Supply Run

This has been sitting in my drafts for a couple of years. – Author

Walking through snow is like ink on paper: convincingly permanent. The traveler’s toes were cold in their thin leather boots, but the crunch of his tracks writing their way between the trees remained satisfying. Crunch crunch crunch crunch, he echoed in his thoughts and watched the plume of steam float up from his open mouth. 

The traveler’s pack was heavy, but his brain was light — one recently filled at the town some miles behind, the other recently emptied by long months free from concern or duty. In all honesty, no mortal life is truly free of worry and peril, but this traveler  was blessed and cursed with a mind as flat as a kitchen table. Whatever he hit with his elbow fell off the table and was there entombed and forgotten in the unblinking darkness of the Kitchen Beyond. All that is left is the meal before him, spoon diving into potatoes and thin beef and then flying to his lips. A simple mind, a simple table, a simple man.

Those potatoes are a bit soft, I’ll cook those tonight. Jonas nodded to a passing pine, branches heavy with snow. With that loin? Or maybe save that for tomorrow? The pine gave no comment on his unspoken menu planning.

Jonas stopped and pulled the hood of his brown cloak back and shook it free of the dust of snow that had gathered. His hair was dark brown, curled into a thick pelt like a sheep’s. A smattering of sad hair on his cheeks and chin indicated his age was somewhere in the perilous vale between a child and a child that could be trusted with picking out the color to paint their bedroom. The heavy pack almost concealed but did not obstruct the hilt of a sword ready to grasp at his right shoulder. He tucked his thumb into the red cotton sword strap that ran across his chest and took stock of his progress.

The town of Clairmont was several miles behind to the north, but he had left the main road nearly an hour ago. He had made this journey several times before, but not regularly – he took great pains to never go to the same settlement more than once every few weeks, alternating and changing his supply runs between a half dozen similar small towns, encampments, trading posts. The snow was doing its best to obscure a prominent pile of rocks he used as a landmark, but with little success. Sorry snow, those rocks look just like a dog’s head on top of a mushroom, no way I’d miss it. Jonas nodded again. Only a couple of more miles until I hit the river, then south to get home.

He stretched his shoulders and let the pack settle its weight properly across them again. Home. The word felt warm, even though it only meant a small shack next to a frozen lake. Four walls, two beds, a stone oven and chimney. Home…crunch crunch crunch crunch. His boots and thoughts aligned and he continued on his way past the pile of rocks and towards the river.

Walking through snow is like ink on paper: easy to read, easy to follow. Jonas stopped abruptly as the first guttural moans hit his ears. Fuck. His hand was already on the sword hilt, waiting for instructions. Not again.

The moans came again, turning to almost a bray as the goatmen doubled their speed. The sword glided from its sheath and Jonas put his back to a nearby tree. Okay, at least three this time. They’re close, must’ve shadowed me all the way from town. He did a quick assessment, free hand clutching the strap of his pack as the kitchen table of his mind was hurriedly wiped clean. I can outrun them if I leave the pack, but then they’ll take all the provisions. Just like last time. I can’t let this become a habit or we’ll run out of money before the thaw. The sword’s clean steel was the answer, he nodded with regret.

Jonas let the pack fall gently to the ground at the base of the tree and turned to face his enemies. He took the hilt in both hands and adopted an aggressive stance, blade held low. The goatmen tumbled into the clearing a half-breath later, snow churning explosively in their wake. The largest Jonas recognized by his wide black horns and the brutal looking wooden spoon that he carried in one hand -suitable to stir a giant’s vegetable soup.  He had fled before, inches from the utensil. The other two goatmen were smaller, only small horn nubs on their brow – one carried a dagger, the other a broken trumpet – the music long since smashed out of it by violent employ. The trio slowed, seeing the sword in Jonas’ hands. The largest goatman spread his arms wide and gave a final screaming moan of triumph.

“Well, good day to you sir,” the largest goatman scratched the hairs of his mantee with amusement, “I’m terribly sorry, but we’ve decided to rob you this fine afternoon. Would you be so kind as to fuck right off?”

The smaller goatmen tittered, the trumpet bearer apparently flustered by the strong language used.

“You three got names?” Jonas asked, sword and hands waiting.

“Why would we share our names with—” the smallest goatman jabbed the air with his dagger in consternation.

“Yes, yes, it does seem a bit out of procedure,” the largest goatman talked over the smaller, “Why, good sir, would you be concerned with our identities at this unfortunate juncture?”

Jonas smiled, “I like to know who I’m fighting. And maybe you would like to know…who you’re fighting?”

