The Holy Detective

wide

Close your eyes. Okay, wait, open them again. You can’t read with your eyes closed. Are you reading this now? I guess I’ll need to wait for you to get bored and come back and read this.

Okay – welcome back. Now, metaphysically close your eyes. What do you see when you read the word ‘detective’? YES I KNOW YOU SEE LETTERS.

You are impossible to blog at. Simply impossible.

Now most normal people probably see Sherlock Holmes. Or Batman. Or Sam Spade. Or Tracer Bullet. Or Kay Howard. Or DCI Jane Tennison. Or Columbo.

Or any other number of gumshoes, thief-catchers, and head-scratchers. The ones who find. The ones who put the pieces together. The ones who solve the puzzle, catch the crook, go into the dark place and shine their big-ass X-files style flashlight on the things we’re afraid to look for.

All the way from Sgt. Cuff in The Moonstone to the watered down latter day sleuths that tromp across primetime underneath their personal assortment of L.E.T.T.E.R.S. — we love them. Or at least I love them. But I would make the argument that in our modern minds the role of detective has taken on a religious bent.  When they appear in a story we know their purpose, we understand their function. And when they succeed, when they drag the truth to light,there is a feeling of our faith being rewarded.

Humans have always used stories to understand the world that surrounds us. I find it interesting that so much of popular fiction in one way or another features this figure: the Detective as Hero. True Detective on HBO explored this trope in several fascinating ways — overlaying the mechanics of a procedural on the Hero’s Journey. As a side bar, I also found it interesting that the grungy, dystopic world of that show culminated in a moment of true, non-ironic hope and peace.

Maybe that’s why the popularity. If Campbell is to be trusted [ AND HE FUCKING IS] the mono-myth appears again because it mirrors the operation of the human psyche. Mapping the Hero’s quest to Detective stories is a natural pop-culture tic. The Call is some dead body in an alley somewhere, the Underworld an interrogation room, the Elixir a confession, a signed piece of paper, vengeance wreaked, the sound of the cuffs as they click closed. Across the board we make a solemn grunt of satisfaction as the Detective solves the case.  Other heroes have their battles take many forms, but for the Detective it most often boils down to ‘ Figure This Out.’ Maybe I just find mental battles more interesting in my dotage.

What do you think? Close your eyes again. [Metaphysically you ass.] When you see your Detective, are they outlined in a holy fire? Or, as is all too often the case, is it just me having a weird fixation?

Because I see it. Bayless and Pembleton, Mulder and Scully, Watson and Holmes. When the Detective appears I am on board. I lean forward, towards the TV or the page, eager for the first move to be made. I want them to get out there, out there in the dark and get on the trail. I want the hounds sniffing at the scent, I want the board covered with pictures and yarn, I want the detective to drink her coffee grind away at the problem. FOLLOW THE LEADS, GET IT WRONG, TRY AGAIN.  Play the violin and stare at the drop of green ink on the handkerchief and realize that the priest was blind so there is NO WAY HE COULD HAVE KNOWN THE KILLER HAD RED HAIR.

I may have a problem.

So yeah, I like mysteries a little. And detectives a bit.

When I realized that the most logical sequel to my fantasy novel was an Agatha Christie locked-room murder mystery, I was to put it mildly: NUCLEAR LEVEL STOKED. Just throwing all those toys in the box and rattling them around was exciting enough, but the idea of my hero becoming the Detective was the most exciting. Rime is a character defined by her intellect, the idea of matching her up against this type of puzzle was very exciting. Also, finding out that Rime has the same nerdy love for mystery stories that I do was another nice surprise. She’s so excited to step into that role. If I may put it mildly, she is a huge dork about it. Another surprise: Rime is not the greatest detective in the world. I wouldn’t say terrible exactly – but definitely not on speed dial for Commissioner Gordon.

So, what do you think? Is the Detective ‘holy’? OR HAVE I JUST GONE MAD.

[This post is a naked attempt to promote my new book, The Riddle Box. The first two chapters are free here and you can pre-order the ebook here. DON’T FALL FOR MY TRICKS.]

Disingenuous Promotion

pow-hi

CAN YOU CONVINCE ME TO DO SOMETHING I WAS GOING TO DO ANYWAY?

If I receive a sufficient number of internet, then I will do A Thing.

CAN YOU GIVE ME THE RIGHT KIND AND QUANTITY OF INTERNET?

The Thing is cool, and there is absolutely no way I am not going to Do It. I crave attention.

BUT PERHAPS IF I PRETEND I AM not GOING TO DO THE THING YOU WILL GIVE ME MORE INTERNET.

