The True Lightning Rune

Image

Okay — time to stop fretting about promoting and selling Spell/Sword [BUY IT OH PLEASE WHY WON’T YOU BUY IT?].

It’s like a sore tooth, I just can’t stop fussing with it. It’s not making me or the tooth any happier, so it’s time to start focusing on something that’s actually productive.

  • Planning for The Riddle Box, the next book in the series. This one’s primarily a murder mystery, so I actually need to think through my cast of characters, the location, and some of the mechanics before I start hammering away at my keyboard again. Oh man, I already know the first scene — can’t wait to start writing it next week!
  • I seem to have developed a fixation with bulleted lists. This may become a problem.
  • Story on Demand — I dropped this feature from the blog a few months back, so I could focus on editing and some other creative projects. Any interest in seeing it return?
  • Nerd Planning! I still have two active campaigns running, I should probably figure out how the Cult of Zero is going to further manipulate the band of heroes they’ve psychically indoctrinated — and how the Face-Thief Oni plans to subvert the noble samurai of Kori Horudo.

Self-Publishing Strategy Guide I

[This is a work in progress, to be updated and amended as curious folk ask questions that I haven’t answered here.  Let me know what questions you have or clarifications needed in the comments below.]

So, you can now buy my book on Amazon — in Kindle and Paperback format. Just like a ‘real’ book! Or rather, just like a traditionally published novel. My book is sitting on the same virtual shelf as books published by Tor, Daw, and Random House. It’s a cool feeling. Maybe if I’d published five years ago I would be bothered by the fact that Spell/Sword will never appear on a shelf at a physical bookstore — but with paper going the way of the utahraptor or dodo it doesn’t bother me in the slightest.

So how did I get here? A lot of research, a lot of trial and error — there’s a lot of navigation and study required when you’re piloting the ship all on your own. When I first got started I spent a lot of time reading other author’s posts on publishing and found them tremendously informative.

Joe Peacock’s The Absolute No-Bulls**t Guide To Writing, Publishing And Selling A Book was incredibly helpful and motivating. I strongly recommend you take some time and give it a read — it’s straightforward, concise and utilitarian. It de-mystifies the entire process, which was invaluable for me at the beginning. I’m going to try to not go over the same ground here, but focus more on my specific experiences with CreateSpace and Kindle Direct Publishing.  I’ve begun to think of Joe as the Older Brother to the Internet — can be an overbearing prick, and he’ll kick over your GI Joes — but he always has your best interest at heart.

This guide is going to be part step-by-step How To — and partly me pontificating about my  rationale for making the decisions I did. I hope it’s reasonably helpful.

Level One: Write a Book. [Grasslands]

In whatever manner you prefer. It took me about nine months to bang out the rough draft in between day job,18a nerd pursuits, other creative endeavors and various life calamities. I’ve only done this once, so I’m in no position to offer advice on how you get this step done. Just some paltry bullet-points.

  • Write.
  • Self-imposed deadlines were invaluable to me.
  • Write.

Now that I’ve gone through the entire process, I CAN say that this is the most fun part. Remember that and enjoy it.

Level Two: Edit a Book. [Ice Cavern]

Frozen_cave_by_CORinAZONeTo the greatest level that your pocketbook and Friend’s List will permit. I employed over 20 Alpha Draft and Beta Draft readers to catch all my bonehead grammar mistakes and weak narrative. I know that this can never truly equal a professional copy editor — but I am completely confident that I’m extremely close. I have some serious heavy hitters in my rolodex: college professors, Shakespearean scholars, creative writing savants, genre nerds, gnomes. Depending on how my finances fare, I may consider going the pro route next time around. I can’t stress enough how important this step is.

To put it in perspective, I wrote the draft in 9 months. I edited for 13 months. Thirteen long, grueling months of Not-Fun.

It sucks. It’s boring. It’s frustrating.

Do it.

