ABNA PONR

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[Amazon Breakthrough Novel Award Point of No Return]

Tweaked my pitch a little more, the window for entries ends tomorrow. After that just two-ish weeks of nailbiting to find out whether I made the cut.

I am at peace with my place in the cosmos.

Spell/Sword Cover Art Revealed!

Artist - Mike Groves/poopbird
Artist – Mike Groves/poopbird

And there it is. The cover art for my book.

This is real. IT’S REAL.

Let me let me tell you why I love this art.

1. It’s fun. Looking at it just makes me smile. It’s unapologetically goofy and cartoony. Most fantasy art takes itself so freaking seriously.

2. It’s different. This doesn’t look like 98% of the fantasy novel illustrations I’ve ever seen before. Not on the shelves at Barnes & Noble, not on Amazon.com or anywhere else.

3. It’s clean. All of the negative space just pleases me aesthetically. A traditionally published novel would want to cram more information and more verbiage on there. I’ll probably have my name on their, somewhere very small, but that’s it. I also think it’ll really stand out when seen online as a tiny thumbnail on someone’s Kindle.

4. It makes me think of Chrono Trigger. My book sits very comfortably in the mental space occupied by Dungeons & Dragons, JRPGs, and manga. I adore that this would not look terribly out of place on the cover of any of those three.

5. It will make people vaguely embarrassed to be seen reading it. Not so much with the Kindle version, but people who have the paper copy. Anyone reading this will be broadcasting to the world that they are a Huge Nerd.

Huge props to Poopbird on the illustration, you should follow the link from here or the image itself and check out his entire portfolio and buy stuff from him.

I hope this gets you marginally excited about reading the book. I know it gets me far more than marginally excited about finishing it.

Bubbling Brew of Malaise

Grump grump grump.

I have entered into a period of vague dissatisfaction.

There are many exciting things on the horizon for Spell/Sword: final edits are almost done, designer is lined up for my cover, cover illustration is complete, entered into the Amazon Breakthrough Novel contest, should be ready to self-publish in February or March.

I’m very excited about these things. Every time I look at the cover art, my body begins to emit a

Artist - Rachelm
Artist – Rachelm

pearlescent light and strains of violin music can be heard by passersby.

But, you know, meh.

Nerd Concerns are also going well. I’m running two tabletop campaigns. Titan’s Wake, in Pathfinder, and Ocean of Not, in Legend of the Five Rings. Got a shiny new 3DS for Christmas from my beloved and have been playing with it more than I should. Beat the sublime Virtue’s Last Reward and am currently scratching the nostalgia itch with Legend of Zelda:OoT.

But still — grumble.

I even have ample TV fodder at the moment. Twin Peaks for my brain, and Bones for my stomach. We have a new dog that we’re fostering/becoming permanently attached to. My beloved is wonderful if over-busy.

Lately, I’ve been feeling the old, familiar desire to escape — to slip out of this reality for a while. An MMO would fit the bill nicely, but all of my computers are old clunkers that can’t handle it. Actually playing some tabletop would be nice as well, but I’m kind of booked with DM duties.

I guess it boils down to this: I just feel too damn ‘adult’ of late.

I’m ready for the book to be done and people to shower me with riches, so I can sit quietly in my apartment and play video games and work on the sequel. Buy a big house with a yard for the dogs, with a gigantic craft room for my beloved, and plenty of hammock space for all the burlesques. A swank kitchen for the Yellow Devil/Ladle to play in and a ton of guest rooms, so my family can come and stay whenever they want.

 

 

I did it.

I’ve entered Spell/Sword into the Amazon Breakthrough Novel Award Contest and Breakfast Buffet.

Fortunately, I still have right at a week to tweak my pitch, and fuss with the various parts of the entry forms. But I have officially entered, so I’ve got a slot, and I’ve got a chance.

If nothing else, the massive amount of editing I’ve done this week are suitable prize enough.