My demands are simple. Internet. Pile it up. On me. BURY ME IN INTERNET.

I wish to be the Caligula of Internet. Touch me with your web phallus and dance on this crazy ass boat I built. I will appoint my horse a senator. I will perform a play with my paramour as thousands starve in the street.

You need to give me Internet. Maybe then I’ll do the Thing I was Going to Do Anyway.

Please send Internet postmarked Me, attn: Me. Bring it to my house, knock on the door and run away.

 

The Riddle Box – Cover Reveal

At last – no further preamble – here is the cover illustration for The Riddle Box!

Cover Illustration - Mike Groves @poopbird
Cover Illustration – Mike Groves @poopbird

Yes! Bask in it’s glory. So many thanks to Mike Groves – poopbird.com – for his fabulous design.

Thank you for enduring the flood of activity from the blog, but I’m afraid there will be more to come as the release of the book in August gets closer.

Shares, presses, tumbles, and retweets very much appreciated – but please always credit Mike Groves/poopbird as the artist.

Stay tuned at this spot for more ramblings, poorly planned self-promotion, and pretty good recipe for peanut butter cookies.

Please follow this link to add The Riddle Box to your Goodreads queue!

Judge Me By My Cover – Day 5

Oh, we’re so very close. This is just a line drawing of the final design. I had gotten used to seeing the ‘straight on’ view of the Bride – so when Mike dropped this different perspective in my lap, I was immediately in love. Stay tuned for the final cover reveal tomorrow!

Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

 

[Sketches for the cover illustration of The Riddle Box, my upcoming novel. I’m showing off the design process and sketches this week before the final reveal of the cover.]

Final Cover Reveal: 7/12

The Riddle Box – Click the link to add to your Goodreads!

Judge Me By My Cover – Day 4

And now we’re back to the ‘bride’ – I was a little bit nervous about not putting Jonas and Rime [Our Heroes] on the cover, but our earlier discussions about a truly ‘evocative’ cover gave me courage. Here are two different versions of the ‘bride’ that Mike developed.

Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

More of the ‘floating numbers’ from the cover of Spell/Sword – and the appearance of the secret symbol! It’s massively important to the plot of The Riddle Box, and also to other stories beyond for those that have been following since the Lodestar days.

Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

I don’t know what the flowers are all about – but they look great. I also really started to enjoy how the Bride’s ‘skull’ could read as her literal skeleton or as some sort of creepy mask. Also the decolletage and blood – so tasteful.

[Sketches for the cover illustration of The Riddle Box, my upcoming novel. I’m showing off the design process and sketches this week before the final reveal of the cover.]

Final Cover Reveal: 7/12

The Riddle Box – Click the link to add to your Goodreads!

Judge Me By My Cover – Day 3

And then things got a little weird. As often happens, Mike surprises me with a design that I love, but has very little connection to what we had originally been working on.

Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

 

Now, I love this illustration. We had some discussions about going with a very evocative image on the cover, instead of something directly related to the plot. The mystery transpires in the Manor of the Heart-Broken Lion in the novel – and Mike really responded to that. We ultimately decided to go back to the original trajectory, but SPOILER ALERT: this sketch will find its way onto the back paperback cover of the book and potentially tattooed into my flesh at some point.

[Sketches for the cover illustration of The Riddle Box, my upcoming novel. I’m showing off the design process and sketches this week before the final reveal of the cover.]

Final Cover Reveal: 7/12

The Riddle Box – Click the link to add to your Goodreads!

Judge Me By My Cover – Day 2

Never forget the wooden pigs.
Never forget the wooden pigs.

After the initial thumbnail, Mike got very fixated on the exact design of the ‘bride’. [Sort of like how all he wanted to draw for the first book was wooden pigs. It’s a long story.] He has a dozen different takes in his sketchbook, but here are the ones he sent me next for feedback. I, of course, was tremendously helpful – most of my notes disintegrated into – ‘looks awesome’ and ‘god I wish I could draw.’

 

Design Sketch - Mike Groves - @poopbird
Design Sketch – Mike Groves – @poopbird
Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

You can start to see the signature ‘numbers’ creeping into the inked sketch.

[Sketches for the cover illustration of The Riddle Box, my upcoming novel. I’m showing off the design process and sketches this week before the final reveal of the cover.]

Final Cover Reveal: 7/12

The Riddle Box – Click the link to add to your Goodreads!