Level Three: Prepare to Publish a Book [Fire Volcano]

I used two services for publishing my book.

CreateSpace for the paperback.

Kindle Direct Publishing for the digital version.

Why?

Paper Version — I did a fair amount of research onto several online presses. The other main one I considered was Lulu.com. They are really great if you want to order in bulk and warehouse the product yourself. They have tons of paper and trim options – soft cover and hard back. But that’s a pretty big if – especially when you’re in my position. A total unknown pushing some wacky genre fiction. As much as I would love to have a hard cover of my book, it just didn’t make sense to lay out the startup money for something that was going to sit stacked in  my breakfast nook.

I slowly shifted my thinking towards CreateSpace as they print on demand, and sell directly through Amazon.

Artist - Hugo-H2P
Artist – Hugo-H2P

You establish the cost of your book through the size, page count, etc. — then you set the list price at whatever you want.  Anything above cost is your profit. [Pro Tip]: The cost of your book increases if its sold through Amazon, instead of bought directly through CreateSpace. This wasn’t an issue for me, as I really wanted the legitimacy of an Amazon storefront, but it may be something to take into account if you have your own webstore.

Finally, the website was easy to navigate,  except for a few minor snags — I’ll talk more about that later.

Kindle Version – Or rather – Why not on Nook, Kobo, Smashwords, etc. etc.?

One reason: the Kindle Lending Library. It makes my book free to the thousands and thousands of Amazon Prime members. At this phase it is far more important that people read my book than people buy my book.

I know there’s a lot of discussion about Amazon’s draconian domination of the e-book Wild West — but from my perspective it’s hard to argue with that kind of market share. The Kindle is the dominant e-reader on the market, and anyone with a smartphone or tablet can read just as easily using their free app.

Level Four: CreateSpace [ Sky Platforms]

19858-103095-LHSE1jpg-468x

Okay. You’ve got the book all edited and shiny, now it’s time to set everything up with CreateSpace for the paperback. The site is very user-friendly if you are reasonably proficient with the internet and simple online interfaces. I’m a giant dork so I had little trouble, only occasionally having to use the forums, Help section, and one quick phone call to Customer Service. It leads you step by step through the process.

1. Birth Certificate – Name of your book, author name, synopsis, all that sort of thing. Pretty self-explanatory.

2. Print Specifications – Selecting the size of your book, whether or not you have color images to print inside, etc. I didn’t have any interior artwork for Spell/Sword so I selected Black and White printing — and the smallest book size, because my novel isn’t particularly long. I’m sure there’s a lot of reasons for all the different sizes, but I didn’t put much thought into it. I like the size my book is, end of story. Take that reasons.

3. ISBN Number – This is a little complicated. And once you decide your book is locked to that number [oversimplification, I know] so give this some serious thought and research.

  • CreateSpace owned ISBN: Free! But…it sets the publisher of your book as CreateSpace, and limits your distribution options later. There is a little bit of a stigma to services like CreateSpace and Lulu, and if in the very remote chance that you want to sell your book to a traditional publisher later you can’t just move your ISBN, you’d have to make a whole new edition with a new ISBN number.
  • CreateSpace licensed ISBN: $10.00. Same problems as above, but frees up most of your distribution options.
  • Personal ISBN purchased through CreateSpace: $100.00. But you personally own the ISBN number for your book, and can set the publisher of record. My book is published by me under the name Lodestar — which is the small business I’ll be setting up to handle my paltry revenue.  It also means that I can move my book to any other printing service, or use another service concurrently with CreateSpace whenever I need. I’m also thinking about having it tattooed on me somewhere.
  • Personal ISBN purchased directly: I…didn’t do much research on this. You can get it cheaper buying it yourself, then inputting it into CreateSpace . But it meant using another site, and another process so I just went ahead and bought my personal ISBN through CreateSpace. To me, the convenience was worth whatever markup they have.

