Knight of the Scroll IV

Gustave Doré
Plate XX – “Lancelot Approaching the Castle of Astolat,” circa 1867-69

Write only what you know. You are in danger, Scholar Dryden.

My name is Emory Dryden.

I sit in my study in the East Tower. I am left-handed, and have to hold the quill carefully to avoid getting ink on my palm. The fire has died to embers. There is a brown plate to my right with a stale piece of bread on it.

It is two hours before dawn, by my estimation.

I can remember my training, and my years of service in the Legion.  The Iron Legion of Gilead. The surplice that I wear is a faded green, the color of my order. The Knights of the Scroll. Those that rise above the rank and file of the Legion join one of four chivalric orders. The Scroll, the Bow, the Sword, the Wand.  The Scroll is the order tasked with military intelligence — espionage and research.

I am studying a recording. A recording recovered frm aaaa

I am sitting at my table, in the center of my chamber. The fire has died to embers. The brown plate, the stale bread.

My name is Emory Dryden.  I am a Knight of the Scroll.

My mind is my weapon. I will not surrender.

There is something inside me. The plate is brown. I must remain calm. The bread is stale. I must keep writing. I am sitting at my table. Understand and defeat this enemy. The fire has died to embers.

The words. The words of Teon. They have infected my mind. Somehow, I don’t knowwwwwww. The plate is brown and my surplice is green and the bread is stale and the fire has died to embers. Is this what he meant? It isn’t over. The plate, the green, the stale fire has died. Is this the Dark ooooooo—- the green plate fire has died of stale, the fire green plate has stalled and died, I am Emory Dryden I am Emory Dryden and I am a Knight of the Scroll -fire plate stale green brown died embers, embers the embers, the embers the EMBERS I must fire stale bread, stale bread must fire embers burn, embers burn, embers burn, embers burn——-the plate the bread me the tower the embers the knight the night the hand the left the right the stale the end the fall the flwr–

it isn’t over

 

Knight of the Scroll III

Inconsistencies: There are several portions of the recording that do not seem to bear up to scrutiny. Without further knowledge of the events surrounding Teon’s death, I am unable to know whether to attribute these inconsistencies to his delirium, or to perhaps some sort of metaphorical meaning.

At the beginning of the narration, Teon insists that he brought the darkness with him from the Precursor’s Home. He seems to be drawing some sort of


Library by daRoz

connection between this darkness and the ‘evil’ in his left hand.  This evil seems to be the influence that lead him to creating the Machine, and the ultimate destruction of his civilization.

But then he speaks of the tree.  And my credulity is overtaxed.

I can stomach the idea that somehow he survived a fall from several miles height in the atmosphere, the physical might of the Arkanic’s is referenced in several bits of lore from that period. But, the idea that a root of a tree maliciously grew into a spike in the exact place where he would land is absurd. Even if we accept the thesis that somehow the tree has sentience enough to  do so, and the foresight to prepare this trap in advance — that Teon’s falling body could somehow manage to fall exactly onto that spot is simply unbelievable. The odds against it are astronomical.

Once again, I must return to the speaker’s state of mind. He was a man at the end of his life, in a great deal of pain — remembering another moment of incalculable trauma.

But, accepting Teon’s story at face value for the moment — I am still left with several broken chains of reasoning. He claims that he brought evil with him — and the root’s placement through the left side of his chest is not lost on me — but somehow the tree germinated that seed of evil into a blue flower. When Teon is saved by Jalyx, he takes pains to mention that the flower ‘disappeared somewhere in my chest.’

So, the tree was evil, and Teon brought evil, and the flower was evil and the flower was evil and the flower was evil and the flower was evil and the flower was evil and the flower was evil and the flower was evil, but somehow it took hold of him, leading to the evil in his left hand — and the downfall of his race?

So much is unclear, if only he could have spoken more plainly — or if I had the wit to decipher his warning.

