Wind / Sails / The Removal Thereof

Nausicaa – H. Miyazaki

A little context.

1. I’ve been working on my very first novel. [QUIVER. CLENCH. ANXIETY-NINJAS IN MY STOMACH.] I started working in September, and completed the very, very rough draft in April.

2. I’m coming around the bend on my first round of editing. Soon I will let a few Alpha Readers take a long look, before they solemnly set fire to my manuscript and without breaking eye contact — dial the authorities.

3. While I try to stay focused on the craft itself of working on the book, I have noodled around a bit on The Next Step. The world of traditional publishing is contracting, and it’s never been known for being an easy assault for new talent — so, most of my thoughts have been centered around Self-Publishing.  With resources like CreateSpace via Amazon it’s childishly simple to do, and I could have the most basic unit of my goals with a modicum of time and effort — i.e. a paper book that I slap in my mom’s hands.

4. I heart Pat Rothfuss. Name of the Wind and Wise Man’s Fear are excellent books. Wise Man’s Fear is one of the only books I can ever recall finishing …then immediately starting to read again. Slowly, languorously. I went on to read other things, but I would circle back like a honey-drunk bee to take another sip. I read that cat’s blog religious — and all of this novel nonsense is so I can send him a copy [right after my mom] and then he’ll read it and think I”m awesome and that we should be best friends and then he’ll come to my birthday party.  THIS WOULD CLEARLY BE HIS REACTION TO MY WORK.

So, contextualized?

Today I read an interview he gave, linked into his own blog.

I was chuckling at his wry humor, and stroking my chin at the interesting bits — when I came to this section:

Full interview: Toonari Post

TP: Were you ever tempted to self-publish?

PR: Not really. Because, as I mentioned, I wanted people to read my books.

I know there’s a lot of talk about self-publishing right now. Everyone’s giddy with the possibilities. And I’ll admit that it looks good on paper: sell your books directly and keep a bigger chunk of the profit for yourself. No rejection letters. No hassle with agents. Sounds good, right?

Except nobody knows who you are. And nobody really cares. And your book is mostly crap because you haven’t had a substance-level editor give you feedback and make you revise it a couple of times. And your book is full of typos because you didn’t have a copy-editor read it. And the layout is ugly because you don’t know anything about layout…I’m sure you get the picture.

It’s like the query letter problem that I just mentioned, magnified a hundredfold. You might be good at telling a story, but that doesn’t mean you know anything about marketing. Or layout. Or editing. Or publicity. Or selling your books for foreign markets.

Even if you’re surprisingly good at one of those things, you’re still not going to be as good as a professional. You don’t know the tricks of the trade. You don’t know the right people to call. You don’t know what mistakes to avoid….

Everyone can point to a few examples of people that have done very well for themselves self-publishing. But honestly, those folks are lucky as lottery winners. They’re statistical anomalies. You want to publish with a publisher because a publisher knows how to publish a book. And you don’t. You really don’t.

Woof.

Dang.

Now, first and foremost, this isn’t about how Pat Rothfuss broke my heart, or what a big meanie-face he is, etc. etc. His beard is made of laughter and moonbeams, people.  From my EXTENSIVE PERSONAL KNOWLEDGE [aka reading his blog.] he is clearly not a malicious person in any way. He was speaking from his own experience, trying to give helpful and clear advice.

It was a bit stern, and absolutist — but then, I remembered — Nerd/DM High Speech. Nerds speak in absolutes, with unwavering knowledge about whatever topic is in our demesne.  It probably comes from being the smartest kid in the class, or years with our finger pointing at the small print in the Player’s Handbook. We all delight in pronouncing This is how it is. This is how it works. No, you cannot gain access to 6th level spells, just because you have a magical ability that increases your effective caster level, Carbunkle.

No, this post is about my reaction. I felt foolish.

Here is a writer and person that I respect telling me that I’m functionally wasting my time. I will self-publish my novel and it will be garbage. It will not be discovered, it will not be read. I am doing a disservice to myself and to the work itself by going this route. Pat Rothfuss told me I was an idiot.

This is not how my fanfiction plays out AT ALL.

I don’t think he’s wrong. I don’t think he’s right either.

For the vast majority of people self-publishing, he’s absolutely right. We all need to hear the stark truth like that. A wake-up call that if your goal is financial success then you are setting yourself up for failure. You are not some maverick Hemingway blazing across the firmament while thumbing your nose at traditional publishing. If you got into this gig to be the next 50 Shades of BLAHBLAHBLAH, then you are in it for the wrong reasons. Take a glance at the amount of self-published drivel on the Amazon Kindle alone. His metaphor of winning the lottery is apt. Every writer can benefit tangibly from a trained editor, copy-editor — and the inarguable expertise in marketing and layout that a publishing house can bring to bear.

But, I’m special. SCREAMED THE SPECK OF DUST IN A TRANSPARENT ALLUSION TO THAT CALVIN AND HOBBES STRIP.