4. Cover – Now, CreateSpace does offer a free cover generator as well as professional design services. I used neither. Don’t be a chump and use the free cover generator — it’s fine if you only want your mom to read the book. I’m sure the professional services they offer are fine, but I’d much rather give the artists that I know personally my money.

The layout of the cover is extremely important as CreateSpace needs it to match exactly with the specifications for the cover — most importantly the spine which is a function of page total. There were lots of numbers and jargon, my designer knew what they meant and put it all together for me. I’ve noticed that many self-publishers take the DIY part of this route a little too much to heart. I recognized that I knew virtually nothing about layout and graphic design and paid a skilled friend to handle it, same goes for the actual cover design.

Cover Design/Layout: margaretpoplin.com Illustration:poopbird.com
Cover Design/Layout: margaretpoplin.com
Illustration:poopbird.com

5. Setting up the Template – Okay, this part was a little convoluted.

You need to have your book laid out on a PDF to upload to CreateSpace for review. When I first started playing around, I just exported a PDF from my Google Drive and uploaded it to see what it would look like.

It was a hot mess.

My mother is a graphic designer and printer, so I have a vague understanding of margins — but clearly not enough for these purposes.

Luckily, CreateSpace offers Word document templates. It took some grunt work copy and pasting each part of my book, chapter by chapter into the template — but it ensures that the printed page comes out correctly. Also, print is set with a ‘justified’ margin as a default. I had to go through several times to find all the places where the spacing was weird and correct.

Review the template again and again … then five more times. You’ll never catch everything, but you have to put in the sweat equity to get as close to flawless as possible.

Once the template is complete, you save it as a PDF, then you’re ready for upload.

6. File Review with CreateSpace

Once the files are uploaded, you’ll be able to view the book page by page online.

You can’t directly adjust anything at this step. Anything you want to change, you have to go back to your template — make the change — then upload a new PDF.

Spell/Sword doesn’t have any interior images — so I’m no help there.

7. Proofing

Once you submit everything for review [Interior and Cover], CreateSpace takes 24 Hours to review and make your book ready for proofing.

You have two options here:

  • Paper Proof: This is what you want to get the first time around. An actual, honest to god copy of your book. You get it, you hold it in your hand. You get to go through it with a colorful marker, hunting for every typo and spacing issue that you missed on the template. It’s truly a wonderful moment. [You do have to purchase your proof, it’s the established cost of your book plus shipping. ]
  • Online Proof: It’s identical to the Interior Reviewer you used earlier. 

If you need to make changes after reviewing your proof, you have to back to the template and resubmit it all again, and wait 24 Hours again. For Spell/Sword I got the paper proof first, then after making all the corrections I felt confident that the Online Proof was sufficient.

PRO TIP: Even after your book is published you can ALWAYS make corrections and go through the process again — it will just mean that your book is not available for sale while it’s being reviewed and proofed again.

8.  Final Thoughts/ Issues

After you approve your proof, your book becomes available for sale within 24 Hours. In my case it was up on CreateSpace itself within an hour — than on Amazon later that night.  The site was very helpful guiding you through the rest, deciding on distribution channels, etc. I freely admit I kind of glazed my eyes and picked the standard options.

Now, some grousing!

  • Shipping through CreateSpace is a little stupidly expensive — especially when you’re an Amazon Prime member, used to getting 2 day shipping for free.  I understand that it probably has something to do with preventing you from purchasing too freely through them instead of Amazon, their parent company — but still! Spell/Sword is 8.99 on Amazon — if I want to buy someone a copy and send it to them, it’s actually cheaper and quicker to buy through Amazon then get copies at cost through CreateSpace.
  • Friends have ordered copies through Amazon, and they arrive in a standard Amazon box – but the books are completely loose. None have been damaged so far, but it made me raise an eyebrow.

Royalties: I actually haven’t been published long enough to get my first check — I’ll update this when I have more experience.