Ah, but I must remember to keep a proper skeptical outlook — as much as I feel empathy for this being’s plight, I am sadly making my way to the conclusion that he was mad when he recorded these words.

Summation:

Dozed off for a moment, only a bare hour or two before dawn. Must forge ahead.

I find his description here most chilling.

“That was the curse, the horror of it all. I can see it now. The shining cities, the bridges of purest white, the towers of glass rose again — but everything we built, everything I built had in it a flaw. A shadow. Twisted lines carefully placed by my left hand.  Note by note we sang, but each verse hid a darker chord.”

How horrible. To find every work of your hand turned to your downfall. And for the present time, where Arkanic relics are of supreme value this is a most unsettling thought. Many of our cities are built on or near Arkanic ruins — and much of our mechanical lore is developed from recovered technology. Crudely, all admit. We do not have the spark of genius and mastery that they did — but every year we grow more clever in our copies and begin to make our own innovations.

If what Teon said was true – if everything the Precursors built had a flaw, a ‘shadow’- then we may be marching our way down a path lined with bones.

I find myself at a loss. What can I possibly report to my superiors? I can conclude nothing from this recording, but it suggests so much — so much that my soul tells me is of vast import. We discovered this recording as part of a different investigation. Reports of a manor in the hills south of Carroway, a place of horror. The local populace filled my agents’ ears with tales of demonic forces, lost children, sickness and death. Could there be a connection between the mnr—-

My quill stutters as I write. I know I just had a thought, but I can feel its absence in my mind. What is happening?

I scan my eyes along the words I have written, but I skip over the previous paragraph. At first absently, then with a growing feeling of dread. Something is keeping me from reading what I wrte–

No. Calm yourself, Dryden. You are a Knight of the Scroll – your mind is your blade. Kept sharp and keen in service of the Legion. I know not what I have stumbled on, but I MUst remain calm. I am the master of my own will. I am the master of my mind.

Begin again.
[To be continued]

Knight of the Scroll II

Impressions of the Speaker: The Arkanic language is an oddity. Rhythmic and focused, but with a strange undercurrent – as if the speaker is humming a harmony to every word. When written, the complexity of the symbology and mathematics at work are staggering — but when spoken, it seems to hover on the edge of sensibility. As mentioned earlier, a simple Translation Enchantment is sufficient to make the words understandable– but I find myself listening again and again to Teon’s words in their original form.

Greg Guillemin

The words are alien, but I find myself deeply affected by them. Teon is clearly in great pain, but there remains a quiet beauty to his speech. I compare it in my thoughts to an oboe, old and showing the impression of many careful stains in the wood. The moments where his reverie lingers on his lost companion Jalyx, his tone lightens before dipping again into the morose chords of his tale.

The beginning  and the end of the recording, his words show clear signs of hysteria. His words crowd together, speaking too fast. Towards the end of his tale, his words grow further and further apart — until he falls silent for several minutes. When he speaks again, it is with great terror and desperation, referring to the removal [?] of his left hand. I have listened carefully to the silent minutes several times, but can detect no sounds other than a low sigh, which I presume to be Teon’s labored breathing. In the dark hours of the night, I half convince myself that I can hear a slight scratching sound on the recording — but my daylight ears can detect no such noise. I attribute this to a simple trick of my distracted imagination.

But taken all together, his words leave a clear impression. A learned, gentle man caught at the darkest of moments. I would not presume an unwelcome familiarity to such an august personage, but I must add: I like Teon. I sadly believe that much of the recording is a result of his delusions, or the pain of his mortal wound — but I still find his plight deeply affecting. It would not be wrong to say I grieve for his passing. Strange, I admit. This recording seems to come from the end of the Arkanic Civilization, which our scholars place around -1564 VA. This means that Teon has been dead for 2,729 years. But I am [perhaps?] the first to hear his valediction.

I mourn him, as if he had passed days ago. I will not mention this in my formal report, it is not germane or pertinent.