Yeah, this is totally working. Look at them, maybe I can bluff them down!

“Well, who are we fighting then?” the goatman chuckled.

Okay, make this sound good. “I’m Jonas of Gilead, Squire. I’ve been trained by the best, faced wonders – uh, well – all sorts of weird shit! And lived to tell the tale! This sword? This sword right here? I call it my ‘good steel’ because it’s so good…at stealing lives.”

Perfect!!! Jonas fought with every fiber in his being to not drop his stance and give himself a solid pat on the back.

The goatmen laughed. They laughed and laughed, hands on knees – spit and tears running down their faces. Jonas sighed. Okay, that didn’t exactly work. But–

The squire’s hands and blade moved and his body followed. He focused on the smaller two opponents first. Less dangerous, but more unpredictable – remove from the board. He smashed the hilt of the sword into the first goatman’s teeth and kicked him hard in the chest, the dagger went spinning off into the snow. Before the second could react he stabbed his blade mightily into the damaged tubing of the trumpet. He ripped the instrument free with a smooth motion, then checked his shoulder hard into the second goatman’s chest, sending him to the ground. Jonas had just enough time to shake the trumpet free off into the tree line before a large wooden spoon collided with his shins. Not fast enough, okay fall with the momentum!

The squire hit the snowy ground hard, then rolled like a sausage down the hill and out of the spoon’s reach. The goatman’s hooves were loud and fast, Jonas clambered up getting his sword up just in time to block the next spoonbeat.

“You are making me quite angry, young man,” the goatman spat out the words then raised the spoon high.

Jonas clawed the snow and dirt out of his face and felt his heartbeat thud. Time slowed to a crawl and the squire watched his hands and sword move on their own. A high block, the goatman’s culinary club coming down hard on the steel, a tiny slice forming in the handle where sword met spoon. Thud. The goatman pushed down hard, the cut widened – a tiny canyon. He watched his left hand let go and snake out to grab the wide flange of the spoon. His right hand and shoulder howled with the sudden task of holding off the goatman unbalanced. What…what am I doing–? The squire pushed up with his right hand and sword and pulled down with his left holding the spoon. 

The spoon snapped in half with a satisfying snap.

All at once time, his mind, and the horrible enraged cry of the goatman arrived together. Reveling in the small wonder his sword and hands had just performed, but knowing the danger remained he backed down the small hill a few paces and brought himself into a classic guard position.

“You! You!–” the goatman waved the remaining handle of the spoon in utter apoplexy. Then tossed aside the useless piece of wood lowered its long black horns toward the retreating squire and charged, howling anew.

Crap. Jonas felt his feed slide in the snow, the small incline behind him making his footing unsure. No other way! He couldn’t safely dodge or tumble away so he was left with only one simple, albeit ludicrous tactical option. The squire did his best to dig his heels into the earth below the snow and readied himself to block goatman with longsword. He turned his blade flat towards the onrushing horns.

Steel met horns, scraping along the crenelations, the flat of the blade slapped against the goatman’s forehead. Perf—ow! The horns were longer than Jonas had estimated and the points lodged uncomfortably an inch or two into his chest. He turned the sword hard to the left, hoping to make enough of a brace to wrench himself free. The goatman howled and pawed at his cloak to force the squire closer.

“Grrrrr!” the squire grrrd.

“Worrowlllwwwweee”, the goatman worrowllwwweeed.

The two other goatmen, the pine trees, and the snow were all treated to a long protracted moment as each foe tensed and found new syllables to mouth. Then all at once, there was a brittle snap, unassuming and trite like a twig underfoot. The two flew apart in a sudden rush of released energy and effort, spinning and  falling face down into the snow.

Jonas was the first to pop up, already hustling up the small hill to the more even ground atop. He turned and readied his guard again, leaving the new snow and dirt on his face where it was. 

The goatmen were laughing. All three, laughing and pointing at him.

He looked down at himself, two spots of red blood were blossoming on his chest. Ohh, that’s gonna hurt real bad real soon. But why are they–?! Then he saw it. Or rather he didn’t see it. The blade of his sword was gone. A hilt and three sad inches of steel were all that remained. The break was clean.

My sword is broken. The thoughts landed on his kitchen table mind like pebbles – clattering then laying still.

lines in the sand

lines in the sand

drawing them in circles around me

riddles and shapes of song

lines in the sand

can’t live in this invisible country

water’s rising, won’t be long

 

how can

I live

in just

a moment?

no one

will know.

waiting

to forget.