YOU KNOW, THIS ONE. [I miss Bill Watterson.]
And beyond that, I do believe that traditional paper publishing is in its dotage. We’re caught in the weird wilderness between traditional and digital publishing, and all the old dinosaurs are late to the game. The tools are all laying around [editing, design, computers with blinky buttons] — what’s to stop us from selling and promoting our own work digitally direct to our audience? John Scalzi almost pioneered this concept, releasing his work chapter by chapter on the web, then backed into traditional publishing after he had already built a readership. And he’s the president of the freaking Science Fiction and Fantasy Writers of America, now!

There are more options now  then ever, so more people than ever are going to chase the dream their own way. So, yeah, me too basically.

I have taken his thoughts to heart.  I’ve always considered self-publishing the book as a first step, a tool to one day get picked up by a publishing house. The first book is a resume for the new job I want to have.

I hear you, Pat. I really do. But I am mercurial at best — I just can’t stay motivated with the idea of finishing the book THEN enduring two years or more of frustrating query letters, and standing like a beggar outside the big publishing houses wearing an adorable Dickensian top hat.

Well, maybe the top hat.

So, I’m sticking to my guns. Alpha Readers in July. More and more editing after that, and then when I say done I will use this fancy InterWebamaphone to put my book into people’s hands and on their fancy e-readers.

And I’m still sending you a copy, Pat. I’ll save you some cake, and a brightly colored hat.

Some men.

Some men fight for love, and make each sword swipe a sonnet. Some men fight for honor, and lay out their attacks like a stonemason sets a foundation. Some men fight for gold, holding their strength back like shiny coins saved for market.

Northmen fight to kill.

[Little snippet I wrote today, that I was pleased with.]

Barton

A small village,  directly in the center of Riddlewood. Human settlers were first drawn to the ancient forest

Retreat by Andreas Rocha

by an accidental discovery. A traveler was camping underneath one of the ancient elms, boiling some water for soup when an acorn fell into the open pot. The traveler didn’t notice right away, and by the time he did the water had turned a brilliant shade of green. History does not tell us much about this traveler but one thing is clear – – he either had an overgrown sense of adventure, or a serious deathwish. For no apparent reason he decided to give the concoction a taste. He poured off a tiny draught of the green liquid into a dented tin tankard, and tossed it back.

He woke up several hours later, his teeth stained the color of the leaves.

This unknown traveler had just discovered the remarkable soporific effects of the Riddlewood Elm. Folk tradition contends that he spent the next several weeks finishing the emerald concoction, one sip at a time — but regardless, at some point he stumbled back to civilization and somehow convinced one of the larger merchant families to invest in his new scheme. A team of brewers, apothecaries, and loggers would make their way into the heart of Riddlewood. They would harvest the amazing acorns, determine the best way to render them safely potable and marketable, and the other, lesser trees could be cut down to make casks and barrels for the new concoction. A troop of soldiers were also included to protect against the mysterious and sly wood elves that lived in the forest.

For the first few weeks, the newly christened “Barreltown” hummed with activity. Acorns were gathered, brewed and tested. Hundreds of trees were felled to make barracks, fences, and a multitude of barrels — the saw mill ran day and night. The soldiers quickly grew bored as the wildlife of Riddlewood gave the new town a wide berth, and the wood elves were nowhere to be seen.  With nothing else to do, they joined in the construction of the town, their first project a suitable saloon.

Reports vary on the events that followed, but the central theme is agreed upon by most accounts. A young soldier took to wandering the green halls of Riddlewood out of sheer boredom and restlessness. She was the youngest member of the troop, though well-trained in the ways of sword and shield.

The soldier came upon a clearing where a large red tiger lay dying, caught underneath the trunk of an oak tree that a careless logger had felled, then abandoned. Without stopping to consider the danger, she ran over to the creature and with a great cry flung herself under the tree. Arms and legs straining she pushed the felled oak up far enough that the red tiger could just barely wriggle out.

She dropped the tree in exhaustion – only then realizing that she had dropped her weapon at the clearing’s edge, and stood completely defenseless against the wounded animal.

To her surprise, the red tiger rose wearily to its feet and made no move to attack.  It looked at her curiously, then padded off into the forest.

The soldier returned to Barreltown and told all who would listen about her amazing experience. A few believed her, but she was met with more than a few mocking japes. She became obsessed with proving her story, and spent much of the next few days prowling through the forest looking for tiger tracks.

Tigers, like most cats, appear when they please.

By Rui Tenreiro.

The young soldier was keeping the late watch one night, when she felt her eyes beginning to droop. She stomped her feet, and put pebbles in her shoe, but weariness stole over her.  With a start, she awoke at moonfall, a bare hour before dawn, to find the red tiger sitting quite calmly on a felled tree trunk in front of her.

The red tiger stood, and walked a few paces before turning back to look at her. The intention clear, the soldier gripped the hilt of her sword closely and followed.

Through quiet clearing, and silent tree, through moon and leaf-rustle night. The guttering torchlight of Barreltown vanished behind the young soldier, and yet she continued on.