Origin of the Precursors:  It seems clear from Teon’s words that the Arkanic race came from not only another planet, but perhaps an entirely different dimension. This flies in the face of much of current scholarly hypotheses. Also, the brief mentions of their sound-based technology is fascinating.  I am not a specialist in that field, but I hope that these brief allusions will be illuminating to my colleagues.

I am uncertain about his description of how our world ‘pulled’ his ship into its orbit. Perhaps this is the memory of a child in danger and stress — being recollected by a dying man. I was startled to hear him use the name of our planet, Aufero, with practiced ease. I have never studied the origin of our world’s nomenclature, but I shall make it a point of study when time presents — but how remarkable that the planet has carried its name for nearly 3000 years.

Artist Unknown

The End of the Precursor Civilization: Here, Teon is maddeningly vague. Clearly it was a subject of great distress, but I wish he could have been more specific.  What is this Machine that he refers to, exactly? It is clear that it was constructed as some sort of implement of war to battle the ‘Dark One’ that destroyed their home world — but what was it? If it was as potent as described, how can no signs of it remain? Something created by the Precursors’ own hands, that brought down their entire civilization — surely some relic must have endured for our study.

Side note. Teon refers to the ‘Dark One’ several times, but is strangely inconsistent about his usage. Initially it seems to refer to a Death-figure, similar to the depiction in many of our current cultures. But then he attributes the destruction of his home world to this being’s forces. Regardless, this Dark One seems to be a major figure in the culture/religion of the Arkanic people — I must cross reference this with the iconography of the murals found in the Gryphon Ruins near Quorum. So much study, so many new avenues opened by this simple recording!

Inconsistencies: There are several portions of the recording that do not seem to bear up to scrutiny…

[to be continued]

Knight of the Scroll I

Research Journal – Emory Dryden – Knight of the Scroll

The City of Corinth. Gilead. 9th of Arrowspan, 1165 VA

I find a growing sense of unease as I work with this strange recording. The elaborate sequence of investigation, research, espionage and skulduggery required to obtain it lend themselves to a certain expectation of menace and import.  I should be above such ‘dramatization’ of the facts at my advanced age, but I must admit — this case has all the trappings of boiler-plate pulp. Two of my best agents perished while retrieving the object, and the third suffers from a wasting disease – sallow of skin, and characterized by an almost constant discharge of dark purple mucus.  He was delirious when we recovered him, and was unable to give any coherent report of his activities investigating that abandoned manor.

Clutched in his hands, however, was a stone box. Small, not much larger than a travel valise — it was immediately obvious that is was of Arkanic fabrication. The Precursor civilization had some ability to create objects of passing durability and strength with the consistency of stone, but the the weight of birch. And inside the case, a marvel. The marvel that has consumed my studies for the past several days.

I recognized it immediately. A multi-faceted green gem, enclosed in a half-moon of white stone. An Arkanic recording crystal! My excitement blazed, and my hands shook as I took it out of the case. The written language of the Precursors is incredibly difficult to decipher, months can be required for scholars to translate even a small passage – but a recording of their spoken language can be made plain with a simple enchantment. These ‘sound crystals’ are incredibly rare, finding one justified the loss of my agents.

I set to work immediately. The enchantment worked as expected, and I soon found myself listening to the words of a Precursor, dead for thousands of years. I copied the words onto parchment, my hand flying to catch every word. I paid little attention to the narrative, simply copying each word as quickly and carefully as I could to ensure accuracy. A scholar must exercise restraint in all of his processes. I listened to the recording five times, checking that every word was correct. The recording is sadly brief, but it did allow me to be absolutely certain that I had completed the task correctly. Only then did I allow myself to read the words.

Teon? Teon the First-Singer? The Lightkeeper? Did I dare believe it? That these words were spoken by the leader of the entire Precursor civilization; it beggared credibility. I spent the next three days

The Last Rites
Dariusz Zawadzki

performing every test I could devise to determine the authenticity of the case and its contents. In every examination there is a potential for error, but I do not believe I made any. The sound crystal was legitimate.

