Blind Date

The long black cloak was a dead give-away. The slicked hair, the golden pendant shaped like a star. The way he loomed over the salt-shaker.

Trisha had set me up with another vampire.

I sighed and leaned against the bar. He hadn’t seen me yet, I could just leave -back to my dusty house and re-runs of NCIS. Why did Trisha keep doing this to me? The first time had been awkward, and the second unbearable — she always feigned surprise, her eyebrows climbing into the stratosphere of her forehead.

My mother’s manners were iron. I finished my drink, and marched over to introduce myself to my date for the evening.

“Hello, I’m Dorothy — are you Gregori?”

He knocked over the salt-shaker in his haste to make a florid cape-gesture. It tumbled across the table, clattering.

“Mh-yes, I am Gregori. You look so beautiful in the moonlight of this evening. The moonlight in this evening? Of…in? You look so beautiful in the moonlight….?” he finished lamely, standing at the table.  “I am Gregori.”

Then he reached forward and righted the salt-shaker.

“It’s nice to meet you, Gregori — do you mind if I sit down?”

“But of course, my dear…othy. Dorothy. ”

I arched an eyebrow, and found myself having to fight a grin.  Gregori smoothed his medallion, and cocked his head to the side.

“Please forgive my familiarity, it is the custom in my country.” he nodded mysteriously.

“And what country is that?”

“Pittsburgh.”

“Pittsburgh.” I looked down into my purse to keep from laughing. This poor man. He seemed so uncomfortable in the lifestyle that he’d chosen, a serious, brooding expression locked on his face.  So determined to be convincing, like a kid in his father’s coat  – giving a speech before the class.

I reached across the table and laid my hand on his wrist. He went as still as the grave, a look of pure terror appearing in his eyes. They were nice eyes, brown.

“Greg — can I call you Greg?  I’m a woman, and you’re a man. It’s nighttime and we’re adults, and I’m already having a great time.”

Gregori’s eyes never left mine, but he laid his other hand on top of mine.

“I’m making a proper impression?” he said hopefully.

“Absolutely.”

“You’re inexorably falling under my sway?”

“Let’s not push it – we’ll see.”

A human smile peeked out of his chalk-white face.

“I am having a great time as well, my dea–my Dorothy.”

I smiled, and gave his wrist a squeeze. “Now, what kind of pizza do you like?”

“Anything without garlic.”

[This week’s Story on Demand was brought to you by Fran, the number 7, and the letter Q.]

‘Race you.’

The snow-haired mage leads the way down the gangplank, into the hangar proper. The vast iron doors leading to the neon-lit night beyond. Winter makes a beeline for some small vehicles, made from blue steel and fashioned into stylized representations of horses with long legs and fixed wings.

She throws a leg over one of the Air Steeds, and motions for Echo to do the same. From a small compartment, Winter pulls a pair of large goggles and pulls them over her eyes. She looks back towards the druid.

“Race you.”

A thousand neon lights blaze past Echo, as she fumbles the Seafoam goggles from their compartment at the base of the steering wheel. She notices that the green light at the back of Winter’s steed leaves a blazing trail of light across her vision as she maneuvers.

The hot air whips past, and the two scream on.

The sounds of Bard’s Gate begin to rise — music and talking, and the pump of steam engines are everywhere.

Winter banks sharply downward, and disappears into a large culvert, ringed with stone. Echo can hear her delighted bark of laughter as she speeds away. The druid pulls hard on the unfamiliar controls and kicks the throttle hard to follow.

The culvert opens up into another world — the darkness gives way to a massive golden light, shot through with orange and purples. A whole street is nestled away down here, a brass band plays on the roof of the building closest to the entrance. Literally, a band made up of brass automatons play trumpets and cornets — reminding Echo eerily of the guardians of the Vault of Flaubert I.

Winter pulls up her Air Steed at a three story building, roof butting up against the bottom of the culvert. She pulls up her goggles, and waits for Echo to land.

Story on Demand: The Cat’s Away

I’ve had some awesome ideas suggested for SOD [that’s what the cool kids call it], and it’s become one of my favorite things I do here on the bloggy.