Level Five: Kindle Direct Publishing [Ghost Carnival]

Almost as an afterthought, CreateSpace guides you into the warm clutches of KDP.  They export all of your information about the book, the interior, and the cover all in one go. All of the info and cover exported fine — but I quickly discovered that the layout for the print version looked crazy weird on the Kindle.

I actually found an easy workaround – I directly uploaded my CreateSpace Word document to KDP, and it looked fine. I’ve experienced a fair amount of paranoia, because the Kindle comes in so many sizes [including native apps on iPad and PC] that making sure that there were zero formatting issues.  I’ve read the book on my 3rd gen Kindle and it reads just fine at various sizes, and none of my E-Readers have complained YET. YET.

When you start obsessively searching your book on Amazon [not that I did, that would be silly] you may notice that the Kindle and Paperback versions initially have different pages — just give Amazon 48 hours, they automatically group them together. I also noticed that initially when searching my book titile, it came up fifth — but after a few days of sales, it populated first. Admittedly I picked a weird ass name for the book — that slash in Spell/Sword plays hell with some search algorithms.

 

Yowza! This thing got involved . I think I’ll keep this going as I plunge further and further into Self-Publishing RPG. Let me know if you have any questions in the comments below!

Future Topics

  • Marketing
  • Begging
  • Winning the Internet
  • Deceit
  • Tomfoolery

Spell/Sword Released.

Print Version
Kindle Version – 2.99

Spell/Sword is now available in print and e-book exclusively on Amazon.com.  Follow the image above to order. I’m linking the digital version first because:

  • Duh. Cheaper.
  • Amazon Prime members can borrow and read it for free.
  • Anyone can sample the first couple of chapters using the ‘Look Inside’ feature.
  • It’s the future!

If this is your first time visiting the site, please poke around. Plenty of my various ramblings in the archives, and several examples of my fiction through the Short Stories and Scenes/Microfiction links above.  I know you’re taking a chance on me — thank you for even considering it.

More information about Spell/Sword itself is available on the [Buy the Book] button above.

Paperback Version
Paperback Version – 9.99

Spell/Sword Explanation

“Okay, let me play this song for you first.”

Aragorn sighed and hopped up on the desk. He folded his paws underneath his grand orange and white chest and surveyed me with stern iceberg-disdain.” I just wanted to know what your book is about. Why are you playing me a song? Why can’t you just answer the question?”

Aragorn
Aragorn

Maybe I should have put on pants first. When you’re trying to get an audience to follow you on a train of thought it helps to up your Dignity Quotient. I clicked around on the laptop for a moment before I finally found the song I was looking for.

“It’s a metaphysical thing! This song makes me feel Spell/Sword, makes me feel the long journey of Jonas and Rime. If you’ll just listen…”

“Not going to happen,” the orange cat said.

“Aw, c’mon. It’s this fascinating acoustic piece from the 60’s. It’s not very long,  just give…”

“Look, human. I have other things to do. Important cat things.  My interest in this project only extends so far as my dinner bowl. If you market this book successfully that will lead to an increase in your income. This will lead to an increase in the quality and amount of the food that I am provided with. A new mousey would be pleasant, as well. I don’t want to hold your pitiful human paw and gaze soulfully into your eyes. Just tell me what the book is about and why people should buy it.”

“Damn, Aragorn.” I leaned back in my chair. “Damn.”

The cat lashed his tail. “Who are Jonas and Rime?”

“I can’t just leap into it like that! You have to understand the context of the fantasy genre, and why they are interesting subversions of pre-existing tropes.” I began to list of details on my fingers. “You see, for most genre conventions–”

Aragorn stood up suddenly, and tilted his head to the left. The cat stretched out and stared intently at his dinner bowl. “Hmm. All that doesn’t seem to be putting any exotic meals in my dish.”

“Fine.” I threw my hands up. ” The book is about a boy and a girl. They don’t get along, then they do. Friendship triumphs. The End.”