At last, the tiger stopped and turned to face her. The wind blew, and the tiger changed. A beautiful young wood elf, with hair as red as the tiger’s.

Without speaking a word, he knelt before a ragged stump of a tree and placed both hands upon it. He sang quietly, and the soldier was surprised to find tears running down her face.

Between the palms of the wood elf, and guided by his song the tree trunk began to grow. Forming and changing, shaped by his will as a potter turns the clay. A tiny barrel formed, sound and true — then with a sharp twist he broke it free and pushed it into her hands. The soldier held it up to the rising sun, and saw how well it was crafted. Sound and true, with nary a crack — better than any one in Barreltown could hope of making.

“Why would you take, what the forest would happily give?” the wood elf asked.

The soldier had no answer.

Time passed. The soldier and the wood elf spent much time in each other’s company.  Love was given and returned, and the two hatched a plan.

Early one morning, the soldier and the wood elf walked into Barreltown hand in hand. They marched directly into the mess hall where all the loggers, apothecaries, brewmasters, tradesmen and soldiers ate their meals. The soldier cleared off a table and called everyone’s attention, and the wood elf plead most eloquently for the forest of Riddlewood. He finished his speech, then showed the gathered crowed how wood could be shaped and sung from the living trees, without harm.

And the people listened. They understood. And they agreed.

To the vast shock of historians throughout the world, the people of Barreltown agreed that it was a great

By Annemarie Rysz

idea. This incident is hotly contested in many scholarly circles, as it goes counter to entire schools of socio-political thought. Some even go so far as to claim the story is completely fabricated, a convenient fiction crafted by the wildly successful Riddlewood Brewing Guild.

Regardless, two hundred years later the village still remains. Barton is a reasonably prosperous hamlet, most of the residents splitting their time between farming and the seasonal work on the factory floor, brewing and bottling the various ales and liquors distilled from the trees of the forest — great casks filled to brim, tight and sound made from living wood. Only the very oldest buildings in the town show the sign of an axe or saw, the rest are all formed carefully and beautifully by the druids of Barton.

The village is roughly split between human and elven populaces, with intermarriage common.  The sigil of Barton is a red tiger with a green acorn in his jaws.  The village is led by Count Pel Marlowe, his family owns controlling interest in the Riddlewood Brewing Guild.

 

Beach Blanket Bingo

The sand was hot, but the pineapple ice slush that The Vagabonder had concocted was glacial on the tongue. The waves lapped sedately against the white sands of The Island.

Talitha and Sinoe worked on opposite ends of a massive sand castle. The east wing was floppy, drooping towers of wet sand dribbled. The west was rigidly square, careful blocks compacted and stacked in stone-mason precision. Talitha’s skin had turned nut-brown under her blonde hair, her twin’s was still pale under purple tresses.

Carbunkle snored with ridiculous abandon, his head pillowed on a pile of books, two empty glasses lolling near his open hand. Scarlet pushed her glasses up and smiled at the snoring gnome, then went back to the massive tome she was reading. Advanced Hyper-Calculus for Fun and Profit. The two gnomes lay close together under a wide red umbrella.

The paladin gently picked up the empty glasses next to the snoring gnome, and tucked them into the crook of his arm. Haskeer was wearing a short blue loincloth and armed with a spatula. He sat the glasses down on a flat stone, and returned to tending the haunch of island boar he had been patiently smoking since mid-morning. His tusked face split in a wide grin as he peeled back the banana leaves on the smoker he had built from a discarded drum of Seafoam lubricant that Corben had found somewhere.

Thinking of his friend, he glanced across the crystal blue waves in time to see another massive splash. Corben and Dayjen had rigged up a crude sea skimmer, powered by a spare aerolith cell from the destroyed Agros fleet. The two young men pulled themselves laughing out of the water onto the contraption , arguing good-naturedly about the best way to fix the ’steering issue. ’

Agnar sweated and strained, iron bar gripped tight in his fists. A bucket was suspended from either end, filled to the brim with rocks. Through a pineapple haze the barbarian tried to remember what obscure bet he was trying to win. The sea-elf had said something and then laughed in his face, that part he could remember. The exact reason he now stood, muscles bulging were unclear.

Echo took a long slurp from her drink, and pointed imperiously at another pile of rocks. Alice laughed hysterically, her nose and cheeks red with sunburn and drink.

Crackers and Fin tumbled in the sand. The dwarf was determined to master the ancient fighting style of the Blink Dogs, but the young dog kept cheating by licking his bald head, breaking his concentration. Fin cocked an eyebrow as if to say, Perhaps that is the key to the technique. I will study this closely.

Further up the beach, under the shade of the palm trees, Martin and Thorn sat silent in wicker chairs. In the weeks since Kythera, the former cleric seemed most comfortable in the company of the old ranger. Martin held out a bowl of tel-nuts, the red haired woman waved them politely away. The bowl was intercepted by a wicked grinning monkey wearing a red bandanna. The ranger glowered but let it pass. Thorn smiled and rose to go clear the massive wooden table, still piled with the absurdly massive white cake. Despite the best efforts of all assembled, she could still read:Happy 10th Birthday, Tali——-

A breeze blew across the crew of the Lodestar, on the beach of their island. Far above, the Floating Island of Agros hung, as carefree as another cloud in the sky. A long cable hung down, and was bolted to a large granite slab on the edge of the beach.