 

lines in the sand

promises are breaking like the waves

i speak and then i’m gone

time in my hand

books of me cry out from pages

i don’t trust any one

 

how can

i be

only

a moment?

you are

not me,

but wearing

my jacket.

 

lines in the sand

circles fading, draw them again

water and night will prove

lines in the sand

memory is a fool again

 

Writing Update

Over the past year, friends and acquaintances will ask me ‘ So, how’s the writing going, Derek???’. I usually grimace and give some sort of a half-answer. I sat down today to write a seven-eighths answer, and this is what I wrote.

A traveler came to a city on the edge of a forest. The windows were dark, the chimneys were cold, the few people he passed had empty faces and sharp teeth. This was a place where Hunger wed Time, and he could see that soon their vicious children would be born. He had no wish to enter this city, but his shoes carried him down into its red tile streets all the same.

The traveler carried with him a box — a box wrapped three times in cords of silver. He did not know what was inside. Along the path, next to fire and  under the moon he had told himself many times what the treasure might be. He knew it was no heavier than so, no more fragile than so – but the silver cord was wound too tight for even the tiniest peek at the contents.

A long time ago perhaps, he had promised to carry the box to the city. Of that he was sure. But as Night gave slaughter to a legion of days, the rest of his charge had grown hazy. Was he to give the box to someone? Was he to perform some task with it? Were there other preparations he had needed before arriving at the city? He did not know, was not sure if he had ever known. Only the familiar weight of the box in his pack, only the road blooming in front of his feet, only the city waiting on the edge of a forest.

He wandered up and down a few streets, uncertain. Fewer and fewer people could be seen – and those he did see were walking knives. The sun was dying, so he hurried on. He found an abandoned house on the end of a narrow street and slipped inside. He laid out his bedroll in what must have once been the dining room of the house. He ate a few meager bites of his provisions and listened to the wind hoping it would have some suggestions.

The traveler went to sleep, his pack and the silver-wound box tight in his arms.

In the dark he dreamed of nothing, the lonely house swaying in the wind.

He awoke and his arms were wrapped around nothing. His pack was gone and the box.

The traveler cried out in fear, then in anger.  He ran to the door, the morning sun beaming down on him and an empty street. Not even stopping to retrieve his meager bed roll he ran out into the city. Up and down streets, past empty buildings and broken windows. He saw no one. Not even the few hollow people that he had seen the night before: the city was empty. Nothing but red tile streets and shattered doors and the sound of his feet hitting the ground. He ran for hours, until at last simple exhaustion brought him to a halt.

The traveler sat on the edge of a dry fountain and felt the sun’s heat. His charge was gone, he was alone, and there was no one to explain. He groaned into his hands and took a long breath.

After a time, the traveler stood. He took one last look around and then shrugged. It took him some time but he retraced his steps to the abandoned house where he had slept and found his bedroll tangled and waiting. He folded it carefully and slung it over his shoulder – it was all he had left to carry.  Taking a loose nail from a broken cross-beam he took a few minutes to scratch his name on the outside of the front door.

Then he shut it behind him and walked out of the city, beyond the city. Into the dark forest, the road blooming underneath his feet.

What Writers Want

An incomplete list.

  1. More time.
  2. More words that are interesting but aren’t too iridescent or macabre.
  3. For the shape in here to be the shape in there. For somehow you to see what we see.
  4. Less names or better names.
  5. Temporal vortex to skip to when the thing is done.
  6. More minotaurs.
  7. For it to matter.
  8. You waking up in the middle of the night, the solution to our riddle hot in your brain.
  9. You waking up in the middle of the night, knowing our heroes are with you and feeling warded.
  10. You waking up in the middle of the night, knowing our monsters are in you and feeling alone.
  11. Characters that follow the script would be too much to ask, but perhaps characters that would at least be willing to explain WHY they just blew up half your novel.
  12. A writer you revere to look up from your pages with wonder.
  13. A writer you hate to look up from your pages with despair.
  14. Less gerunds.
  15. An owl that whispers punchy dialogue to you.
  16. To know – really know – that this sentence is good.
  17. Bad reviews to be punished by that reviewer receiving only their least favorite jelly bean flavor. Forever.
  18. To briefly escape the knowledge that it’s always getting away from us, that we’re never quite catching it, that the faster we type the more certain the end of the sentence will never, ever be true.
  19. Less words. (if there were less, we’d be better at picking the right ones)

Accountability

I want my art to do more for the people, causes, and country that I care about. And as much as I earnestly believe in the power of any art to shape the world – I also know that direct action is also required.  Protest, dialogue, education – and donation.  We’re 10 days in and a lot of righteous war chests are going to need our coin to battle all this goddamn evil.