But, time to raise the bar. BRING IT. BRING ME YOUR IDEAS AND I WILL WRITE A STORY VAGUELY RELATED.

Remember simple ideas are best — don’t think plot. My best pieces have come from one 0r two-word suggestions.

Also, feel free to suggest a genre, if there’s a type of writing you’d like to see me take a crack at.

Drop all of your shiniest ideas in the comments below — Facebook followers are welcome to suggest things over there as well.

 

To the sea!

Heading out today for the beach — for a solid week.

Your jealousy is lavender-scented.

I always swear up and down that I won’t be posting — but then I jam out a few thousand words and can’t wait to gossip about it. So, maybe I’ll post some fresh stuff next week — MAYBE I WON’T. I’ve already queued up a couple of short pieces for next week — and the Story on Demand brainstorm summoning post will go out tomorrow.

And I am NOT taking a break from my writing schedule for That Thing. I still have to produce five pages, just like any other week.

I’m going to the beach, not Mars — so I’ll have internet access, so expect my usual level of manic instant-response to comments and emails.

Later, taters!

 

The Bagged Avenger

 

Something silly I made for work.

Starring me, shot and edited by C. Childs.

The “heroic music” was written by J. Shadeaux, and long time listeners will recognize “The Minotaur Theme” from our second Christmas Album.

Sea of Secrets / The irony is not lost on me.

Yeah, yeah — I know I ranted yesterday about the sins of the flesh, and the evils of money.

But today – buy my friend’s book!

Sea of Secrets – by Amanda DeWees

I’ve known Amanda for a long time, and she is super-classy and dripping with charm and a certain delightful malevolence. I haven’t read the book yet [other than the excerpt on Amazon], because I plan to obtain a copy clandestinely from the author herself under the cover of night, while wearing a dashing cloak.

Think of it as karma, wrapped in chocolate. The nicest thing you can do for a new author is buy their work, with actual money. Think how happy a waiter is when you give him a nice tip — this is easily like 4.3 times that exciting for the author. Or 80% as exciting as when you get a new puppy.

How can you keep such joy out of another human’s life? Do it!

Click on the [tastefully designed] picture of the cover, and you can purchase this book on Amazon in Kindle or print formats.

I know this period is a favorite for a bunch of you — and you will definitely enjoy Amanda’ style.

 

 

Forget about the money.

There’s a difference between writing a good book, and writing a marketable book.

A marketable book is designed to make you money, get you out of your day job, pay back that Manticore that loaned you 40 gold pieces to open your inn.

A good book is written for itself. For no other reason than to exist. They are the linchpins of the cosmos, just like any Imagepiece of art. Little thumbtacks constructed of human energy, that keep us from spinning out into oblivion.

I’m not saying that a good book can’t be marketable, or that a marketable book can’t be damn good.

I’m saying — think about who you’re writing for. Quit beating yourself up trying to match the current trends, or make your story fit into the YA framework, or the paranormal romance, or the corporate thriller — just so it can one day sell some copies on Amazon.

Because here’s the truth — we’ve all got stories inside of us. No one can tell that story but you — stop chopping off pieces, or grafting on new ones to make your unique contribution to the human race easier to sell. I read so many posts here on WP of people agonizing about making their books more marketable, or suiting this market, that market.

You are not going to sell any books.

Accept it — you are not going to sell any books.

So, why write for the extremely small probability of selling something? Write for the much larger probability of actually producing a piece of art that is a benefit to the human experience.

And,  yes, I realize the irony of this statement — coming from an author who’s first novel includes a fight against a brachiosaur.

It’s a human failing to gauge success by money — I’m just as guilty as anyone else, sitting in the tub dreaming about the book-money, the me-money, the my job is to write-money.

Make your art. Make it.

Don’t let anyone else tell you how, or why, or when. Worry about selling it later, or never sell it at all.

The creation is the reward.

And trust me — I have to keep reminding myself of that, every time a check bounces.

Make better art, that’s the goal. That’s what keeps you going — not dreaming about publisher advances.

So make your art — make it!

When you’ve made your art — when you’ve made it the best you possibly can. Then you can worry about selling it.

[Sorry for the rant — this is directed mostly at myself.]

