Buddy Holly

Reading about “fair use” and copyright law is depressing.

I completely understand the concern – as someone who wants people to give me money for my intellectual

"That'll be the day -- waoo-hoo...."

property at some point — but it’s so clutching, and grasping — little fences hammered in everywhere, and zealous wardens sharpening their blades.

And it means I can’t have Buddy Holly lyrics in my fantasy novel.

Which is a deep, abiding tragedy.

 

Empathic

GAH. Having quite a time working on my “emotional” piece. Normally, I’m just looking for the quickest route to a cool image, or ninja fight scene.

I don’t trust emotions in my real life — wrangling them into my writing is proving to be a hurdle.

I’ll keep working on it, and should have the next chunk up later today.

Emotions are hard.

Catbus dislikes your prose.

My beloved gave me some constructive criticism on my writing recently, and of course I handled it maturely.

Which is to say, I was dismissive, hurt -and jerked my knee REAL HARD. Rejecting what she said out of hand, and refusing to accept any remote validity to her statement.

Fifteen minutes later I realized she had a point.

Then I pouted for a day or so.

Then the crying.

And now that I’ve processed, I’m ready to obliquely admit that she had a point, a small point.

[Read: She was completely right.]

Her criticism was:

Since you write in third person exclusively, you have a tendency to not show character’s emotions. I understand that you’re trying to “show, not tell” — but I’d like to get more inside the character’s heads, and get a sense of their emotions. [Heavily paraphrased, she’s the one with the eidetic memory.]

I read back through a few pieces, and I can totally agree with this assessment. And while I’m always going to err on the side of allowing my audience to make their own conclusions about characters — I feel this is a tool I need to be able to master, because it can be extremely effective.

So, my question is: How do I do this, without my stuff sounding like a Harlequin romance?

I can’t just write “The mage was sad. Her sadness was strong, and full of more sadness.”

Can I?

Opinions, suggestions, and examples if you got ’em!

Worldbuilders: Auctions for Professional Critiques

One of my nerd-crushes, Pat Rothfuss, runs an excellent charity every year –raising money for Heifer International. Here’s the homepage for the Worldbuilders charity itself.

As I’m sure you all know, Pat wrote Name of the Wind and smells like cinnamon rolls at all times. He does a lot of work collecting donations from lots of published authors, and putting them up for lottery and auction via his blog — SHOW OFF.

However, one of the tastiest set of auctions every year is a brace of actual, honest-to-goodness professional critiques. All of the reviewers [including Pat himself] are industry legit – and I know there are probably several people here on WP who would be interested, and could benefit from an opportunity like this.

Remember, it’s all for charity — and if I had some scratch and a metric ton of more confidence in my unfinished manuscript of That Thing, I’d be jumping in on this hardcore.

Here’s the link: Auctions for Professional Critique.

 

Rough Writing Day

I see you, blank page.

Getting cocky — acting like you’re all that. AND A BAG OF CHIPS.

Well, guess what?

I’m about to soldier on – I’m going to write anyway.

I’m going to fill you with TERRIBLE PROSE.

Yeah, deal with that.

I might even put in some CLOUD DESCRIPTIONS and ADVERBS.

I’m crazy like that.

 

Setting Goals

VOLTRON?!?!?

I’ve set myself a writing schedule for the new year, where I need to complete five pages of my first draft each week. That may not seem super-ambitious, but I write when I have free moments at work, or a spare hour I can snatch at random. My live is not conducive to a set writing time each day — so five pages a week is a good stable amount that I can keep up. Just enough pressure to keep me working, but not so steep that I feel overwhelmed.

It’s been going well, honestly — I’ve stayed a couple of pages ahead, and haven’t had any difficulty staying on track. For example, this week my goal is 65 pages — and I’m sitting on 63 already. Next week the goal is 70 pages, the week after that 75.

My question is this: Should I stick to my writing schedule as-is, OR simply add five to whatever my page total is at the end of each week? So, if I finish this week at 67 pages, the next week’s goal is 72 pages.

What do you think? What works best for you?

Third Person Perspective Omega Gold – Championship Edition

In working on the rough draft of That Thing, I’m realizing more and more that I’m using the Third Person-Omniscient Perspective extensively AND I’m switching between two characters. I’m only doing it at natural breaks in the action, but I realize I’m quickly treading into the realm of FORBIDDEN FICTION.

I’m not going to stress out about it too much at the moment — if I hate it/think it’s confusing, I’ll restructure when I edit.

But — BUT. Anyone got some input on whether I’m freaking out about nothing, or if I should take this more seriously?

Get your grammar straight, son.