Effective immediately, I pledge to donate all of my 2017 royalties from my novel Asteroid Made of Dragons to the following:

I believe in the rule of law, I believe in the duty of the Fourth Estate. I believe in organizations that shield the defenseless. I believe in women AND health care AND allowing them to easily be in the same room without oversight. I do not believe that His Excellency’s administration will serve or protect the common good, so all of us need to pick up the slack as best we can. And arm the defenders of decency and justice.

Whatever royalties I receive on AMOD this year I’m going to evenly divide between these four groups. Like most authors I receive royalties once every quarter, I’ll post here when I get the next one in April. Now, I ain’t no Stephen King – these aren’t going to be big numbers even as I start to really flog the book in the next few months. But ‘what a person can do, a person ought to do’ as Antigone said.

If you are a supporter of His Excellency and his administration and goals – and this means you won’t buy my book or anything else I ever write – that is perfectly acceptable to me.

It doesn’t matter where you buy the book, the royalties will still come to me and get funneled to these organizations I want to support. Paperback, ebook, doesn’t matter.

AsteroidMadeOfDragons-finalfront cover hi-res jpegPurchase direct from my publisher. (Paperback and all ebook formats, DRM free.)

Purchase from my favorite independent bookstore: Avid Bookshop. (Or YOUR favorite independent bookstore!!!)

Amazon / Barnes & NobleiBooks

AMOD appears in BookBathBox!

bookbathbox-2

At last, I can talk about this! After months of secrecy I can finally blab and gush and turn into a small imp of excitement. This is quite honestly one of the most fun projects I’ve been able to work on with Asteroid Made of Dragons.

BookBathBox is a subscription box service filled to the brim with a panoply of delights constructed around an optimal experience for reading in the tub. Scents! Candy! Tea! And, shockingly for the Autumn box, my book.  The proprietor of the service, Winx, also runs a fantastic Booktube which I implore you to navigate to now. I sort of knew Booktube was a thing before this year – but never took the time to really investigate.  Holy crap it’s like Narnia – a Narnia of people quietly and pleasantly losing their minds about books and tea. The sort of people that would find me INCREDIBLY ANNOYING in real life – I could never interact with them in the wild. But here on YouTube, I can sit quietly and listen and imagine a life where we all sip tea together in a giant library. Just quiet slurpin’ and reading and sudden animated conversations about plot.

But how did all this happen? How did my mutant book find its way into the hands of such refined readers?

As I said, I only had the vague concept that Booktube was a thing – when a fellow author mentioned that they had spotted a review of their book on YouTube. In a FRENZY, I opened a tab and immediately searched my title and was blown away to discover a couple of reviews of AMOD. (Any of my Twitter followers may remember – I was, shall we say, elated.) The first one I found was from Winx & Ink. Normally, I keep a pretty hard policy of not commenting on reviews I find online – positive or negative. It’s not my place and it’s just this side of creepy – BUT I WAS SO EXCITED YOU GUYS. So, of course I commented on the video and gushed without reserve. Luckily I didn’t make it too weird- Winx and I became Twitter pals and all was well.

A few weeks later, she contacted me with the idea of using AMOD for the ‘Science of Fantasy’ themed Autumn box. Let’s be clear – she did ALL the work. I sent over some goodies and then she handled all the logistics, packaging, delivery – the alchemy of the box contents. I’m just left to watch in wonder -and awe as I get to watch the various reviews and unboxing videos pop up online. Like this!

or this!

or these!

It’s just wonderful and fun. And like many things that contain those adjectives I had almost nothing to do with it! Just sit back with a smile on my face and sip my imaginary tea.

Please go support Winx and Book Bath Box – you can still order the Winter Box, which is themed “Faeries in History” (AWWW SHIT) and I recommend that you do this immediately.

Antietam

The old man sat polishing his armor with a faded white cloth. It was evening, late summer – the wind idled through the flaps of the tent but he gave it little notice. The cicadas were loud, but he gave them less. All of his attention went into the final corner of his breastplate, even though the dull iron would benefit little. All except a sliver of mind for the wheezing youth who lay dying in the cot near the entrance.

His armor was old, the stink of sweat and linseed oil inescapable. The leather scar-tissue that bound it all together had been replaced dozens of times, was due to be refit again. The old man made a note to seek the proper skill at the next city of note. The boy on the cot gave a snore that was half-choke and half-gasp. The old man kept polishing without hurry.