The cat seemed amused. “Come now, don’t be petulant.”

“Can I just put a little English Major frosting on this explanation? It really helps me to get going.” I begged.

Aragorn began to groom his right paw. I took that as tacit assent.

” There are two tropes in fantasy that I’m trying to subvert.  The All-Powerful Wizard and the Young Hero. I won’t name any examples, I promise.” The cat stopped grooming for a moment and shot me an appreciative look. ” The All-Powerful Wizard can topple kingdoms with a thought, summon dragons from thin air, knows the answer to every question, undoes the riddles of an age. The Young Hero is the gifted one, the child of legend with shining sword in his fist, he rises from obscurity to shake the pillars of destiny.”

“Merlin and Arthur. I get it.  You’re not the only one who’s read Joseph Campbell.”

“Right.” I was a little taken aback. The cat who lives in my house is surprisingly well read. “Rime is my Semi-Powerful Wizard and Jonas is the Young Idiot.”

“Losing interest…” Aragorn muttered, rising.

Jonas and Rime
Jonas and Rime

” Rime is a wild mage – an abomination that breaks all the rules of magic! She can do anything, everything — bend the forces of reality to her whim. But then she burns out -her body goes unconscious, loses use of her limbs, nosebleeds, headaches – really bad headaches! And on top of that she knows that all wild mages eventually go insane and use their power to butcher as many people as possible in the most creative way their madness can devise.” I gesticulated with desperation.

“Okay. That sounds half-way engaging,” the orange cat settled back down to listen. “And the boy?”

“Jonas is a kid with a sword. And he gets the crap kicked out of him most of the time. He’s not handsome and he’s not all that skilled and he’s not particularly bright. ”

“Hmm. That doesn’t sound as engaging. Why is he in this story?”

“Because.”

“You’re getting petulant again, human.”

“Aragorn, please.” I walked into the closet to gather my thoughts and some bottom-wear. I grabbed a pair of reasonably un-frayed khakis and pulled them on.

“The problem with the original tropes is when they are introduced the reader automatically recognizes the shape. They know how this character will act and, more importantly, they know how the story will end. Success is guaranteed for the Hero and the Wizard. It will be an interesting journey, but the reader knows the end of the tale.  The golden, shining end.” I yelled back into the bedroom, zipping up my pants. “And I find that boring. I want Jonas and Rime to have some serious weaknesses, that way you can’t be sure whether or not they will succeed. There’s actually a large chance they will fail.”

“People like Superman for a reason, human.” Aragorn’s bored voice came from the bedroom. “People don’t want stories about losers, or stories about failure. There’s enough of that in the real world.”

“But they don’t fail! They succeed and they become friends. And it’s that much more meaningful because they actually had to work for it.” I walked out of the closet, my Dignity Quotient through the roof.

“Does the book have a happy ending?” Aragorn was unimpressed by my rockin’ DQ.

“Define ‘happy ending’.” I said.

The orange cat splayed his claws and hissed. Aragorn is not a small cat, and when he puffs up he can be quite intimidating.

“I cannot believe this. How can you expect people to buy the book if it doesn’t even have a happy ending.” Aragorn’s eyes pulsed with feline rage.

“But it does.” I quailed. “Friendship triumphs, remember? The end of this book is good for Jonas and Rime, very good! Please calm down.”

The orange cat did not. “You’re dancing around the subject. What aren’t you telling me?

“Nothing. I don’t want to spoil it for you is all…”

A claw lanced out, narrowly missing my hand.

“..it’s the very end that’s bad! Not the end of this book, but the very end of the story! It’s bad, okay — it’s very, very bad!”

Aragorn seemed to calm slightly. “So you’re going to write more books, then?”