Echo took another long slurp of her pineapple-slush, then pushed herself unsteadily to her feet. The concoction caused a serious brain freeze, but the alcoholic kick was within spitting distance of paint thinner. She began to totter in the direction of a refill, when her she felt a splitting pain in the center of her head. It was far too early for any sort of hangover — and looking across the beach she saw the rest of the crew grab their temples with similar expressions of pain.

Then the three-headed shark behemoth appeared.

Dayjen and Corben were caught completely unawares, their tiny skiff buffeted far out to sea by the titanic eruption of water. They went spinning out of sight around the edge of the cape to the west.

The sea-creature was massive, mouths thirty feet wide — Echo blinked and saw the tell-tale purple tentacles ripple out of the sea and slap and lash at the edge of the sand.

The pain in each person’s head intensified, as the creature savaged their mind with a telepathic roar. The words were not in Common, but each mind definitely got the gist.

It is I, Thousandteeth Dodecapus! I have come to wage battle with the true princess of the Dolphin Tribe. Come puny mortal, bring your pitiful land-tribe and let our prophesied time of reckoning begin!

Talitha looked across the sand castle to her adopted sister, and whispered. “Best. Birthday. Ever.”

Waaa

I’m having a hell of a time getting any forward momentum on the next stage of editing the book.

Admittedly, I’ve had precious little time to really focus on it over the past month – but when I get a spare moment, I crack open the Google Doc and try to make some headway — the same way that I wrote the thing in the first place.

This feels like work. Ew.

Which it is! This is the actual part where a pile of text becomes a novel. Everything leading up to this don’t count, if I can’t edit it properly.

Part of the problem is I need higher brain functions online to solve a lot of the notes that I’ve made — and that sort of thing is in short supply. I’m feeling out what process works best for me, just like the drafting stage — I guess I need to try blocking off more time, away from distractions.

Because free time just falls out of the sky. Commonly.

So, yeah – waaah, waaah, give the baby his bottle.

Starmhill

13th Warrior – Production Shot

It was a nothing town.

Some sheep pens, a general store, well-wrought houses and a good deep well. It was Victor’s home, and he loved it fiercely.

The blacksmith stood next to the stockade, a few paces into the dark so the torch would not rob his eyes of sight. The wood was still green, hastily hewn from the nearby pines. It was ramshackle, quickly slapped together — it made Victor’s hands ache to see such shoddy workmanship, but they’d had little time, and the crude fence had helped them turn the first dozen assaults. As if the green pines had kept a little of the love of the land in their bark, and were just as determined as Victor and the people of Starmhill to weather the vicious assault that came once, twice …sometimes three times a night.

“Vic. Vic!” The portly shepherd Kanley called from behind the stockade. “You see anything?”

“No. Nothing.” the blacksmith switched his two-handed sledge to the other shoulder but did not move.

“Maybe they’ll give us a night off. Three hours til dawn and nothing tonight.” Kanley said. Victor heard the sound of scratching. The boy was still worrying at that vicious rash on his neck, the creature’s hands had left blisters and boils even as it died. Kanley’s friend Jak had taken the beast in the back with a spear, a relieved grin on his long-jawed face. That was three nights ago, Jak had been dead for nearly twenty hours now.

Victor took a long look down the stockade. Tired men and women moved their patrols with the half-stutter shamble of sleepwalkers. He had tried to enforce strict sleeping schedules during the daytime, but with the constant grieving and the endless fear — he himself had found sleep an elusive phantom.

We can’t last much longer. Two days, three — four at the outside?

At the barest edge of the torch’s light, he could just make out the slow turn of the giant floating obelisk — Starmhill’s one claim to fame. It moved in and out of shadow, as careless as a leaf floating in a stream.

“Vic, you need to get some sleep.” A different voice, a younger voice — an irritating voice. Della Akson. The blacksmith turned in anger, to see her young face approaching through the narrow opening in the stockade. She wore a crude black-iron sword on her shoulder.

“Girl, I told you to guard the church.”

“There’s plenty of people to stand guard. That crazy old wizard, and the book-girl — they’re driving me plain witless with their rambling talk.” Della sqauared her shoulders and put her hands on her hips. Victor noticed that her left hand was inflamed and red, still swollen from the loss of her last three fingers. “And you need sleep most of any of us.”

“Della …you are too young to be on the front lines, you can be most helpful where I told-”

“I’m the best sword-swinger you got, Boss. Sad as it may be…I think it’s time you stop pretending otherwise.” the young girl’s face was stern and sure.

How old is Della now? Is the thirteen? Fourteen? Victor tried to think. Lord of the Crook, I’m so tired.