But I would not mind the $50,000 grand prize.

Or that plate of yum pictured above.

It’ll be nearly a month before I know if I even made it through the first round. So keep your fingers crossed for at least 5 weeks.

Deadline Magic

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Running against the clock always galvanizes me. Just the idea that the entry window for the Amazon contest might close before I get done editing, is pushing me to untold heights of GONZO EDITING.

“Oh, I really like this section. Too bad it’s boring.” CUT.

“You know, my Beta Readers were right, this chapter has all the exposition and it’s buried 50 pages in.” CHAPTER MOVE.

“Why’s Jonas so freaking emo in Chapter One?” INSERT JOKES.

“Huh, I never did really explain why Cotton hates wild mages so much.” BACKSTORY INFUSION ACTIVATE.

“Hmm, these two chapters are kinda thin now that they’ve been trimmed.” CHAPTER FUSION DANCE.

It’s liberating, at the very least. Only a couple more days of anxiety about it, before I have to bite the bullet and send my entry to Amazon. All of these changes needed to happen, nothing like a little bit of panic to spur me to make them.

Blech. This is why I like theatre. There’s a built in deadline:Opening Night. You can work and agonize on a novel FOR ALL OF TIME.

Spell/Sword in 300 Words or Less

[ I’m entering into the Amazon Breakthrough Novel Award, for my chance at fortune and glory. I’m frantically making some reckless edits to the manuscript and getting it ready to upload, but the hardest part has been the 300 word Pitch that I have to include.  I gave up trying to write a respectable pitch a few hours ago, what do you think of this one? Comments and suggestions are very much solicited, but on the hustle people! I’ve got to get this thing submitted before the entry window closes. Would you want to read this book if you read the description below on Amazon.com?]

Two lonely kids learn that they can be friends. That they are better together than apart. Isn’t that what all great tales are really about?

Oh, you need some sizzle do you?

There are wizards in this book. And a witch. And swords. And a minotaur, and frogs on roller skates, and bad dwarven singing. And a dinosaur. And a girl and a boy. Loss and death and sorrow and joy. A couple of kick-ass fight scenes and some witty banter.

What, you need more than that? That’s all fourteen-year-old-me would have needed.spellsword

An airship explodes. A giant robot disrupts the sale of a garish urn. The concept of a box social is thoroughly interrogated.

The Magic Wild burns and the White Sword bites and the Gray Witch laughs.

An assassin. A seer. A knight. A squire. A coward. A girl with the power of sun and winter and death held lightly in her hands.

An improbable mailbox. Poor dental hygiene. Hangovers.

And friendship. That’s what it’s really about.

Rime is the girl, a wild mage. She can bend the very fabric of reality, but at a cost – a cost to her health and her sanity. Her power is unstoppable but it leaves her empty, weak, and often unconscious.  Jonas is the boy, a squire on the run – running away from the shadow of murder. They travel together to find the one person that can save Rime from the wild magic, from the inexorable madness and death that comes to those who are born to ignore the rules of the universe. The Gray Witch of the Wheelbrake Marsh, a creature out of a fairy tale.

The anti-epic fantasy, the nascent genre of Swordpunk: Fantasy Action A La Carte. Earnestly written in the shadow of Lieber and Moorcock.

[It’s actually only 299 words, so if you see where I can squeeze in one more, I’d love to hear it.]

Moving Chapters

Moving chapters all at once is TERRIFYING. 

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Catbus laughs at your Editing Anxiety.

Just that moment when you’ve cut one chapter, and it’s hanging in word processing limbo before you paste it into its new location — WHAT IF. What if someone bumps your hand and it vanishes forever?

Coupled with the terror of change — the TERROR OF CHANGING THINGS.

No wonder writers drink.

Ramble Roses

Editing on Spell/Sword continues this week. I’ve stalled long enough, picking at the edges, making the easy fixes. Time to get in there — not with the fire and sword — but with the spade and the watering can. I will be cutting a few sections – mainly when I combine two chapters into one.  I come to raise Caesar, not to bury him. Time to make the good stuff — GOODER.