Which brings me to the present moment. And my unease.

The dying words of Teon. They tell us so much, so many small glimpses into the world of long ago — and final confirmation of the Arkanic society’s origin! But that is not what concerns me, it is when he speaks of the death of his people, the end of the Precursors.

And what is his fixation on his left hand? I can only assume that Teon was delirious, or had some sort of psychological malady.

It is dusk. I am due to turn in my report on this matter to Legion Command tomorrow, they will not be put off any longer. I have kept them at bay with my reputation, keeping all knowledge of this recording to myself. But tomorrow I must share my findings — and the feeling of dismay creeps up ever stronger in my soul.

What have I found here? Why do the words fill me with such dread? When I sleep they hang in the air around me, like a cage of ink.

Begin again, Scholar Dryden. Piece by piece. Assume nothing.

I will use this journal to codify my hypotheses, and sort through my ruminations. Calm and plain, for my eyes only — then at dawn I will take my conclusions, and present them in my report.

Begin again.

 

Impressions of the Speaker: The Arkanic language is a strange…..

[To be continued.]

 

 

Book of Teon V

My left arm is moving. Every time I blink, it inches forward. I do not have the strength to kill this evil.

I must speak faster.

Days passed, and weeks. I slept and ate and healed and learned to speak the strange tongue of Jalyx

Confession Tower by Piotr Gadja

and his people. He was my savior, my first friend on Aufero – and I swore that his kindness would be repaid tenfold.

My left hand…it moves.

So much that happened, so many years. Must speak faster. We found the survivors of the crash and the wreckage. Both my parents were dead. I found myself made Captain of a shattered craft.

Must speak faster.

With time and skill we repaired the music hall in our ship, and called the fleet to the planet. We faced many dangers and complications, but I was determined to make Jalyx’s home a paradise — a place where we could share our knowledge with any who desired it. I should have guarded our knowledge more carefully, there were many who sought to abuse it. But the years were golden, and the songs we sang knew nothing of doubt.

Inside me the flower of evil slowly bloomed.

That was the curse, the horror of it all. I can see it now. The shining cities, the bridges of purest white, the towers of glass rose again — but everything we built, everything I built had in it a flaw. A shadow. Twisted lines carefully placed by my left hand.  Note by note we sang, but each verse hid a darker chord.

And then my greatest achievement. The Machine. My left hand’s glory.

As I grew in power and fame, my people began to look to me for wisdom. In their grief the Lost could find no satisfaction in the things we built here, nor in the friends we gained. I tried to show them the wonder of our new home, but they would not listen. Their hearts grew hollow and sere — and they begged me. My own people begged me. ‘Oh, Teon – First Singer! Use your skill to take us back Home.”

‘But I cannot. The Dark One waits there, covering an entire galaxy with his malice.’

‘Then build us a weapon. A weapon of Light that can strike him down!’

I knew it was folly, but my hand itched to build it. A colossus, a pure warrior of light.  I could not see…

——

I fell asleep. How long have I been asleep? My hand.

No. No. It is gone. My left hand is gone.

The blue flower blooms.

It isn’t over.

I’m sorry. I’m so sorry.

Jalyx, I’m sorry.

 

Book of Teon III

Did my left hand just move? Did my eyes shut a little too long?

I must stay awake. Awake until the end.

I fell. Through the skies of the blue planet, my body tumbling and burning with heat.

The Lost are stronger than we appear. It was always a wonder to the creatures of Aufero that such frail, golden-skin things as we could hide such might. I fell through the atmosphere, clouds fleeing from my descent.

I was young then and I was afraid. I cried out for my father to save me, for my mother to save me. But the clouds gave way to empty air and I rushed faster and faster towards the earth below.

A saw an ocean, larger than any from Home. A desert, a range of mountains, then finally a dark forest.

I spun in the air, my eyes toward the skies – hoping to catch a glimpse of the silver ship. Nothing.