The blacksmith ran a weary hand down his face. He made himself smile at the girl. What a man can do, he should do …as Victor’s father always taught. “All right, Captain Akson – I guess you’re right about that. Why don’t you walk the stockade and make sure no one is nodding off. Splash a little -”

Victor’s words died in his throat. A snapping branch whipped his head into the darkness, and he saw it.

A tiny green flame, just a pinprick the size of a wyrefly. It was about to begin. Victor took his sledge in both hands and called down the lines.

“All right people — here we go, you know your jobs well, you’ve had plenty of practice these nights. We are Starmhill. We will hold them. WE ARE STARMHILL.”

The cry went up, ragged but strong down the green pine fence. Fewer voices than their had been, but enough. Victor prayed that there would be enough for tonight, tomorrow would have to wait.

The blacksmith’s cry died out and the defenders looked out into the darkness. The first prick of green light had become a field of green stars. Bright and shining and drawing closer.

For the first time this night, he heard it. Every night when they attacked, again and again ripping and tearing at the flesh and wood of his home — every time as they came, they sang. They sang the same song, merry and bright like a knife-cut.

“King of Glass, hear our prayer — King of Glass, take our gift — King of Glass, sing our song — King of Glass, blood and fire! Blood and Fire! Blood and Fire!”

The blacksmith went to work, and prayed with a sick heart. To hear this song again was agony, but he prayed to keep hearing it, for as many nights as his strength could stand to protect his home.

Some press for Spell/Sword!

Sean Polite, a scientific diagram.

I was interviewed recently by the irredeemable Demon of the Sea, Sean Polite. It’s for his “Movers and Shakers Project” nominally exploring people of cultural resonance in/and around Athens, GA.

Nominally I say, as my interview is a long, rambling discussion of storytelling, video games, classic anime, Dungeons and Dragons, and other avant garde nerdery. If these topics interest you, or you’re just curious what I sound like — click and be whelmed.

Click to be info-tained!

Be warned, there are some naughty, naughty words. The interview is available as a free download, or to stream online.

 

 

Here is Sean’s writeup — I blush, I blush!

There is a story in everything we do, in each action we undertake, and even in the hesitancy that keeps us rejecting other actions.

 

Today’s guest, Derek Adams, a bard amongst men, sees the plethora of lore and legend in the grand and mundane things in life, and his insight has yielded creative results with a role-playing twist and a growing footing in the literary world.

 

A student of role-playing games (a.k.a. RPGs)  and an advocate of the art of collaboration, he’s created a series known as Lodestar.  With an eye for talent, he’s recruited a group of friends with unreal writing ability, to craft an ongoing tale of adventure, magic, betrayal, battle, and endless interaction.  While he will admit that his own experiences with the RPG system are an influence, Lodestar is not exclusively defined within the categories of the typical role playing game.  You create the adventure and he oversees it!  He breaks down a good portion of the standard role playing terminology also.

 

The total flight hours of Lodestar: 500,000 words in a year and a half which equals a staggering amount of novels as you’ll hear.

 

This experiment in adventure has been a massive success, and has lead to a journey into the world of information age publishing.   At the current time, the players have created a new story, set 15 years prior to the events of “Lodestar.”  Derek is compiling these stories into a book, a massive volume called “Spell/Sword.”  While the history of the characters,  and motivations are a budding foundation for the journey to the past, no prior knowledge is required.

 

While he is a versatile masterful Mover and Shaker, he’s taking the plunge for the first time into the mind-numbing world of manuscript editing and confessing to the challenge of it.  You can take a peek into “Spell/Sword” by going to spell-sword.com

 

There is a link between every role playing game and the anime series “Record of Lodoss War.”  Stick with the interview, and you’ll find out what it is.

 

A link we share is our mutual participation in the activities of the oldest continually running community theatre in Georgia, Athens Community Theater—home to the Town & Gown Players.  We discuss his introduction to and ongoing involvement with the volunteer organization, and his transition from acting to contributing behind the scenes with stories well known and unknown—culminating at the high helm of the director’s chair.  I’ve gotten to collaborate with him in some of the shows, and true to the community theater experience, it’s been a wondrous fulfillment.  You’ll hear about how you can contribute to the arts scene with a simple step towards the 60 year old coven behind the big white house on Prince Avenue.

 

Causing a stir in the cultural bowels of the Classic City are The Shadeaux Brothers, an enigmatic pop duo with a knack for songwriting at the maddening line between obvious parody for laughs and intense seriousness.  Fresh off of creating the anthem of your summer that you never knew could be known to, Derek breaks down their history with a sensitivity to their abhorrence of any forms of the beast that is celebrity promotion.  We go into their pioneering act of creating the medium of music known to the naked eye as ELF ROCK.  Few are the talents who’ve been enlisted to aid in their sonic sojourn of Christmas albums, but distinguished are they all.

