breakthrough Novel contest, should be ready to self-publish in February or March.

I’m very excited about these things. Every time I look at the cover art, my body begins to emit a

Artist - Rachelm
Artist – Rachelm

pearlescent light and strains of violin music can be heard by passersby.

But, you know, meh.

Nerd Concerns are also going well. I’m running two tabletop campaigns. Titan’s Wake, in Pathfinder, and Ocean of Not, in Legend of the Five Rings. Got a shiny new 3DS for Christmas from my beloved and have been playing with it more than I should. Beat the sublime Virtue’s Last Reward and am currently scratching the nostalgia itch with Legend of Zelda:OoT.

But still — grumble.

I even have ample TV fodder at the moment. Twin Peaks for my brain, and Bones for my stomach. We have a new dog that we’re fostering/becoming permanently attached to. My beloved is wonderful if over-busy.

Lately, I’ve been feeling the old, familiar desire to escape — to slip out of this reality for a while. An MMO would fit the bill nicely, but all of my computers are old clunkers that can’t handle it. Actually playing some tabletop would be nice as well, but I’m kind of booked with DM duties.

I guess it boils down to this: I just feel too damn ‘adult’ of late.

I’m ready for the book to be done and people to shower me with riches, so I can sit quietly in my apartment and play video games and work on the sequel. Buy a big house with a yard for the dogs, with a gigantic craft room for my beloved, and plenty of hammock space for all the burlesques. A swank kitchen for the Yellow Devil/Ladle to play in and a ton of guest rooms, so my family can come and stay whenever they want.

 

 

Seven Cups of Tea

The small inn at the base of Mt. Kyojin is known for three things.

The first is for the excellent saki that the owner, Erojin, brews in thick, oak casks passed down for nine generations in his family. This first thing is known because Erojin repeats this often to all of his guests.

The second is that it is the final inn on the Imperial Road that leads to Kori Horudo, ancestral keep of the Matsu family. This second thing is known because travelers that pass it by on their way to the keep face several hours of cold, dangerous climbing up the rough hewn passes that protect it, covered in snow except for the deepest part of summer.

The third is that the spring water found in a nearby cleft of rock is unparalleled for the making of tea. This third thing is known only by true students and masters of the tea ceremony. Erojin’s grandfather built a special structure around the spring, and took great care in preparing a perfect setup for the brewing and preparation of tea. The water flows hot from the spring in the central pool, a stone table encircles it like a ring – and cunning hooks hang at even intervals, allowing kettles to be hung.

It is said that a cup of tea prepared at this spring is a kiss from the Fortunes themselves — and not to be missed if a Tea Master is available and willing to perform a ceremony.

So it was, when six travelers on their way to Kori Horudo ate their quiet meals in the common room of the inn. When a seventh traveler invited them all to join her in a cup of tea, none could bring themselves to reject so polite and fortunate an invitation.

The hot water of rushed into the dark green kettle, and the quick hands of the seventh traveler pulled it free of the spring never minding the heat. She moved her hands in calm patterns, adding a pinch of powder, a fall of leaves – her hands and eyes focused and sure, a dance. The six guests felt their souls fill with peace as they watched the serene preparation of the tea.

At last the dance was done, and the seventh traveler placed the lid on the kettle with a quiet clink. Then she looked up at the six samurai and smiled. Her face was plain, with a sharp chin — but the easy warmth of her smile was beauty enough. Her kimono was of good material, but showed signs of much wear and travel. On her right breast was carefully stitched the mon of the Fox Clan.

“And now the waiting. For even we must bear the quiet wind of Time, and fill the interval between the leaves and the tea. Hot water will do its work, no doubt.”She bowed her head respectfully to the others. ” Please forgive me, in my haste to begin the preparation of the tea, I have neglected to introduce myself. I am Kitsune Miho, a scholar. Would you honor me with your own names as we wait for the tea to become tea — and perhaps tell us a little of what has brought you to the little corner of the world?”