The Lament of the Heartless by HFFK

The forest wrapped itself around me, and there was pain. Pain like I had never known.

Did my left hand just move? Or is it just a memory?

I do not know how long I abandoned the seat of my mind to the God of Pain. Hours, days, the lifetime of a stone. But at last I crawled back to sanity and looked out of my own eyes again.

I wished then I had not.  To return to the abyss and drift away.  Better if I had. Perhaps, some part of me would like to still say — but I look at my left hand and I know. It would have been better if I had died then.

My body lay at the base of a vast tree.  The bark was black and the leaves were gray, edged with blue ash. And through my left side pushed a great root, right through my heart.

In horror I pulled away the cloth from the stinking bloody thing. It was gnarled and vicious, ending in a sharp point. In my pain I glimpsed the truth, even then. This root had been waiting for me. The tree had grown just so, in this exact spot – patient and vile.

Feeble, I tried to push myself up off the evil spike. But I could not, it had me by the heart. I would die before I was free.

As I have said, the Lost are stronger than we appear. Even a mortal wound can take quite some time to claim us. But without food or aid the end marched closer.

I wept.  I was young and alone. My people had fled the Dark One, thrown themselves into the unknown to escape and I had fallen immediately into another trap. How strange I must have appeared, a small golden child at the foot of a dark tree. A spike of wood through my chest, tears spilling down my face.

But there was no one to see. At least not right away.

Book of Teon II

What can I tell you about Home? I have tried many times to describe it to the people of this world, but something is always lost in the telling. Home is a feeling, a knowledge — and no matter how many times I described the towers of glass, the river bank where I learned to swim, the smell of my grandmother’s library — I could not catch it.

It was a place not much different than this world. The sun rose, the wind blew. We only had one moon instead of the three that dance in this world’s sky. Such a greedy world, this Aufero, how could it have less than three moons?

I wander. It is what I do, in speech as well as deed. Even now, even as I wait for the end. There is something to that. Something mundane and comforting.

Our world shone. That is all I can say. It gleamed more brightly in the heavens than any other star, every one of the Lost can point to it in their sleep — even though it shines no more. It was our Home, and we knew as we left it that we would never return. And we knew that we would never stop grieving the loss of it.

Desert by ~thefireis

The Dark swallowed it whole, and we fled. The entirety of my race crammed on half-a-hundred silver ships, flung into the sea of stars. But that is not the true beginning of my story.

My story begins with falling.

The fastest ships were chosen, to seek out a place to land – a place to begin again. My father was the captain and he slept not at all as our ship plunged ever forward into the dark. The far-singers hummed as we approached barren planets and balls of molten fire — every one was discordant.  Ugly noise and static.

We flew on and on, day after day. Hoping to find a place that the Dark had not touched. A whole universe of empty rock and death. In desperation we returned to the fleet and found the same answer in the weary faces of the other captains.

I remember how my father took my mother’s hands and laid his forehead on hers. They looked into each other’s eyes and she nodded. They knew what must be done, and the risks. The other ships would wait, and ours would risk Beyond.

My mother sang the Song of Away.

The universe grew thin and we slipped through the walls as she sang. I stood next to my father and listened hard for the tune of another place, any place that we could go.

I think I heard it before my father, but maybe a heartbeat before. I still remember the joy in his eyes when he heard the faint melody.

And then the melody was a march — Aufero, the greedy – Aufero, the thief — reached out and pulled us in.

We erupted into that universe like a comet being born. The silver ship bucked and spun, the songs of my people becoming screams. Through the windows I caught my first glimpse of the planet.

It was blue. I fell in love.

Then the glass shattered, and I fell towards the greedy planet.

My story had begun.

Book of Teon I

My name is Teon.

There was a time, and there was a place where and when that name meant something.  A bright name, a fell name. East of the Sun, and West of the Moon in the place we once called home. A place that is lost, a time that will never come again.

