An old friend appears

There is no immediate response at the door, but the sound of a window quickly opening around the side of the large building. Mara and Quintus move to the corner of the house to investigate — spotting a lanky blonde man slithering out of a window. He is completely nude, except for a pink pillow covering his genitals. A flushed looking young redheaded girl is closing the window behind him, closing the curtains in desperation.

“Afternoon.” the naked man waves at the two travelers in a friendly manner, and moves crab-sideways towards the nearest line of bushes beyond the Pennytown Square.

Mara and Quintus turn as the front door of the house opens. A portly half-orc with a thick black mustache appears, wearing an immaculate brown tunic. He cranes his head around looking for who knocked, then spots the gunslinger and duelist.

“Can I help you folks?” platinum teeth shine in the sun, matching the buttons on his coat and his belt buckle.

Mara haggles briefly with the fat trader, and holds out a purse.

“Fine, fine.” the Master Trader took the gold, and yelled through the open door. “Beulah! Beulah, bring my strong box, dammit.”

Moments later a wide-hipped red-haired girl appears, her face still flushed, bearing an iron box. Master Drover slips the coins through a slot in the top, then pushes the box back into her hands. “Run along with you.”

The half-orc points idly down the road to his right. “My cleric is also my blacksmith — the forge is a a dozen houses down that way — you can’t miss it.”

Quintus and Mara move through the dirt streets of Pennytown. The townsfolk seem to be mainly returning from the lunch hour, wiping crumbs from their chins or taking one last pull at a wineskin before heading towards one of the many warehouses or stockyards. They follow the scent of coal and steel to a low, dark-beamed barn. The forge is quiet, but the smell of the bellows is strong.

Hung on a post next to the entrance is a polished piece of red steel. Etched into it with care and precision is a blue square.

The forge is neatly layed out, a dozen fresh horseshoes are cooling on a wooden table, next to a tub of linseed oil. The blacksmith is nowhere to be seen, so Mara avails herself of an elaborate set of bells hanging next to the doorway. They clang and chime, and a door at the back of the forge flies open.

The tall blonde man they had glimpsed earlier – still shirtless, and desperately trying to tug on a pair of cotton pants. He topples forward, landing awkwardly on his shoulder. He looks up at Quintus and Mara, and his long-jawed face bursts into a grin.

“Well, hello again.” he said, continuing to button his pants.

Star Prophet

Star Prophet lay in the dirt. Underneath the drain pipe by the abandoned Bojangles he lay in mud and water, the blue jacket he always wore, a black cord wrapped around each wrist. After school I would bring the lunch I had saved and sit with him on the broken concrete and talk and watch him eat — pushing each wrapper into his mouth and chewing the plastic. Not a crumb escaped and he would talk about planets.

“Jupiter now, that’s a giant musical note — a hum in the cosmos, a perfect counterpoint to the static coming off Mercury during the winter months.” a clean slide of plastic pulled from his mouth.

analoglove00b by jean fhilippe

He always wore the hood of his coat up, even in June-heat. Somewhere in his orbit of town he had found some white tape, and carefully lined out a star on the front peak of his hood.

“People gotta know. People gotta know.” Star Prophet said, right hand clutching the zipper tab of his coat.

“Yeah?” I said. “They gotta?”

“Gotta-gotta.” completing our joke.

He stank, sweat and plastic and wet earth. His hands were brown like mine.

“The chance, the promise — the song that the rings of Saturn sing. It belongs –we belong!” he yelled, a stray fleck of yellow bread falling from his lips.

They chased him away from everywhere. The stores, the streets, the fronts of churches. Star Prophet would run and point, sliding down railings and stairs. His long brown finger to the heavens, spraying spit and star charts into empty faces. Late nights he would grab rich drunk white boys by the lapels and shake them into his words about Orion and Sagittarius and the shapes of memory in the stars.

They beat him and broke him and chased him into the wilderness like a dog.

So we sat and talked, and the house waited.

“It’s in us -It’s in us the stars and the sky and the light of the sun and the dance of the moons, and I can feel it — I can feel it in my heart, lifting me up while I sleep, and I can’t sleep only dream the stars in my water, and in my earth the moon.”

Sometimes Star Prophet would cry. Sometimes Star Prophet would hold my hand, and that was okay.

“Tell ’em. You gotta tell ’em when I can’t. Won’t you?” he whispered.

“I will. I promise.” The stars were out and I was late.

“And Cheetos — maybe, tomorrow?” his star-marked hood bobbled.

“Yeah, okay.”