Teatime.

“To every world, a teapot.”

“Professor! Put down the rifle, please — you’re scaring us!” Grace edged around the corner of the bookshelf, hoping that Mesopotamian Theology and Sumerian Agriculture were well-researched, thick tomes that could slow down a bullet.

“To every world, a TEAPOT…a teapot..a teaPOT…” Professor Wilkins sobbed.

He was half-naked — stained evening-shirt tucked into sweaty undergarments, suspenders flapping off one shoulder as the other side strained to hold.  Cans of paint were strewn everywhere across his corner study, reds and greens pooled. The academic’s hands were stained blue, and behind him on the wall was scrawled the crude outline of a teapot. It had a simple spout, and C-shaped handle — the lid handle was shaped like a leaf. Around it immaculate drawings, calculations, and words in forgotten tongues had been etched with a butter knife. Blue and green dripped from his white goatee.

Grace peeked over the rim of books. “Please. let us help you, Professor!” She gestured imploringly across the aisle to the red-coated soldiers. Their captain rolled his eyes, and added “Indeed, sir. We simply want to figure out what is bothering you so. Please put down the rifle, and allow us to assist you. I am Captain Marcus Landon of Her Majesty’s forces, and you can be certain that my word is good.”

The brass astrolabe above his head exploded as the rifle went off. Captain Landon ducked, and shot Grace a murderous look. “Get him to put the rifle down, or I will order my men to shoot.” he hissed.

Grace grabbed a thick volume on cuneiform, and held it in front of herself like a shield. She winked at the captain and resolutely stepped out from behind the bookshelf.

“Professor, it’s Grace. Your niece, and woefully underpaid research assistant. You’re creating quite an uproar, and we’d all like very much for you to calm down, and explain to us what the problem is.” She kept her voice level and calm, while taking small steps across the paint-stained floor.

“Grace?  Is that you, Grace?” he stammered, the rifle shaking in his thick hands. “There is so much – the understanding of the world taught at Oxford is flawed beyond any reasonable assurance of repair. Worlds like the skin of an onion….”

Grace took another careful step, red paint squelched up the sides of her boot.

The professor slowly lowered the gun, and turned back to his artwork with a look of rapture. “But, like a needle pierces to the center of an onion — present in all the layers at once. And what’s more — binding them, holding them together, connecting them. And I’ve found it — found the link. I pour the tea, and he holds the cup, and she passes the crackers, and I eat the crackers, and we all sip. And he pours the tea, and she holds the cup, and I pass the crackers, and he eats the crackers, and we all sip. She pours the tea…”

Grace brought the book down on the back of her uncle’s neck firmly. He tottered to the side, and fell face first into a pool of green paint. She quickly rolled him over, and checked his air — the professor breathed evenly, his face slack.

“Good work, madame.” Captain Landon approached, two of his men pulling the unconscious academic up from the floor.

“He’s a brilliant man, Captain — tell your men to take great care with him.”  She scanned the insane painting. “If only I had sensed this mental break coming, perhaps I could have prevented it.”

“Don’t berate yourself, madame.”

Grace walked over to an overstuffed chair unmarked by paint, and flopped down into it. A serving tray was laid aside, crumpets and a tea bell were scattered. She idly picked up the metal strainer, and shook free a few tea leaves.

“The funny thing captain, is that my uncle doesn’t care for tea. Coffee in the morning, and cognac in the evening — I can’t imagine the source of this nervous fixation, if only..”

She stopped talking, her eyes locked on the tea leaf fragments falling onto the silver tray. They were green. Green leaves. She picked up on fragment, pinching it between her fingers and bringing it a hair’s breadth from her eyes.

There were no green leaves on Terra. Never had been.

[Story on Demand for Margaret. She’s an amazing artist, and you should check out her site and give her money for arts.]

Story on Demand: The Secret of the Ooze

It’s that time of the week again — give me an idea, and I’ll write a story.

It’s magical!

Remember, ideas are better than plots — my best pieces have come from one or two-word suggestions.

Drop it in the comments, and I’ll pick one tomorrow.

My main focus is fantasy — but don’t feel bound to that. You can suggest a genre too, if you like!

Whee!