Now my name is rubble. My name is a relic. Here in the shattered foundations of Kythera it echoes and lingers, the voices

the nick of time
-guan-yu chen.

of my people scream out my name in pain and despair. I want to tell them that it wasn’t me, that it wasn’t my fault. I didn’t bring the Machine.

It was my left hand.

It lies quiet now, folded on my stomach.  Black blood whimpers out of  a dozen small wounds, inflicted by the sharp instrument I hold in my right hand. It is a delicate instrument, best suited for aligning tiny wires or adjusting the fine components on a word-board. It served this purpose ably, plunging again and again into my skin. There was pain, but distant — not my pain. My left hand mimics true feeling but it is always false, the pain is no different.

I will die soon. At least, that is my hope. I fear that if I fall unconscious before my heart ceases to beat, that my left hand will rise and repair my wounds. I must stay awake until the Dark One comes. I have fled him all my life, running further and faster than any others of my kin. But now I welcome him as my boon companion.

To stay awake, I will tell my story. This sound crystal is fully powered, it shall last longer than I will.  I will speak the story of my name. How we, who the people of this world call the Lost, came here trying to escape the dark, on our silver ships made of song and steel.

But we brought it with us.

I brought it with us.

Light help me, I brought it with us.

One Last Glimpse Through the Dragon’s Eye V

The Lodestar flies. The arc of the sun’s path reflects off the curve of its bow. It flies and it sings, a jubilant hum.

The Vagabonder polishes a long glass tube, then sets it into place on the console. It fills immediately with green jellybeans, and the half-orc frowns. It was supposed to be pink jellybeans. The massive Floatstone turns sedate and simple in its clear cannister, powering the heart of the ship — wires and cables, strange conduits and grids of unknown purpose and potential. The Lodestar still has its secrets, and the engineer prays that he shall never quite unravel them all.

Nearby, a massive orange cat paws at an old bronze pocket watch lackadaisically, it’s fat paw barely moving. Crackers blinks over to investigate, but then is rewarded with a quick swat to the nose. The young dog snorts, and trots out of the cargo bay.

Talitha bursts out of the Captain’s Cabin wearing a too-large buffcoat emblazoned with the ship’s symbol, and a preposterous hat with a skull and crossbones painted in glowing ink. She is dragging Lucas with her, who is doing his level best to keep the book tucked under his arm, all while holding on to the construct, Sinoe with his other hand. Crackers barks with excitement, and follows the three out onto the deck.

The three young adventurers ran to the prow of the ship, clouds streaming past. “Oy!” Della Half-hand called from the wheelhouse. “Where are we going anyway?”

“Well, that’s up to me.” Talitha said, hands on her hips. “I’m the Captain now, after all.”

“Ha.” the older girl scratched her scarred cheek. “ I guess that makes me First Mate.”

“And I’ll be Navigator.” Lucas said dubiously. “And you, Sinoe?”

“Gunner.” the automaton said, with no explanation. Her freshly-dyed purple hair whipped in the wind.

Crackers barked his position on the crew, and Talitha scratched behind his ear in agreement.  Della spun the wheel, a fierce grin on her face and the Lodestar sailed on –cutting through white cloud mountains and oceans of blue-sky.

As the ship sails off out of view, Talitha’s voice can be heard — growing quieter as the Dragon’s Eye goes dark.

“I’ve been meaning to ask this for a while. What IS a Lodestar, anyway?”

“Oh..well.” Lucas harrumphed. “ It’s a fixed point in the sky, a star that never changes. It’s an old sailing term — it’s something you can always follow,always depend on — let’s you know where you are, know which direction to go.”

“Okay. I get it. Like my Uncle Jonas, he’s a hero, you know?”

The Lodestar flies. Dreamers wake from their sleep, hearing the music of its flight. A holy wanderer, a noble king, a teacher of serenity, a proud grandfather, a queen of the wild sea, a wide-eyed explorer, a singer of songs, a spinner of tales, a fierce scholar, a battered ranger, a butcher, a baker, a candlestick-maker. For the rest of their days the dream will come, the Lodestar waits for them to board, just outside the window. So easy to slip out of their lives into the quiet night, into the golden dawn –throw their gear aboard, and sail away.