 

The language is vivid (some profanity in good fun), and it is undone by the luminescence of the pop culture spectrum which Mr. Adams keeps at his bay of knowledge.  Subjects are deftly switched at supersonic pace, from video games to Dungeons and Dragons, Doctor Who, social media/blogging sites (tumblr, WordPress) and the like.  Even people who walk in on the interview are seamlessly woven into the conversation/interview.  His super fast wit inspires a lightning round at the end of this segment, and the commentary is enlightening and humorous—as this whole interview is.

 

The link to my interview with Derek is below, and this writing is only a hint of the fun behind the story of Derek Adams, a fresh new addition to the Movers and Shakers Project!

A diagram for the Lodestar series. While we generally use pictures of the interviewees, in this case, the grandeur of the story takes precedence before the storyteller.

 

Link to Interview: 

http://www.hulkshare.com/d60bu9w4o5oe

 

Extra Info Links:

Shadeaux Bros. Facebook Page: http://www.facebook.com/ShadeauxBros

Shadeaux Bros. Reverb Nation Page: http://www.reverbnation.com/shadeauxbros

With love and respect to the ArchAndroid.

The purple-skinned trombonist eyes the coin with distrust, then shrugs. He calls off stage in a thick tongue that Quick doesn’t recognize. The dance floor buzzes with excitement as a slender figure steps into view. She is wearing a sharply pressed white shirt with a black string tie, long black tail coat, pinstripe pants and blazing white spats on her shoes. Her skin is dark, and her elaborately coiffed bouffant is darker — but the devilkin spots the cunning rivets and seams along her jawline, and the slight purple glow behind her wide, brown eyes. She is a construct of some sort, but one of greater complexity and craft then Quick has ever encountered before.

She kicks her legs high in the air, and cradles the steel microphone and pulls it to her lips.

Whoaaa
Another day I take your pain away
Some people talk about ya
Like they know all about ya
When you get down they doubt ya
And when you tippin on the scene
Yeah they talkin’ bout it
Cause they can’t tip all on the scene with ya
Talk about it T-t-t-talk bout it
When you get elevated,
They love it or they hate it
You dance up on them haters
Keep getting funky on the scene
While they jumpin’ round ya
They trying to take all your dreams
But you can’t allow it
Cause baby whether you’re high or low
Whether you’re high or low
You gotta tip on the tightrope
T-t-t-tip on the tightrope

The band thumps and jams behind her and the Funky Winkerbean quakes and jives. The devilkin faintly remembers that in the outside world, it’s only an hour or two past breakfast.

The spider bartender waves its free arms in time to the beat, and serves drinks faster and faster. The two half-elves squeal and dash towards the dance floor. The drunken dwarf burps.

Star Prophet II

Cold walk, warm house. My uncle’s third knuckle on the right, potato-sack lumpy and his red voice and the fall of the Roman Empire. The stars were out, but I was in.

Humans do these things. They do these things to each other every day.

My face was bent. I rolled next to the couch and waited, while meteors impacted on the surface of Mars.

The press of headphones, the music and the moon  – I lay with the sheet over my head and lost myself. The rhymes, the words – the quick symmetry of the drum and the strange keen of the electronic flute.

I think about Star Prophet’s planets — about the songs he hears. The whirling slide of space and time, the spaces, empty – now full. Jupiter turns his face, and Saturn hula-hoops across the dance floor. The blood on my pillow is red. The rains of Mercury and Venus, the broken canyons hidden beneath the cotton-wool cloud.

[I’m really not happy with this section. I’m used to bla-bla-blahing my way, spitting out a few hundred words like it was nothing. This sucker’s fighting me. I’m going to keep working on SP in dribs and drabs, then do a massive revision when it’s all done. This is what I get for actually thinking about a story.]

Servants

[An adventure log for Lodestar, my tabletop campaign. All you nerds out there recognize this sort of thing — a recap of the adventure told journal-style, from the perspective of one of the characters. Part of my experiment with putting longer content up here on the blog. This was written fresh today, so I’m sure there’s some pesky typos and such — but let me know what you think about the readability and content.]

19th of Handspan, 1179.

Better do something to keep myself awake — and you’re always saying that I should write more in my journal, so here goes. I really think you just make me write in here to give yourself some humorous reading on the toilet. Or maybe to just give you more opportunity to roll your eyes, and look disappointed?

Almost finished with work on the Crucible — just have to wait on the truesilver to cool. I’ll have those two un-cursed and de-porcupined by dawn, as long as I don’t fall face first on the anvil and start snoring. I mean, that’s weird right? I’ve seen people transformed into strange things before – frogs, statues, a loaf of Piccan cheesebread — but two guys morphed into a two-headed porcupine? You see something new every day, I guess. No stranger than the 200 foot metal colossus outside, fueled by captured souls and dark magics from a forgotten age.

Wait — I’m getting ahead of myself. I know you hate when I do that. Sorry.

So, I’ve been working in Pennytown for a couple of months, working off my debt from that thing in Meraldspire. It’s a quite a  town, I’ve really enjoyed just relaxing – doing simple and clean work at the forge. Horseshoes, gates, a whole batch of nails — ooh, I fixed the copper wiring in a busted clock about a week ago. Yup, just good, clean work and then early to bed for your favorite cleric.