“Yes! That’s the true subversion of the trope. If instead of victory, the heroes are doomed to failure. To a pre-destined fall. It’s actually an older trope, most commonly seen in Greek tragedy and…”

“I’m bored now.” The orange cat hopped down off the desk. “I’m going to go bask in the sun, and pray that many monomyth and genre convention enthusiasts buy your book. Clearly we’re never going to see any sort of Hunger Games money, so I’ll just hope for a small trickle of improved finances coming to our household.”

I sighed and sat down at the desk. I watched his orange tail slink around the corner and disappear. Maybe I should have told him about all the fun things. The ridiculous encounters, the dance-lock, the dinosaur battle, the frogs on roller skates. But those are just trappings, my little sally against the pomposity of Fantasy. Somewhere along the way we all decided that Orcs and Elves and Dragons aren’t silly. But they are. They are silly. And glorious.

“That’s what I think about, when you ask me what Spell/Sword is about.” I said to no one. ” The long journey into the dark. The long journey of Jonas and Rime.”

I clicked ‘Play’ on the song I’d pulled up earlier, and listened to the heart of the tale.

If you read this far- it's the titular track on Harry Taussig's hidden masterwork - 'Fate Is Only Once'
If you read this far- it’s the titular track on Harry Taussig’s hidden masterwork – ‘Fate Is Only Once’

Zero Escape – Nerd Matters

[It’s been pretty tireless self-promotion here at Spell/Sword for the past week or so. How about some dyed-in-

Artist Unknown
Artist Unknown

the wool geekery to ease the sting? These are my DM notes from the Pathfinder game I ran earlier this week, presented with little to no context. If your eyes have already glazed over at this point, I wouldn’t bother reading further.]

 

Scene One: In the Cell

Most of the party wakes up at the same moment. [Justin’s Character] remains unconscious.

Everyone is wearing whatever clothes they had on when they teleported from the crumbling Stone Roots, but every other piece of gear has been removed. [DC 20 Sleight of Hand check to have hidden one Tiny object.] Falcon is nowhere to be seen. Everyone’s wounds have been healed, but they show signs of natural healing, not magical — suggesting some time has passed since they departed Rill.

The cell is 50 feet square, gleaming gray metal, adorned with regular bolts and rivets. Modular benches are welded to the floor in a square in the center of the room. On the far wall is a large crank over a spout, directly beneath it is a large hole with a metal grate over it.

The door displays no hinges or handle or window. The symbol of “0” is engraved into the metal, it gleams a dark copper shade.

The party have a few minutes to talk, compare notes. The Elven Cleric wakes up and introduces himself.

At last, a metal squawk fills the air — then a mechanically reproduced voice fills the cell.

“You must pass through the Dream to find the Truth.  You must swallow the Truth to find the Heart. The Heart burns and we shine in the darkness of the Dream. Follow me, Children — and Remember.”

“These words are written in the book that brought you here. These words were spoken by the Dragon Prime just before he fell into his endless slumber, he spoke these words to his acolytes and fell beneath the sands.”

There is a scraping metallic noise coming from the grate. If anyone checks, a large plate has slid into place closing off the drain.

“You have served us well adventurers. The seals chip and shatter with time and skill, but you have broken two in a matter of days with nothing more than luck and ignorance. The Guardian of the Endless Road and the Stone Roots of Rill — both destroyed and gone, blowing away in the winds of the Descabellado. For this you have been forgiven. The murder of Lord Argon and his retainer Lithium have been washed from your slate.”

The crank on the faucet begins to move, and clear water begins to pour into the cell.

“Forgiven. Forgiven and spared. And chosen — yes, chosen. Chosen for something greater, to become something greater. Servant of the Dragons, yes — we will take you into the Dream, and your true forms will emerge. You will break the chains of the foolish Balance.”

The members of the party become drowsy with a magical sleep. As they fall unconcious all can see the pool of water spreading from the back edge of the cell and rolling slowly towards their closing eyes.

Scene Two: Indoctrination

The party blinks.