The Dragon’s Eye closes.

One Last Glimpse Through the Dragon’s Eye IV

Elora Delcroft slid down off her horse with relief. It had been a long ride, story-collecting. Wars were vicious, nasty things — but they always yielded a vast harvest of new songs and tales. She had set out, some months ago before the Thirteen Day War to visit the tiny town of Hapgood, and she had been determined to finally visit. Even though she had heard of the devastation the voracious devil legions had visited on the place, and it was mostly a ghost town — she had made her way down the broken road from the north, and made her careful way through the mountains.

The bard had expected to find rubble, and maybe a few scared farmers she could share the good news of the triumphant victory in the ruins of Gilead to the east. Instead she found a stranger tale.

Stabbed into the earth, at the end of a field was a massive greatsword. It glowed fiercely, burning with holy light, somewhat diminished in impressiveness from the sweaty workshirt that was tossed over it’s hilt, and the lunch pail hung off the crossbar.

The half-elf walked up to the edge of the field, and looked down on the barbarian, Agnar — sweating and toiling in the fields with furious concentration. He dug each hole with vigor, then placed a single seed in each depression, then covering each gently with utmost attention and care. He was also vigorously lecturing each seed on the proper level of growth he expected to see, as well as some effective tactics for combating the winter chill that was only a few months away.

It was a late planting, and would be a lean harvest come spring. But it might save thousands of lives around the world. Beyond this field, she saw others working in nearby fields, planting.
Agnar Devil-blood, Champion of Sarenrae – bearer of the mighty sword, Cyrus would have other adventures –but for now his Bright Lady has put him to work in the strangest of fields, with the most uncomfortable of work.

Elora smiled. He looked as if he were enjoying himself. She shrugged out of her traveller’s cloak, and rolled up her sleeves.


Carbunkle, the First Librarian — the Sage of Sages rode screaming through the halls of the Primex Loghain on a shiny red scooter. He had a plate of flapjacks in one hand, a large mug of brown beer and the handlebars in his teeth. His Second, the scholar Paralellogram followed more sedately, dragging a blue wagon piled high with books and scrolls.

Every door on every level was open, flung wide — and the people of Aufero came and went. Touching the books, moving the books, and reading the books. The gnome had built a fiendish enchantment into the gates of the Library that prevented any texts leaving without first being stamped vigorously with a cheeky orange stamp showing his leering face and the words “BRING THIS SHIT, BACK.” on it — and at night a thousand sprites worked tirelessly putting each book back in its place — but during the day, the knowledge flowed freely, people talked loudly in designated Soundproof zones — and everywhere comfortable chairs and couches, alway waiting for a new reader to sit down.

He shouted something rude to his receptionist as he whizzed into his office, but she didn’t even look up from filing her fourth set of claws. The emancipated eidolon still refused to demean her glowing form with such trivial human concepts as clothes, but Lucina had taken to other forms of hygiene and fashion with alarming speed.

The First’s library was crammed with children. Some gnome, some blood-relation — but plenty more of just ragged, off the street gutter scamps. The war had left more than a few orphans, or broken children in the streets of Pice – and the First’s Story Hour was a welcome reprieve from the grief and toil outside — and a convenient place for Carbunkle to investigate the children’s woes and worries. More than a few left with gold pieces quietly slipped into their pockets – or stern instructions for their less-than-benevolent caregivers to come see the First bright and early the next morning.

Carbunkle cracked open the wide tome, and cleared his throat theatrically.

“Once upon a time, in the desert, four people found themselves locked up in a nasty hot prison made of stone and hate….”


Agros bobbed quietly in the water, and Fin balanced perfectly on an outcropping of stone.

The Symphony of Blood had taken its toll on the Flying Island, now it could best be called the Floating Island. The vicious attacks of the devils had nearly gutted the aerolith landmass, and it had slowly sank — barely making it out over the ocean before coming to rest.

