The Last Words of Lodestar

For the rest of their days the dream will come, the Lodestar waits for them to board, just outside the window. So easy to slip out of their lives into the quiet night, into the golden dawn –throw their gear aboard, and sail away.

 

[And at last it is over. I’ll have more to say, and share in the days to come. A grand tale draws to its close. This is my dream, the most precious — thank you to my fellow artists helping me share it.]

Lodestar blather.

image

What’s it all about? What is the cipher of Lodestar? I’ve been thinking about it a lot lately, as we creep ever closer to the end.

The art we make is a window. The artist sees the world through its lense, and the audience can catch a glimpse of the artist’s true nature. Lodestar is the longest work I’ve contributed to, so shouldn’t it reveal the most?

I find myself looking at the broad shape of it, and finding it oddly inscrutable. Certain themes are clear: great deeds require sacrifice, morality is inconvenient, exploration, friendship, freedom, sorrow.

But what about all the strange little curliques of my subconscious? Why are the devils so sure? Why are the villains so true? Why are the dinosaurs philosophers? Why do all the cities have plazas, and the temples have spires? Why is Simon a romantic fool, and why is the Grand Wizard dead? And why is all in ruin? Gilead, Kythera, the Dragoons, Caleron, Quorum, Bards Gate. Even Hell itself totters and quakes.

Serve or Destroy. Why is that the binary? They are fundamental tropes for the genre, but why do they emerge now? Who made the White Sword? What did the Lost flee?

What am I afraid of?

DragonCon Scrying

So, I know I’ve been pretty lazy on the blog — well, I’m going to DragonCon this weekend — so you can safely expect that to continue.

I’m going to be taking pictures of my adventures and posting them up on my Tumblr –feel free to check in on the shenanigans. I won’t get to the ‘Con until late Friday evening [EST] so don’t expect much before then, unless you’re into Chrono Trigger fanart.

[AND WHO ISN’T???]

Click on this picture of me MERGING WITH THE SPEED FORCE from a previous DragonCon to be teleported to my tumblr for picture goodness.

DragonCon

 

Once upon a time, I had certain delusions. Delusions that I would finish my book, and have nice shiny copies to hand out to random people at DragonCon. I had this really elaborate ARG I was going to set up, and it would become a viral sensation — securing my place in publishing, and I could quit my job and eat Hot Pockets on my couch forever.

So yeah, I’m still editing, so that isn’t going to happen.

But, I will be at DragonCon! Who else is going to be there?

If you can find me, and mention Spell/Sword I will be fucking shocked — and immediately anoint you as the first Slaughter Wizards of the nascent swordpunk fandom.

With friends like these…

Two more of my Alpha Readers gave me their criticism on the book, and I’m still picking the shrapnel out of my ego. I picked my first readers well — they’re good enough friends to call me on my shit. And called it was indeed. INDEED.

Beyond the psyche-bruising, all this feedback is making me really excited to get back to work on editing. So far, all of my readers have overall enjoyed the book — and the problems they’ve called my attention to are concrete. Maybe not easy to fix — but definitely doable. I can see multiple ways to change things to evade their criticism, but I’m going to let all of it settle a while longer. I’m still waiting on feedback from a third of my readers, and I don’t want to over-react to the first criticism I’ve received.

Admittedly, a fair amount of the criticism are ‘no-argument’ types. Grammar flubs, word repetition, confusing passages, jokes that didn’t work, etc. Those will be fixed — -it’s the things that deal more with overall structure and style that I’ll need to carefully ruminate on.

Sorry I can’t be more specific yet! Still drafts out in the wild.

Alpha Readers Responding: 4 out of 12

Putt-Putt Potential

Two lines, drawn by mortal hand

drawn on a globe must perforce

intersect. No careful ink or

edge of steel can avoid this

casual truth, the imperfect

always converges.

 

So it was, and so it will be on

the street of elms, the street of

circumstance. Two forces,

winds of a bifurcate purpose

did meet in a way most spectacular

and strange.

 

A frog, a simple amphibian, making

its way from pond to leaf, unaware

and gullet full of river-minnow.

And a car, a humming mountain

of steel and motion.

 

In a pond, most plain

on the edge of a green field, filled o’er

with garish faces and spinning wheels,

and the quiet clink of metal against

white balls, slapping their way

down their predestined course.

 

The car jumped the curve, as the

frog jumped the leaf.

A collision most strange, even

though unremarked by most.

 

For the frog did not die, yet was spun

into the heavens by a black wheel

and came to rest on the gleaming

crimson hood of the car

goggle-eye staring into blank stare

of its pilot.

 

The frog and the man did not exchange

names, or titles or the

memories of the quiet little lives.

 

They both hopped away,  thankful

for their lives

and hopeful that their lines

would never again

intersect.

 

[Story on Demand for Jackie Jones. This is a weird one.]

Back of the Book

boy/girl

squire/mage

comedy/tragedy

hero/villain

beginning/end

murderer/guardian

madman/sage

friend/slave

true/false

hunter/prey

jonas/rime

spell/sword

witch/is which?

[Just playing around with some text – potentially for the back cover of Spell/Sword. As a young nerdling I used to spend quite a lot of time in bookstores and libraries.  I’d spend hours reading the inner jacket, and the back of every book — deciding if it was what I wanted to read next. In bookstores most of all, five bucks for a new paperback was a serious investment. Of course, I immediately became a critic. I was flabbergasted at how many ‘back cover summaries’ were totally misleading, and were clearly written without the author’s knowledge. I was still a little too young to understand about marketing, publishing, etc.

But I vowed, that when I wrote MY book, then I would make sure I didn’t have a crappy summary on the back cover. And since I’m self-publishing, I can have whatever wacky text I want.]