Judge Me By My Cover – Day 1

And so it begins. I am beyond excited to reveal the cover to my upcoming novel, The Riddle Box…but I have been over-quiet on the blog of late – so I’m going to need to ramp up to it. Just clog up your feeds with me for a few days, that’s basically what I want. I thought it might be fun to show a little bit of the process by releasing the sketches that lead up to the final design, before revealing the final cover on Saturday.

First the OG cover design, made by yours truly. YES, bask in its awfulness.

Or maybe it was a reanimated Jackson Pollack.
Or maybe it was a reanimated Jackson Pollack.

I think it’s safe to say that this cover is amazing. Sadly it requires a refined artistic sense to truly appreciate, so it’s probably for the best that I went for something a little more mass market.

All of the art you will see henceforth in this series will be from my illustrator, Mike Groves.spell_sword_cover_final [poopbird.com]. You should immediately click over there and take a gander at his work – it is delightful and amazing. The sketches I’m sharing here are rough and you should do  yourself a favor and look at more of his finished stuff. He is the perfect person to draw zombies or robots for you. Fans of the first book will immediately recognize his style from the cover of Spell/Sword – I was really fortunate that he had time in his hectic schedule to work on the cover for The Riddle Box.

And now – the first sketch.

 

Design Sketch - Mike Groves @poopbird
Design Sketch – Mike Groves @poopbird

I can tell you, my heart skipped a beat when I saw this thumbnail. The book’s lived in my head for so long, to see even this sketch of my heroes got me ludicrously pumped. The final design came a long way from this starting point – here would be a good point to thank Mike for his patience with my endless vague emails and texts during the design process.

Stay tuned throughout the week for more sketches and then…DUN DUN DUNNNN…the Final Cover Reveal.

Final Cover Reveal : 7/12

The Riddle Box — Follow the link to add the new book to your Goodreads!

 

The Audience

Who do we write for? Who do you imagine when you type the words in the glowing white box of your choice?

Maybe it’s a side-effect of my own checkered past in the theatre, but I spend a lot of time wondering about them, out there in the darkness.  In all my art 2014-02-27 23.36.04[ARTZ tm] there’s a need for the receiver, a tacit covenant with the other end of the line. I cannot transmit into a vacuum, I have to know that someone, somewhere is tuning in – and like many monkey-brains I need immediate verification of that fact. The few times I’ve tried some mediums without that component I’ve felt like my feet are nailed to the floor.

I worked for a radio station for a brief stint, back in college.  Even got a few shifts here and there on the microphone – but it made my flesh crawl. I knew intellectually that people were listening, but me – alone – in a booth, cracking jokes to the empty air is my idea of purgatory. Something about that strange Limbo where I knew there was an audience, but I could neither see nor verify them drove me batty.  Once again, a mutation derived from the stage – if you land a joke and nobody laughs – -did you really land it? Without that feedback loop, I feel myself diminish, crawling ever inward to my own navel as THE FIRES OF UTTER DISDAIN CONSUME MY FRAIL PSYCHE.

Ahem.

Which brings me to Twitter. I’ve been on there since January, in fits and spurts. I keep jumping out there on the dance floor, but then become immediately self-conscious – the death of rhythm.  I keep asking Who am I talking to? What is the purpose of this space? Who is the audience? How does speaking hear differ from other spaces? What do I gain by speaking here?

So, sure, I’m over-analyzing, but that’s what you get, son. It’s clear that most people use it for riffing – humor noodles tossed against the uncaring internet wall. And some people use it as a pressure valve, an easy space to vent their frustrations. And for some it’s a stream-of-consciousness companion, recording the banal and profound events of their lives as a record of validity. Or some strange combination of all three. Or the people that just PIMP THAT SHIT.

When I want to say funny thing, I pull up Twitter. But where do I go when I have some serious feels? Here? Eh, I know I’ve emoted plenty here, but it feels unguarded. I could ramble on my Twitter – but then, even more  of a ‘no audience’ vibe. But should I really need an audience when I’m talking about private matters, or just want to spill out into text?

When I want to ‘unpack my heart with words’, why don’t I just jam it out onto Twitter or WordPress or Tumbler or shudder Facebook?

Because I need to feel the audience out there, shifting in their seats – but I don’t trust them.

Here’s where I would make a joke about Google+…but why mock the lumbering undead as they unquietly writhe in the shadows?

 

 

Riddle Box Sketch 3

Sing in me, O Muse

of the dark that hides,IMG_0254

quiet and calm

in the center of the

riddle box.

Open the lid and

let the two travelers inside.

This is not their mystery,

but they are the clue

lost among the echoes

of now

and long ago

and yet to come.

Will you ever know,

will you ever really be sure,

that the shadows give way

when you turn on the light?

Do they retreat

or do they wait?