Only a third of the city was still above water, but enough. Enough room for his school, his home.

Behind him his students followed his motions carefully. Mostly dwarven, expatriates from Ospria — but a few of the younger races were scattered amongst them.

His hands moved, perfect and slow. The eyes of his students followed, and they echoed the movements as best as they could.

There was so much more to teach them — they could learn the physical in months, but the spiritual? How could he teach, what had been so hard for him to learn?

A wave crested, and a shining drop of salt water landed right between his eyes. Fin smiled, and heeded his Uncle’s words.

The drop is not the wave, the lesson is not the Way, the word is not the truth. Begin. It is enough.


The King of Open and Shut smiled. A new level rose on the Red Tower, as Hell bent to his will.

The Red City was crowded, crammed full of angry warriors and bitter fiends. He would hone that ire, make it as sharp as a poniard. They had much work to do to prepare. To prepare for the day, that the mortals would beg for them to return.

An empty skeleton laughed in a red city, with the joy of a delighted child.


Echo and Ziria met, at the base of Coracle Station — the ruined outpost of Seafoam. They had not spoken in weeks, but he had come when she called — as she would have come if he asked it. The water above their heads shone with filtered sunlight, refracting oddly through the oily residue that the tower still dripped with. A filthy land construction, but it had a purpose — and it could be turned to the sea’s purpose. It had been built to harness the Precursor’s Machine, and Echo had need of its might. The devils would return one day, and she wanted to be certain that her ocean was death to their kind.

Ziria listened to her plan calmly, then bowed without sarcasm. “As the future Queen, how can I do anything but obey?”

Echo rolled her eyes, and called the creatures of the sea to her. She cut through the waves, swimming between this world and the World of Spirit as simply as breathing. Her friends and subjects — her most precious charges swam close with joy and excitement. She would return to the crumbling tower in time, but for now she was content to simply move — to fly beneath the waves, as free as a thought, as free as a wish, as free and wild as the sea itself.


Haskeer pulled a lump of glowing hot metal from the forge, and slammed it onto his anvil.  Three nearby gryphons looked on with bemused interest, but his view of them was soon blocked by the massive bulk of his assistant, the living armor Rulf.

The half-orc worked feverishly at his task — with cunning hammer strokes, he pounded and folded the metal. Before his eyes a steel rose took shape. The Knights of the Rose had been horribly reduced in number by the war, but he was hopeful that new squires would be appearing any day. Lady Seaflower had stopped by Caleron just a few weeks ago, encouraging him to go on a recruitment trip to all the major cities. “ A hero like yourself makes a much better sales pitch, then a battered old hedge knight like me.” she had smiled.

The rose complete, he nodded to Rulf…the living armor carefully plucked the still burning metal off the anvil, and plunged it into the water. Then he laid it carefully on a low wooden table, and studied it intently. The strange construct had been fascinated by the craft, and had proved an eager pupil — in an eerie sort of way.

He wanted to go on the rallying trip for the Knights of the Rose, but he found the position of Living Legend uncomfortable  — much as he viewed the role of King that loomed before him.

Cai had lingered for nearly two months since their wedding, but the great man’s strength had finally given out. Alastelle had sat by his bedside until the very end. The protective dome around the city had sedately popped, like a soap bubble. Now the people of Caleron looked to him for protection….a serious duty.

His ‘farm’ was larger than he imagined, but the forge was about right. He had work to do, good work. The world must be prepared for the darkness waiting around the bend of Time — if not the devils, then the thousand other faces of Evil. The endless play, the Twilight Kingdom – where the actors wore a thousand masks to hide the dark heart behind. He, and his friends would not waste the years of peace — and he would do his best to fill the world with the greatest weapon against the Dark.

Children. Beloved children, raised in strength and joy. New stories, with the very best of beginnings.

Haskeer smiled tuskily, and tapped his hammer once on the anvil. It rang like a bell.