Most of my problems are with the first eight chapters. The story doesn’t really settle into a groove,

Artist Unknown
Artist Unknown

and “become good” until a third of the way through the book.  That’s, you know, kind of a problem.

The first chapters aren’t bad, per se. Just a little unfocused. I need to clarify the positive, and beat back the connective tissue. It had to be there to get me far enough into the book to know what it was about, but now it disgusts me. DISGUST.

Now that I’m getting closer to actually publishing the thing, I find myself worrying about the classical forms. Stupid, I know, for a book that heavily features wyverns. All of the great tales are a circle, the heroes return to the beginning with the Elixir and the world is made anew.  The full arc of Spell/Sword is a tragedy of course, but this first episode is tangentially heroic. Or faux-heroic?

Ha, do I even know anymore?

It’s a story about two people, two kids. Two people that are doing pretty shit-tastically on their own. They meet, become friends, and learn that together they can incrementally reduce their level of life pooch-screwing.

In classical terms: No Big Whoop.

Two characters, incomplete.  Then two characters, complete.

With no romance.  Moirails, to use the excellent term that Homestuck provided.

Blah, blah — time to get to it.

Instead of Writing

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I made this! Deal with it. I dream of the day when readers anxiously wait for my next book, they check my blog, nut in GRRM NFL-fixation style I only post the current model I’m building. “Damn, Book Six is taking forever! But that Zaku is kind of sweet…”

Seven Cups of Tea

The small inn at the base of Mt. Kyojin is known for three things.

The first is for the excellent saki that the owner, Erojin, brews in thick, oak casks passed down for nine generations in his family. This first thing is known because Erojin repeats this often to all of his guests.

The second is that it is the final inn on the Imperial Road that leads to Kori Horudo, ancestral keep of the Matsu family. This second thing is known because travelers that pass it by on their way to the keep face several hours of cold, dangerous climbing up the rough hewn passes that protect it, covered in snow except for the deepest part of summer.

The third is that the spring water found in a nearby cleft of rock is unparalleled for the making of tea. This third thing is known only by true students and masters of the tea ceremony. Erojin’s grandfather built a special structure around the spring, and took great care in preparing a perfect setup for the brewing and preparation of tea. The water flows hot from the spring in the central pool, a stone table encircles it like a ring – and cunning hooks hang at even intervals, allowing kettles to be hung.

It is said that a cup of tea prepared at this spring is a kiss from the Fortunes themselves — and not to be missed if a Tea Master is available and willing to perform a ceremony.

So it was, when six travelers on their way to Kori Horudo ate their quiet meals in the common room of the inn. When a seventh traveler invited them all to join her in a cup of tea, none could bring themselves to reject so polite and fortunate an invitation.

The hot water of rushed into the dark green kettle, and the quick hands of the seventh traveler pulled it free of the spring never minding the heat. She moved her hands in calm patterns, adding a pinch of powder, a fall of leaves – her hands and eyes focused and sure, a dance. The six guests felt their souls fill with peace as they watched the serene preparation of the tea.

At last the dance was done, and the seventh traveler placed the lid on the kettle with a quiet clink. Then she looked up at the six samurai and smiled. Her face was plain, with a sharp chin — but the easy warmth of her smile was beauty enough. Her kimono was of good material, but showed signs of much wear and travel. On her right breast was carefully stitched the mon of the Fox Clan.

“And now the waiting. For even we must bear the quiet wind of Time, and fill the interval between the leaves and the tea. Hot water will do its work, no doubt.”She bowed her head respectfully to the others. ” Please forgive me, in my haste to begin the preparation of the tea, I have neglected to introduce myself. I am Kitsune Miho, a scholar. Would you honor me with your own names as we wait for the tea to become tea — and perhaps tell us a little of what has brought you to the little corner of the world?”