13 Devils

Lodestar interview collate. Reasonable approximations of iconography glimpsed on Inf. Mural during their sojourn to the plane of Hell. Cross reference with several sources for possible/potential identification. Most listed by description/popular epithet from lore. – PGRAM

1. ????? – The Knight with Brown Armor

Sean Andrew Murray - Artist
Sean Andrew Murray – Artist

2. Blackwire – The King of Move

3. Fairchild – The King of Glass

4. ????? – The King of Open and Shut

5. ????? – The King of Forever

6. ????? -The Hound with Blue Eyes

7. Beldran – The King of Forget

8. ????? – The Snake with Green Scales

9. ????? – The Maiden Illuminated

10. ????? – The Beast of Quiet

11. Cassandreia – The Lady in White

12. ????? – The Bleeding Lion

13. ????? – The Crow with Yellow Talons

We Move West

And here I am, hey blog. HEY, HEY BLOG.

BLOG. HEY. HEY BLOG.

[This is what I do when I see a cow out the car window. Just replace ‘blog’ with ‘cow’ and it’s the same dialogue. It is incredibly endearing, and never annoys anyone else in the car.]

I know you can HEAR ME COW.
I know you can HEAR ME COW.

So, yeah — let’s shake some cobwebs off.  My production of Pippin is finished, so now I can reroute those system resources back to all of the other plates I have spinning in the ether. Let’s list them! YAY, LISTS.

1. Spell/Sword Zeta Draft.  This would be an amazing name for an anime. This is the big project, my  main focus. Incorporating all the feedback from my Beta Readers, and working my way to the penultimate draft. I’m planning to add about 5000 words to the draft, so I’ll need to get one last set of eyes on the manuscript before I move forward to Self Publishing Ragnarok.

2. Self Publishing Ragnarok. Also an amazing anime title. My goal is to get the book into a buy-able format, through CreateSpace and Kindle Direct Publishing through Amazon. I’m researching all of the technical knowledge needed for doing that, so when I am ready to move forward it won’t be a giant learning curve clusterfuck.

IS THE JPEG OF YOUR COVER ART BELOW THE MAXIMUM PIXEL LIMIT???
IS THE JPEG OF YOUR COVER ART BELOW THE MAXIMUM PIXEL LIMIT???

3. Cover Art.  I’ve seen some early sketches from Mike/Poopbird, and I can’t wait to see the finished product. Got to make sure I have all the specs for pixel limits, image size, etc. to make it easy and painless for him once the design is complete.

4. Titan’s Wake.  My occasional Pathfinder campaign. Time to kick it in the shins and get the PC’s moving toward something approaching the plot. Scheduling has been an issue, leading to some signal loss — gotta get the players on some sort of regular game night schedule, or the campaign is just going to fizzle.

5. The Ocean of Not. New and shiny Legend of the Five Rings campaign! Meeting with the players in early January to make characters, and hopefully kick off the game shortly thereafter. I’m planning on having a forum component for this one, and most of the players are Lodestar alumni —very excited to get back in the trenches.

6. Shadeaux Bros. Christmas Album. Got to jump on this one with both feet, as it does have a built in deadline. Unfamiliar with our previous work? Take a listen and be forever changed.

7. A Few Good Men.  I have a small part in the next Mainstage production at the theatre. I get to play an actual person, which is not my strong suit.

Broad physical comedy is what I do.
Broad physical comedy is what I do.

8. Regular Blogging. I need to get back on a regular update schedule, 3-5 times per week. Maybe I’ll bring back Story on Demand to prime the pump, but I’m hoping now that working on the book is moving back to my main creative focus, I’ll have more time and writerly thoughts to expound upon.

Lot of stuff. Lot of cows. I love the feeling of energy and mind-space coming online – really looking forward to all of these projects!

 

Part Two?

Hmmm…I was planning on continuing the ‘Three Falcons’ bit I was working on — but I honestly kind giant20bunny20hugof like how it hangs right now.

This piece is background/world information for my new tabletop campaign and I think it serves the purpose well enough. Introducing some flavor of the world, a tragedy and a bit of a mystery. Too much more and I’ll start giving things away to my players — and we don’t want that do we?

In other news:

Come see my play!

