To the Crew of the Lodestar: Don’t Stop.

Seriously. Don’t.

Don’t stop writing. Don’t stop telling stories.

You are in the enviable position of having formed a habit that most aspiring writers would kill to obtain. Or pay untold amounts of money on tuition for Creative Writing degrees, or workshops, or storytelling camps.

For the past two years, you have written, on average, 1374 words every week. Rain, shine, babies, heartbreak, plays, shows, gigs, arguments, new games, new books, new lives….every week. That means each of you wrote 142,896 words. Three novels or one massive tome.

Just by not stopping. By continuing to go.

For most humans, it takes 10 weeks of uninterrupted routine to form a habit. The habit is there. Don’t break it.

Right now, like me, you’re starting to feel the itch. A vague restlessness, an unease.  A vacancy.

I have Spell/Sword to work on. What are you working on?

Open a Word Doc. Open a Google Doc. Open a notepad. Open napkin. Open your phone and email it to yourself.

Today, not tomorrow. Now, not later.

And start. Don’t stop.

It helped me to have a schedule. It helped me to have this blog. It helped me [eventually] to own the task, to admit to myself what I was making. Do all of those things, or none.

Just don’t stop.

Because, as unbelievable as it may sound. No one but us will truly ever read Lodestar. No one will ever hear your voices.

Unless you keep singing.

I can hear them. I have heard them for two years. It would be a great loss for them to fall silent.

Write. Tell stories. Write a book.

Because you already have. Three times.

Write another one.

And then don’t stop.

Schmediting Schmupdate

Huzzar! First pass on the Beta Draft complete — only 11 more to go.

Artist – Jayne Lockhart

Well, maybe 15. 19ish.

Progress has been made. That’s the takeaway here, people.

I’m going to be traveling this weekend,  with uncertain internet access — so expect it to be a little quiet here on the blog. If I get time before I head out, I’ll queue up something…something good? You like? The goodness? As opposed to the badness?

Housekeeping

Well, bang a gong, y’all.

Lodestar is finished. Preposterously, absurdly finished.

The idle seed of a bored work-day two years ago, now grown into a titanic million word wunder-tree.

[That is not hyperbole. That is a low estimate of the amount that me and the gang have written.]

I’m still more than a little shell-shocked.  Not only from the bizarre notion that I actually finished something — but just the pangs of psychic vacuum as several areas of my brain whir to a halt. I’ve had Lodestar running in the background [and foreground] of my mind for two years – what am I going to do with all these system resources?

I told a lot of stories, and hopefully helped the players tell theirs. There’s literally so much, that there are sections I can barely remember.

You’ll notice that I’m posting the epilogue for Lodestar in bits and pieces over the next week or so, just a little buffer while I grieve, and GEAR THE FUCK UP.

For what, you ask.

Time to start editing the book, the Spell/Sword for Beta Draft reading! I’m making a Blog Promise that my Beta Draft will be ready before Halloween. This may be over-bold, but hey — I just helped write a million-word internet epic, nothing is impossible.

Once the Lodestar stuff peters out, the plan is to do more regular blogging and short stories for here — I clearly are going to have some energy to redirect.

Also expect some navel-gazing — WHAT DOES IT ALL MEAN, MAN????

Lodestar blather.

image

What’s it all about? What is the cipher of Lodestar? I’ve been thinking about it a lot lately, as we creep ever closer to the end.

The art we make is a window. The artist sees the world through its lense, and the audience can catch a glimpse of the artist’s true nature. Lodestar is the longest work I’ve contributed to, so shouldn’t it reveal the most?

I find myself looking at the broad shape of it, and finding it oddly inscrutable. Certain themes are clear: great deeds require sacrifice, morality is inconvenient, exploration, friendship, freedom, sorrow.

But what about all the strange little curliques of my subconscious? Why are the devils so sure? Why are the villains so true? Why are the dinosaurs philosophers? Why do all the cities have plazas, and the temples have spires? Why is Simon a romantic fool, and why is the Grand Wizard dead? And why is all in ruin? Gilead, Kythera, the Dragoons, Caleron, Quorum, Bards Gate. Even Hell itself totters and quakes.

Serve or Destroy. Why is that the binary? They are fundamental tropes for the genre, but why do they emerge now? Who made the White Sword? What did the Lost flee?

What am I afraid of?

DragonCon Scrying

So, I know I’ve been pretty lazy on the blog — well, I’m going to DragonCon this weekend — so you can safely expect that to continue.

I’m going to be taking pictures of my adventures and posting them up on my Tumblr –feel free to check in on the shenanigans. I won’t get to the ‘Con until late Friday evening [EST] so don’t expect much before then, unless you’re into Chrono Trigger fanart.

[AND WHO ISN’T???]

Click on this picture of me MERGING WITH THE SPEED FORCE from a previous DragonCon to be teleported to my tumblr for picture goodness.

DragonCon

 

Once upon a time, I had certain delusions. Delusions that I would finish my book, and have nice shiny copies to hand out to random people at DragonCon. I had this really elaborate ARG I was going to set up, and it would become a viral sensation — securing my place in publishing, and I could quit my job and eat Hot Pockets on my couch forever.

So yeah, I’m still editing, so that isn’t going to happen.

But, I will be at DragonCon! Who else is going to be there?

If you can find me, and mention Spell/Sword I will be fucking shocked — and immediately anoint you as the first Slaughter Wizards of the nascent swordpunk fandom.

With friends like these…

Two more of my Alpha Readers gave me their criticism on the book, and I’m still picking the shrapnel out of my ego. I picked my first readers well — they’re good enough friends to call me on my shit. And called it was indeed. INDEED.

Beyond the psyche-bruising, all this feedback is making me really excited to get back to work on editing. So far, all of my readers have overall enjoyed the book — and the problems they’ve called my attention to are concrete. Maybe not easy to fix — but definitely doable. I can see multiple ways to change things to evade their criticism, but I’m going to let all of it settle a while longer. I’m still waiting on feedback from a third of my readers, and I don’t want to over-react to the first criticism I’ve received.

Admittedly, a fair amount of the criticism are ‘no-argument’ types. Grammar flubs, word repetition, confusing passages, jokes that didn’t work, etc. Those will be fixed — -it’s the things that deal more with overall structure and style that I’ll need to carefully ruminate on.

Sorry I can’t be more specific yet! Still drafts out in the wild.

Alpha Readers Responding: 4 out of 12

Back of the Book

boy/girl

squire/mage

comedy/tragedy

hero/villain

beginning/end

murderer/guardian

madman/sage

friend/slave

true/false

hunter/prey

jonas/rime

spell/sword

witch/is which?

[Just playing around with some text – potentially for the back cover of Spell/Sword. As a young nerdling I used to spend quite a lot of time in bookstores and libraries.  I’d spend hours reading the inner jacket, and the back of every book — deciding if it was what I wanted to read next. In bookstores most of all, five bucks for a new paperback was a serious investment. Of course, I immediately became a critic. I was flabbergasted at how many ‘back cover summaries’ were totally misleading, and were clearly written without the author’s knowledge. I was still a little too young to understand about marketing, publishing, etc.

But I vowed, that when I wrote MY book, then I would make sure I didn’t have a crappy summary on the back cover. And since I’m self-publishing, I can have whatever wacky text I want.]