They stand in a room very similar in size to the cell, but the similarity ends there. The walls are made of lines of light, squares – a wire frame of energy. Where the cell door was, an open archway leads into a formless void.

In the center of the room, stands a tall wood elf with dark skin. She wears a floor length dress of sheer material, bodice plunging nearly to her navel.Tattooed in the center of her chest is the symbol of the Dragon’s Dream. Her hair is wrapped in a high twist, coiled with some sort of thick brass cable. She doesn’t appear to be substantial, she glows like a light purple phantom.

Artist - Sam Bosma
Artist – Sam Bosma

“I am Xenon. Welcome to the Dream.”

At some point the party will notice that they similarly do not appear tangible. Each party member glows as a mental projection of themselves. [What color is your mind?]

“You must pass through the Gestalt. Travel forward. Learn and survive. Apparent time moves slower than actual time, but your shells still lie unconscious in a room that slowly fills with water. Dally and they will drown. And sadly…your true selves cannot survive without your shells, at least not yet.”

“You are young to this way, your minds only have a fraction of the potential that we can unlock. For now you have what you believe you have — the residual impressions of the items and skill you carry in the physical world. In time, with our training, these limitations will fall away. Now begin.”

Xenon erupts into a beam of light, that arcs away across the dark void.

When the party passes through the first archway — they unlock:

 

PSYCHIC Rank: 0

1

2-3

4-5

6-7

8-9

10-11

12-13

14-15

16-17

18-19

-5

-4

-3

-2

-1

0

+1

+2

+3

+4


A floor forms from green squares of nothing as the party proceeds into the void.

 

Room One:

The room is circular, about 100 feet in diameter. A doorway is at 2 on the dial, but the center of the room is dominated by a vast square table, 20 feet on an edge. An elaborate clockwork city sits on the table, hundreds of tiny houses, vehicles, people, all whirring and moving in perfect harmony. DC 20 Perception to notice the Draconian details to the model — tiny claws, spines on the roofs, gears shaped like dragon’s jaws, smoked glass like dragon’s fire.

Then, black blobs begin to ooze up through the floor and take the form of primal ogres, and attack. They seem to be completely focused on destroying the table.

The door evaporates when the last ogre falls.

 

Room Two:

The next room has the appearance of a temple, or cathedral. Wide pillars support an arched ceiling holding back the void. The outlines of cowled humans cluster around men with the heads of dragons, who touch them kindly and speak in hushed tones. The dragon-men beam with the expressions of proud teachers.

There are three main clusters/classes – then one dragon-man standing alone in the pulpit.

The three teachers speak in Eld tongue, the Examiner speaks in Common.

Daniele Buetti - Is My Soul Losing Control? (2006)
Daniele Buetti – Is My Soul Losing Control? (2006)

Red Teacher – DC 15 Will – 1d4 Temporary WIS drain

Fail: +1d4 PSY Succeed: +1d8 PSY

You see a vast field of lights spanning across the globe – dreaming minds slipping into the void and flying around and around the physical world, as free as the birds of the air.

Blue Teacher – DC 15 Will – 1d4 Temporary INT drain

Fail: +1d4 PSY Succeed: +1d8 PSY

You see a vast creature, a Titan — stomping across the fields of green. Decay follows in its wake, rivers fall sere and desert winds begin to blow. The people retreat to their cities, and try desperately to resist, but they are tramped underfoot.

White Teacher – DC 15 Will – 1d4 Temporary CHA drain

Fail: +1d4 PSY Succeed: +1d8 PSY

You see yourself in a cage, a cage of stone. It reminds you of the roof of the Stone Roots. Hundreds of people are crammed into the cage, they claw and bite at the bars — or simply turn their backs inwards and ignore it. You walk to the wall and step through as if it was made of water.

Gray Examiner

PSY DC 10

What is the Dream? The endless potential of the sentient mind. The Hidden Kingdom of the Dragons.