The hand holding the cloth constricted of it’s own accord and the cloth slipped free. The old man sighed. He was growing used to his hands and knees and even eyes and mind turning traitor. He leaned forward to snag the cloth from the floor and the wind idled through the tent flaps again, with more force this time as if it had remembered what it had forgotten there. It brought with it the smell of the fire from outside, the chicken and barley in the stew his men tended, and undeniable and soft at the end: the smell of pine and cold, the smell of home. He forgot the cloth but still felt the breastplate’s weight on his knees and breathed in deep.

“This is what no one will tell you, young man.”  His words were careful, pitched where only the wind and boy in the cot could hear. “You are alone. You can fill your life with noise and faith and toil and love and drink and battle, but it always goes quiet. It’s never real. Not even your memory is lantern enough. Stumbling in the wind and dark…”

The boy gave a noise that could have been a sob or just another wheeze. The old man shook his head and stretched his aching arm to pick up the cloth he had dropped. The cloth was faded white, but it was daubed pink and brown and darker crimson. At least the armor was clean.

The old man stood up with a spider’s care. He put each part of his armor in its proper place on the stand, then moved to the dying youth’s side. The old man gave his full attention at last and laid a firm hand aside the boy’s bloody face.

“At least you may rest now. You kept faith-or didn’t know the tale I needed. And still you keep breathing though you are empty and broken and choking on your own end. What honor there is in that, I give it to you gladly. Travel on, Child of the South.”

It was the work of a few moments to join his two old hands on the boy’s throat and close them tight. They did this job well, they did not betray. And then there was only the old man and his clean armor. And the idle wind bearing the memory of cold.

The Dragon Award

 

award

Blink.

Blink.

award2

 

This video, in its ENTIRETY, is how I feel. I’m on an award list next to N.K. Jemisin  and Jim Butcherrrrrrrr.

You did this. All of you that took the time to answer my plea and nominate me – and I cannot thank you enough. It makes me feel fantastic. This is great for exposure for AMOD and I was already going to be at DragonCon – so now MY SWAGGER WILL UNHOOK PLANETS IN THEIR VERY ORBITS. It is your fault that I will act like an even bigger asshole at the con! Feel the surge of pride!

Now – if you haven’t already registered to vote –  you should!

http://application.dragoncon.org/dc_fan_awards_signup.php

You should vote for me – and my Sword & Laser/Inkshares shelf-brethren: The Life Engineered by J.F. Dubeau and An Unnattractive Vampire by Jim McDoniel.

BUT

LET’S BE CALM AND RATIONAL FOR JUST A SECOND.

Take another look at the bracket I’m in. Here’s who I’m up against.

  • the writing Guest of Honor of DragonCon / perennial NYT  bestselling author
  • A book that has already won both the Nebula AND the Hugo (guys. it is sO goood)
  • Darth Vader of the Sad Puppies (who I’m sure is Googling my book as we speak. I’m sure he will be displeased, my book features ladies who both speak AND have opinions.)
  • Some other guys who seem very nice!

SO. What does my book have going for it? Well – you guys AND:

IT’S THE ONLY BOOK WITH ‘DRAGON’ IN THE TITLE.

charlottemascot

 

SO LET’s DO IT!

Okay – okay. Honestly, I’ve already won. This is all I ever wanted out of The Dragon Award – to get nominated, get a little more attention on the book, etc. Thanks again to everyone who nominated me. You made this happen. (I always say that like an accusation…) I get to pretend to be a big shot for a little bit longer – the awards actually get announced AT the con, which adds the perfect amount of sizzle to the weekend.  It’s fun to be at the big table for a hot second – even though I’m still wearing my bib. So vote! Vote for MEEEE. But with the knowledge that I already feel awesome and I’m going to have a blast with this entire situation all the way through someone else winning the Dragon Award that should have been miiiineeeeeee.

[UPDATE 8/15: My publisher has made the ebook of Asteroid Made of Dragons only .99 until DragonCon! So if you’re thinking about voting – or just want to grab the DRM-free ebook in every version for mega cheap – NOW IS YOUR TIME

You can also get my co-nominated Sword & Laser brethren for the same low cost! That’s three full novels for less than the cost of your average chicken biscuit.

The Life Engineered – by J.F. Dubeau

An Unattractive Vampire – by Jim McDoniel

We’re definitely the small fry on this ballot – but we’d love your consideration and perhaps your undying fealty?]

With heart-eyes emoji for you all –

Dragon-Nominated Author [hey this is a thing now!]

G. Derek Adams