I walked home in the stars, to the dark house where my uncle waited.

[I finished this piece, and realized I was writing about Doctor Who.]

In Cold Blood

Don’t ever read In Cold Blood if you ever plan on writing anything again. EVER.

It’s a master-class in prose, labyrinthine blocks of text that hang effortlessly in the air. Compound that with the level of research that went into it, the pure journalistic wildfire of it all.

I was feeling proud of my little tale of sword-fights and dinosaurs. But now – completely humbled. Important perspective, but damn.

EVER.

Afternoon.

Artist - Margaret Poplin

A tableau in three parts.

A greatroom, filled with books and broad wooden chairs.

A small black-haired girl, strung from blue cord, hanging from the ceiling. Tears pour down her face, her lips tightly shut.

A vicious scorpion-creature menaces her, its body covered in fire-red carapace and spikes. The tip of its tail drips venom, held a hair’s breadth from the child’s neck.

The creature looks up in surprise, but the stinger does not waver.

Belated Q & A

Okay — so I’ve shirked long enough, time to answer the questions from this week’s story prompt. Sorry for the delay – I was just FOCUSING ON MY FREAKING ROUGH DRAFT.

El Capitan -What do you think will be the next big manufactured craze? Like pomegranates or acai berry. I believe it will be walnuts.

Walnuts are a strong possibility – but I’m telling you right now, it’s going to be jodhpurs. Twelve year-old girls just strutting around, society and morals be damned.

Nila – You know those tabby things that fill the holes of input/output thingies on your device or phone or whatever? Yeah, those are pretty nifty, don’t you think? Sometimes I wish they had those sorts of things for human orifices…

Well, they do. Pacifiers, butt plugs, nose plugs, blindfolds — and though I shudder to think, but I’m guessing there’s some sort of device that plugs up your plumbing completely, for fun and profit.  I personally kind of hate putting covers and cases on my technology — my phone deserves to be NAKED and PROUD.

Jason – How bout a story about this time you got tagged? http://jasondegray.wordpress.com/2012/04/01/tagged/

ERG. So many questions — so much work — so….lazy…..zzzzz…….

Rebecca – You need to write a story about soft shell crab sandwiches. (with the little legs hanging out of the bun)

That is horrifying.I’m imagining the little legs wriggling as I bite down — quickly flashing the crab sign language for “Help” and “Pain”  and “God” over and over and over. You are a monster, madam.

Marisa – What mythological beast – assuming it could speak – do you think you would find it most challenging to write dialog for and why?

As already discussed — it wouldn’t be Minotaurs. I have like 8 notebooks crammed full of sparkling dialogue about horn care and maze-related metaphors.

I’m going to have to go with Medusa. I just wouldn’t be able to resist making each tendril of her snake-hair a separate character. That would be conservatively 40 different voices all vying for dialogue  — a Cowboy Snake, a Sleepy Snake, a Snake with Crippling Depression, a Snake that Speaks only in Haiku — it goes on. It would be a sort of literary blackhole from which I would never emerge.

Thanks for the questions everybody!

I finished.

MY. ROUGH.DRAFT.

Of the book.

That I wrote.

Ahead of schedule — 4 pages and about 5000 more words than I planned for the rough draft.

In the dark of the night, I got to type “THE END” for the first time in my life.

Man, it felt good.

Like great-good.

Like PUNCHING A MANTICORE IN THE FACE IN BETWEEN BLISTERING KEY-TAR SOLOS -GOOD.

Come on -- he freaking deserves it. WIPE THAT SMIRK OFF YOUR GOB, MANTICORE.

I know I’m a long way from being finished — I have a lot of editing, a lot of fleshing out, a lot of work still to do.

And let’s be honest — I’ll probably hate 45% of what I read, cutting and slashing with my seafoam green Sharpie.

And I know this is in no way impressive to the bulk of my WordPress pals — some of you with five or more novels under your name.

But this is my first time making it to base camp, before the final assault to the peak of BOOK MOUNTAIN.

So pass me some hot cocoa, and keep your snickering to a minimum.

"Where can I stash my keytar, y'all?"

Have you ever…

Have you ever tried writing a climactic fight scene, from two different character perspectives — with two separate fights occurring concurrently — against a crazed dual-wielding assassin and a wizard that can see the future?

Now — have you EVER TRIED WRITING that same scene in between phone calls from nice church ladies about hand fans for Sunday, phone calls from idiot college students about coffee mugs, and phone calls that include diatribes about the exact PMS shade that would be appropriate for  a “lavender” themed event.

Well — it’s hard.

WHINING.