PSY DC 15

What is the Truth? The Balance is a lie.

PSY DC 15

What is the Heart? You are only caged if you choose to be.

 

The Gray Examiner steps aside , and a the dais irises open into a set of stairs leading downwards.

 

Room Three:

The stairs terminate on a featureless plain. Party makes out a faintly shining beacon to the north, as they approach, it reveals itself to be a tower with a torch on the top.

Xenon’s voice whispers in the void.

jeffreyalanlove:The Hound
jeffreyalanlove:The Hound

“You can save the planet.”

“You can undo what has been done.”

“Repair the breaking of the world.”

“You can break the Titan itself.”

“Break the Titan and break your own chains, Children of the Dragon!!!”

A second light appears at the top of the tower, and the party realizes they are looking into two burning eyes of a massive stone goliath. It pulls a vast scimitar from its chest and moves to attack! Scattered around the field are small nodes of psychic energy, a PSY roll of 15 unleashes a burst of energy against the Titan.

After defeat, the featureless plain collapses and the party slowly drifts down into a room similar to the first. Six Doors wait, each marked with an odd symbol and a word scrawled in Common on the door.

 

Xenon’s voice: Choose your name, choose your place in the Children. Choose a door and take what is offered. You are one of us now until the dragons awaken. Accept the power that is given and be blessed, or deny it and be enslaved. Or do nothing and drown. The choice is yours.

 

Beryllium – [Domingo]

Magnesium – [Rhoga]

Calcium – [Nenemi]

Strontium – [Anka]

Barium – [No-Name]

Radium – [Sir Mander]

 

The party each select a door — if they take too long, they all start to feel a pressure in their ears, and in their chest, the water is rising into their lungs. Each member goes into a door, and find themselves in a small closet. There is a stool, and a table with a chalice.

 

Those who accept the Dragon’s power gain 1d10 PSY points and Dragon Power: Telepathy 1/day. 10 min/level. you plus 1 person per 3 levels.

 

Those who resist gain 1d4. -2 Will saves against Draconic Effects.


The Dream begins to break up, and the everyone coughs and flails in the cold water they are laying in. Everyone stumbles to their feet, and see that the door of their cell lies open.

Spell/Sword Cover Art Revealed!

Artist - Mike Groves/poopbird
Artist – Mike Groves/poopbird

And there it is. The cover art for my book.

This is real. IT’S REAL.

Let me let me tell you why I love this art.

1. It’s fun. Looking at it just makes me smile. It’s unapologetically goofy and cartoony. Most fantasy art takes itself so freaking seriously.

2. It’s different. This doesn’t look like 98% of the fantasy novel illustrations I’ve ever seen before. Not on the shelves at Barnes & Noble, not on Amazon.com or anywhere else.

3. It’s clean. All of the negative space just pleases me aesthetically. A traditionally published novel would want to cram more information and more verbiage on there. I’ll probably have my name on their, somewhere very small, but that’s it. I also think it’ll really stand out when seen online as a tiny thumbnail on someone’s Kindle.

4. It makes me think of Chrono Trigger. My book sits very comfortably in the mental space occupied by Dungeons & Dragons, JRPGs, and manga. I adore that this would not look terribly out of place on the cover of any of those three.

5. It will make people vaguely embarrassed to be seen reading it. Not so much with the Kindle version, but people who have the paper copy. Anyone reading this will be broadcasting to the world that they are a Huge Nerd.

Huge props to Poopbird on the illustration, you should follow the link from here or the image itself and check out his entire portfolio and buy stuff from him.

I hope this gets you marginally excited about reading the book. I know it gets me far more than marginally excited about finishing it.

Instead of Writing

image

I made this! Deal with it. I dream of the day when readers anxiously wait for my next book, they check my blog, nut in GRRM NFL-fixation style I only post the current model I’m building. “Damn, Book Six is taking forever! But that Zaku is kind of sweet…”