Deadline Magic

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Running against the clock always galvanizes me. Just the idea that the entry window for the Amazon contest might close before I get done editing, is pushing me to untold heights of GONZO EDITING.

“Oh, I really like this section. Too bad it’s boring.” CUT.

“You know, my Beta Readers were right, this chapter has all the exposition and it’s buried 50 pages in.” CHAPTER MOVE.

“Why’s Jonas so freaking emo in Chapter One?” INSERT JOKES.

“Huh, I never did really explain why Cotton hates wild mages so much.” BACKSTORY INFUSION ACTIVATE.

“Hmm, these two chapters are kinda thin now that they’ve been trimmed.” CHAPTER FUSION DANCE.

It’s liberating, at the very least. Only a couple more days of anxiety about it, before I have to bite the bullet and send my entry to Amazon. All of these changes needed to happen, nothing like a little bit of panic to spur me to make them.

Blech. This is why I like theatre. There’s a built in deadline:Opening Night. You can work and agonize on a novel FOR ALL OF TIME.

Moving Chapters

Moving chapters all at once is TERRIFYING. 

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Catbus laughs at your Editing Anxiety.

Just that moment when you’ve cut one chapter, and it’s hanging in word processing limbo before you paste it into its new location — WHAT IF. What if someone bumps your hand and it vanishes forever?

Coupled with the terror of change — the TERROR OF CHANGING THINGS.

No wonder writers drink.

Part Two?

Hmmm…I was planning on continuing the ‘Three Falcons’ bit I was working on — but I honestly kind giant20bunny20hugof like how it hangs right now.

This piece is background/world information for my new tabletop campaign and I think it serves the purpose well enough. Introducing some flavor of the world, a tragedy and a bit of a mystery. Too much more and I’ll start giving things away to my players — and we don’t want that do we?

In other news:

Come see my play!

I’m about a week away from beginning final edits in earnest on Spell/Sword.

I wrote an awesome song today for this year’s Shadeaux Bros. Christmas album.

Book of Teon IV

Andy Kehoe

The sun moved above me, I saw the three strange moons again and again.  Days passed, and I was alone.

Blood drained out of my heart and I waited for the end. A bud formed on the root piercing my chest, it opened slowly, its petals a deep blue.

And then he came to me. Jalyx was his name. So strange, as my name echoes throughout the pages of history, that no one remembers his name, his beautiful name. Much later he told me that his name meant something ridiculous, an odd waterfowl with bright red plumage.  I was appalled and insisted that we give his name a new meaning — like moonlight, or the smell of autumn leaves. He laughed and said his name could mean anything I wished.

Anything I wished. Such power so casually tossed at my feet.

I wander again.

He moved cautiously into my little glade, morning sunlight behind him.  His skin was dark, long green hair threaded through beads of bone and glass. A native, his eyes wide with wonder and horror. Finding me dying, impaled on the root of the black tree. I cried out in surprise and relief, alien words to his ears.

But Jalyx was not afraid. He stepped into the glade, and looked me over with severe caution. He gripped my shoulders and pulled me off the root in one quick motion.

Relief mixed with fresh pain, I cried out. He picked me up and carried me out of the glade.

My last view of the dark tree was of the blood stained earth around an empty spike. The blue flower was gone, disappeared somewhere inside my chest.

It is important to say – the tree had no flowers. Not before, nor after. The malevolent blue flower bloomed from a seed that I brought with me, all the way from Home.

Comment bait.

How are we feeling about this Book of Teon thing I’m working on? I’m kind of digging it, even its blatant David Eddings-ish world backstory all up in your face sort of way.

Thoughts? Criticisms?

[Code for: Does anyone read my blog? 😛 ]

Beta Draft

It’s out there, in the wild. I have a few copies to print this weekend and distribute — but a few of my readers wanted digital versions, so I couldn’t come up with a significant excuse to not just send it over via the intarwarbs.

I’m hoping I can distract myself with my current theatrical project, then respond fresh-mind to the criticisms that come back in a month or two.

ImageBut. But anxiety.