Yesterday, travellers came to town. There were a bunch of them, but one of them is this amazing gunslinger — redhead, loooooong legs and an amazing — wait, I can see your eyes rolling. Sorry.

Anyway, they had gotten cursed and banged up on their way into town, so I patched them up as best I could — but then they were a little hesitant about plunking down the cash for the Crucible. The Master Trader was gouging them — but what were they going to do, just leave their friends as a two-headed porcupine? Drover gave them a deal — me and the two of them that were fit for travel would run an errand for him, then he’d give them a discount. Check in on his brother’s store at a nearby village, his weekly delivery was late. The beautiful gunslinger, Mara and a duelist named Quintus agreed to the deal.

I strapped on the armor you helped me craft, and we headed up the New Road to Hemmerfell.

I’ve been to Hemmerfell a few times, I’m the best healer in the area. I had to deliver a baby there the week after I arrived, and it turned out to be triplets! It’s a dirt-poor mining town, but the people there are good folk — quick with a joke, or a round of ale.

They weren’t joking when we got there. Most of the old folk and children were just standing in the middle of the street, and staring into space.  We called to them, shook them by the shoulders – but they barely reacted, like they were drugged or sleeping. But their eyes were wide open — I looked through the windows of their eyes, and there was no soul inside. They were empty husks, breathing out of habit — less alive than daffodils. It scared me, Nomus. Shook me right to the core — that a soul could be plucked out of a man’s body easier than removing the core from an apple.

Oh, I perfected a new type of apple corer — remind me to show you the next time I see you.

We moved quickly through the streets of Hemmerfell, past more and more of the poor, empty townsfolk. There were signs of a battle, broken weapons, gouges in the earth, and more than a little blood spilled in the dirt. And then we found a dark marvel.

A cube — thirty feet on each side, made from dozens of different metals hammered and wrought. Endlessly intricate, but also strangely organic — it reminded me of the iron sculptures we saw in Bard’s Gate that time, how the dwarves shaped each piece with their hands, allowing their instincts to override geometric design. But this thing wasn’t beautiful — it was terrifying, Master. The way that a cage is terrifying. I whispered a prayer to you, and continued on with my companions.

As we approached the store, we found more and more of the townsfolk clustered around it. I approached the front door, and they swarmed close — uttering almost in unison a guttural “No.” A few faces were familiar, but empty — I pushed through the blank-eyed gauntlet. Clearly what had caused this horrible effect was somewhere inside the store.

Inside we were found the store empty — except for a rusty suit of armor, out of place and quiet. It turned out to be a sort of shield guardian, like that one we made for King Flaubert. I tried to inspect it, but it pushed me away. Some rudeness in the design there. It was powered by some green energy — something I’d never encountered before, it made me feel a little pukey just to be near it.

Just then, Bostwick came down the stairs. He’s sort of a friend, I’ve -drank- talked to him a few times since I’ve moved here — he’s the courier that runs between Hemmerfell and Pennytown.

But something had changed him. He talked about changing the world, about how the people of Hemmerfell were the first step, tools for his master and fuel for his grand device. I knew right away he was talking about the cube. The swordsman, Quintus — oh, I didn’t describe him,  you’d like him Nomus, quick with his blade and quicker with his mind — asked Bostwick some penetrating questions about his purpose and who his master was. I missed some of it, because Mara happened to do that hair-flippy thing that girls do right in the corner of my vision.

What? It was distracting!

To make the world one. He said. The power of life, the control of a living being’s essence.—Vitaemancy.

Something was controlling Bostwick, or had changed him. I couldn’t get him to listen — and he commanded the guardian to attack — it surged to life, moving with the grace and skill of a knight of old. The construct answered to the name of Rülf, and summoned more constructs to face us. These new constructs were clearly much newer than Rülf, formed from adamantine and steel. I recognized the maker’s hand at once — whoever had built the cube had also made these soldier-constructs.

The fight was short and brutal. Quintus’ blades pierced and punctured, shining with a holy fire. Mara’s rifle blazed, cutting through the constructs and decimating the shambling horde of townsfolk that had me…temporarily pinned. I was impressed that she took the care to use non-lethal ammunition against the poor husks.

The swordsman’s final foe was the guardian, Rülf. The construct surrendered with nobility, and Quintus accepted, whispering a few words to the metal knight. Bostwick joined the fray as well, bolts of lightning at his beck and call. He was no wizard, master — I have no explanation for how he could do these things — my mind went slantways trying to put the pieces together. Sadly, Bostwick was felled by a carefully placed shot by the gunslinger — and I only had time to say a quick prayer for his soul.

I don’t know if I’ve ever asked before — how do you gods feel about that? I don’t know who Bostwick worshipped, or even IF he worshipped — but would it anger them to have one of your clerics give a benediction? If you get some grief about it, please let the appropriate deity know that I’m sorry.