I’m about a week away from beginning final edits in earnest on Spell/Sword.

I wrote an awesome song today for this year’s Shadeaux Bros. Christmas album.

Three Falcons I

The Emperor waits.

White rain falls and dark earth waits.

Three falcons, red blood.

tumblr_meu3nzjG5i1rhqm9zo7_1280

I, of course, was not present at the Battle of Jato Valley. The Fox Clan was not involved in this skirmish between the Great Clans, and our presence would have been looked at with great anger and disdain by Matsu Tsuko, the Lion Clan general. She would have viewed the inclusion of a small clan of no particular renown in her day of glory as an affront.  And her rage at our clan being the witness to her ensuing shame would have been great indeed.

And, of course, I was only seven years old.

Jato Valley is a geographic location of little significance other than this battle. It lies between the Lion and Crane lands, in a small  bit of land flanked by a granite mountain range to the north and a small river to the south. It is the homeland of the Falcon, a small Clan similar to our own in size and influence. How could they have angered the Fortunes so? To bring such calamity into their quiet corner of the Empire? I have visited their crumbling keep many times in my studies, and the only stories that Toritaka Yaki tells with any vigor are of the Battle of Jato Valley. As if that one day of blood and sorrow has forever dimmed the past, obscuring the older tales of his clan’s former glory.

I, of course, agree with him – but I would never dishonor the elder’s clan by voicing such thoughts out loud.

For the Battle of Jato Valley did much to obscure the light of many great samurai, and as my studies dare to suggest – continue to darken the honor of many of the Great Clans.

My apologies, honored reader. I write these words as if all were clear to you. We always write as if our time in this world is the only time,  and that the things we deem of import shall remain so on down the ever spinning gyre of the wheel. As a young student I was often keenly aggravated by the ancient scholars prattling on for turns and turns of the scroll, before finally making it clear the thrust of their tale. So, I shall speak as if I am long dust, and you know nothing.  For, if I may politely remark, when I was a student I knew a great deal of nothing myself.

Please accept my profound apologies. I am certain you are a credit to your clan, and your ancestors.

The Battle of Jato Valley is a riddle. A circumstance that still troubles the students of bushido, the priests of the kami, and lowly scholars such as myself. It concerns the most grave breach of the Celestial Order – a betrayal beyond the ken of the Sun and Moon.

The Emperor had three sons. And then he had three enemies. Blood against blood, the most shocking sacrilege.  They fled the Voice of Heaven and took refuge with their allies in the one place they knew would receive them. The hall of Toritaka Yaki, their archery instructor as children — and a defensible position. None of the Great Houses would have dared to shelter them — but the Falcon spread its wings and brought them into the nest.

Hantei Pono. Otomo Tekiko. Otomo Yoru. 17,15 and 10. The heir to the throne and his two younger brothers – the greatest criminals the Empire has ever known.

I take quite a risk writing their names, here in fresh ink. The Emperor has made it a crime to ever refer to them from now until the End of Time.  If I were a wiser scholar I would blot them, but I have an unfortunate flaw in my character. I pray that my honored reader will do their best to ignore my indiscretion.

When the Hantei himself stood over their broken bodies, he is said to have called for fire. He took the brand in his own hand, and poured the pitch over them — taking great care, of course, to never touch them. The flames burned for hours, leaving only their bones. The Emperor had their remains put into three jars and had them painted with the mon of the Falcon.

Matsu Tsuko carried the jars herself, and laid them at the feet of the Falcon daimyo and spat in his face.

“The Emperor commands you to keep these urns with you always.” She is recorded as saying. ” These Falcon traitors, these three sons of Toritaka shall forever be a reminder of the dishonor you have brought to your Clan.”

The Lion general then turned and stalked out of the hall, speaking no words of her own dishonor that day.

For the overwhelming force she had brought to bear against the pitiful rabble that had dishonored themselves so greatly to serve the Three Falcons had paid dearly for her arrogance. The Battle of Jato Valley is one of the few defeats that the Matsu had ever experienced, and with such high stakes – the very honor of the Emperor himself, ah. She had thought to fight an easy skirmish, outnumbered her enemy five to one.