We rushed upstairs, and through a shattered window saw that the grand cube had dissappeared — a summoning glyph still smoking in the earth. A gray-haired man smiled knowingly, and vanished before our eyes. Could this be the one who had brought this strange magic – the one that Rülf and Bostwick had called Mancer?

Yup, it was. And we had a serious problem. Mara pulled me away from the window — I  noticed she paints her nails, a lovely shade of purple.

“All of the able-bodied men are gone, this Mancer must be controlling them — the tracks that we found heading out of town, we should follow them now.” she said.

She’s smart, too!

We moved quickly in pursuit — leaving the poor people of Hemmerfell for the moment. As the miles and hours passed, the sun went down. And so did my hopes — the trail lead us back south down the Old Road – right back to Pennytown.

——Whoops! Nodded off for a second, and the truesilver almost spilled. I still say we should use a cauldron with a higher lip. Stop furrowing your brow — I know that your holy specifications are very exact, but you shouldn’t shut out innovation. Look, just consider it — think it over in the shower a few times, that’s all I’m asking.

Pennytown was madness. The simple traders and workers were doing their best to fend off the attacks of the Vitaemancer and his machines. Most horrible of which, the cube had reshaped itselft into a colossus, gleaming with soul-light and crushing everything in its path, while its smaller soldier-brothers savaged the populace. All the while, Mancer watched over all with a look of confidence on his face. While I watched he — I’m not sure you’ll believe me — he pulled the soul right out of one of the warehouse foremen. Green light flowing from the poor man’s body into Mancer’s hands — then reshaped into another soldier — using the material from my forge!

I know you often caution me against impulsive acts — or giving into the whirlwind of anger. I’ve prayed to you about it many times. But when I saw your forge being desecrated, to build a machine of pain and death. Well, I lost it, Master. I brought your power down to protect the people of Pennytown, and I turned my hands to smiting this soul thief.

I was amazed watching Mara and Quintus fight their way to the Gargantuan. (Oh– we found out later that the Mancer called it that.) On the road, the two of them bantered and quibbled like two old matrons at tea — but on the battlefield? Whoa.

Silent and smooth, well-oiled and vicious — never looking to check on the other’s work, each knowing that their companion would be bringing confident obliteration to their foes. I used your blessings to give their feet wings — but they scarcely needed it. My main job was just to keep up, and repair their wounds as quickly as I could.

The Mancer barred our way with an iron wall, and threw his constructs at us — but for the Ghosts their metal was paper.

Quintus tore through the metal soldiers seeking their master. The gunslinger’s rifle stunned the Vitaemancer with a vicious strike to his face, leaving him helpless. Before I barely had time to surmount the wall — Mancer lay dead in the grass. His constructs mounted a feeble defense that was soon quelled, and the Gargantuan stood still as a stone.

Now, this part is embarrassing. The giant thing was still brimful of hundreds of people’s soul energy — and — well, it started to TICK. So, doing the sensible thing ….we ran through the streets screaming “GET OUT, GET OUT, IT’S GONNA BLOW!!!!!”

An hour or so later, surrounded by the grateful (but hungry and grumpy) populace of Pennytown, we decided that perhaps we had overreacted. We made our way gingerly back to the collosus’ side, and soon discovered a hatch in the things right foot. Up a spiral staircase surrounded by gears and pistons, every surface lit by bizarre cylinders burning with the green fire of souls. Any admiration I could feel for the craft displayed was throttled by my total revulsion for the purpose of this device. A cage for souls! Could there be anything more horrible?

At the top of the stairs we found a control room of sorts — but the technology, and even language used was far beyond my experience or comprehension. Clearly this room controlled the Gargantuan, but we were at a loss to understand the smallest part of its operation. The best we could do was find the source of the ticking — a display showing characters in an unknown language, that seems to be counting down. I did some estimation, and I’m fairly sure that the countdown will end in four or five days. Whether the thing will explode then, or release all of the souls inside – I have no idea. I pray to you that once the soul energy is released, it will naturally find its way back to the proper vessel – the people of Hemmerfell, and the few townsfolk here that were afflicted.

I won’t lie — I’m afraid, Master. That a man’s soul can be ripped from under his heart, and forced to serve in a cage of magic and steel. I didn’t know such things were possible — did you?

Okay — I guess that’s about it. The truesilver is sufficiently purified, and I can finish what I need to complete my work. To complete your work, that is. I’ll write more later if I get a chance — you were right (you usually are), it did help to lay everything out, like tools on the bench before you set to the anvil. I know you can read these words even as a write them, so I would be most grateful for any guidance you could send — I’ll check the mail on the next STC ship that stops, it should be here in a couple of days.

Blessed Nomus, thank you for bringing me through these trials — I pray that I will continue to be a worthy tool in Your hands — the better to build and the better to learn more of your Infinite Order. Please forgive the imperfections in my mettle, as I continue to purify in the crucible of your forge.

And as always I pray, that the days will be short before I am at your side again. Ooh — next time, I learned this fabulous bread recipe from — someone — it’ll go great with the mutton and beer.
Kelvin Mason
Servant of Nomus