The Matsu’s army won the day — but only at the price of half her army. The Three Falcons and their allies, ronin all, fought like gods of death.

They showed the truth in their souls. And for such dishonored men to show such strength, is perhaps the most disturbing portion of this tale for many of my respected colleagues.

Honor is the samurai’s might. How could these vilest of traitors have faced down so many of the Empire’s best?

I, of course, have a notion.

 

– Kitsune Miho

White-Hot Greasefire of Entertainment

Pippin-Anxiety
Josh Darnell as Pippin, with The Players

Pippin opens on Friday.

If you’ve been wondering why the blog has been so quiet — here’s your answer. I’ve been directing a production of this musical at our Friendly Neighborhood Theater, the Town & Gown Players.

Here’s the part — were I a normal human being — where I would gush about the show. Partly from genuine excitement and pride;  partly in a cynical, manipulative attempt to convince you to come see the show.

But as this blog provides ample evidence, I am not a normal human being. I have a complicated relationship with positivity. Most evident in creative projects where I am invested. I have a, shall we say, extreme reluctance to speak without restraint, to truly commit to the excitement. How about a list of your neuroses related to this, I hear you all shouting with animation and curiosity at your computer screens. Okay!

1. Pure superstition. If I say that the show is good, amazing, colossal, etc. etc. I’m calling down the attention of the gods. I live in Athens and hubris-smiting is most definitely on the menu. A musical is a super-complicated, involved creative endeavor with thousands of moving parts. Everything has to gel – the music, the movement, the acting, the vocals. Layered on top of that is the spiritual mumbo-jumbo of any community – you want every person’s chi to align just so. I do not need Hermes to start

This doesn't happen in the show. Only in my heart.
This doesn’t happen in the show. Only in my heart.

feeling capricious or mercurial[HAR HAR HAR] and throw  a wrench up in my show, just for giggle-shits.

2. Cynical Directing Style. I’m not quite sure where I picked this up — but I truly believe that if I tell an actor that what they are doing is good, they will immediately get worse.  As an actor myself, fear is the best motivator. If you believe that you are doing a good job, you will stop working to get better – you will relax, get comfortable. It’s a short trip to Craptown. Every rehearsal, every performance you should be striving to exceed your previous attempt.  Add to that the weird parental aspect of being a director — actor-children work much harder when they are unsure of Daddy’s approval. It’s cynical, but it works. Most of us performers have some sort of approval-need or bone-deep insecurity, as a director you might as well plug in to that and use it to get them to do sharper pirouettes. I’ve actually made a point to get better about this one, giving GRUDGING positive notes. Baby steps!

3. First Impressions. The beginning of a play is a holy moment. The moment when the lights go down — it’s pure, unbridled potential. Anything could happen — a whole new world is being born right in front of you. I treasure that moment, and I hate to pollute it. Especially with generic ‘Rah-Rah Show’s SO AWESOME’ posturing. So, if I started rambling on about how great the show is, or how much I like X scene, or Y song — then I’ve put things in your head. Expectations, judgement, etc. The less said the better. Come to the temple with your eyes unclouded.

So, what can I say about the show – through the net of my psychosis?

The set looks amazing. My designers really outdid themselves – I can comfortably say that it is unlike anything we’ve put on that stage in the past 10 years, easy.

The light design is also excellent. My bacon was Epic Level saved by the last minute addition of our Light Designer.

The choreography is excellent, thanks to my crack Choreography Squadron.

The band is crisp, and the musical director’s re-scoring of several key moments is inspired.

Pictured: The Cast of Pippin
Pictured: The Cast of Pippin

The cast? Solid. I know that sounds like faint praise — but I’ll double-down. This cast is Solid Snake.

I won’t say anything more, due to neuroses listed above. But when the curtain opens Friday night, that’s where you want to be.  I want you to see what the cast has accomplished, has earned through months of hard work.  I believe you are going to see something exceptional.

If you are anywhere within a 50 mile radius of Athens, GA – you should make a point of attending.

Click on the image up top to buy tickets. You can pick your seat and everything, through the magic of the internet.