What will make you buy my book?


“Sit down, Lucas.”
The young boy took his place at the keys of the grand piano. He set his fingers carefully in the proper positions, the polished bone cool to the touch.
“Now play.” The madman leered. ” Play the lines, the lines of light in the dark. Play them. Play them well, and play them now.”
Lucas Grahd tried not to think of the blood that oozed down his shoulder from the thin puncture. He tried not to think of the dried blood on his knuckles, a friend’s blood. He tried and failed, but his eyes stayed dry and his fingers steady.
“Play them now,” the masked man howled. “The lines, connect the lines!”
Lucas could feel every whorl of his fingertips, as he touched the first key.
It does. It will. It must.

I will defend the honor of Lodoss…with my life.
Warming up on Spell/Sword editing — poking at the edges of it again, wrapping my head around some potential chapter moves, edits, re-writes, additions, subtractions, etc.
Lodestar interview collate. Reasonable approximations of iconography glimpsed on Inf. Mural during their sojourn to the plane of Hell. Cross reference with several sources for possible/potential identification. Most listed by description/popular epithet from lore. – PGRAM
1. ????? – The Knight with Brown Armor

2. Blackwire – The King of Move
3. Fairchild – The King of Glass
4. ????? – The King of Open and Shut
5. ????? – The King of Forever
6. ????? -The Hound with Blue Eyes
7. Beldran – The King of Forget
8. ????? – The Snake with Green Scales
9. ????? – The Maiden Illuminated
10. ????? – The Beast of Quiet
11. Cassandreia – The Lady in White
12. ????? – The Bleeding Lion
13. ????? – The Crow with Yellow Talons
She’s in love
With her broken heart
She’s in love
With the dark
She’s in love
With her broken heart
She’s in love with the dark
– With the Dark / They Might Be Giants
I’ve been thinking about evil, lately. Or rather I’ve been thinking about Evil.

Mainly in a literary sense, but never just. The membrane that separates Fiction from Reality is quite porous, and I’ve never quite understood where one leaves off and the other begins — if there even is a clear demarcation. I don’t think they are binary, is what I’m saying. Our eyes, our hands, the senses five — all can lie, and the story of a hero can make pulses quick and move the heart blood of a nation. Things that aren’t Real still are. Certain ideas and stories and incarnate ideals have a weight, a presence. They matter. They have matter and mass, and gravity begins to bow at their approach.
Without dipping into too theological depths, allow me to elucidate. Superman, The Doctor, Jesus, Coyote, Heracles, the Monkey King, Shiva, Sam and Dean Winchester, Frodo, Katniss, Tyrion,Santa Claus, Odin, Horus. They aren’t just empty names — they have meaning, they have weight. They have a place in their own stories, but also in the stories of our own lives. As a symbol, a periodic element of courage, or grace, or love, or cunning — these names have wrought great change. Measurable, quantifiable change in the laboratory of Reality. I may be assuming a lot, but I know that in my own mind, my own psycho-chemistry these names have had their effect. I try to align myself with the good, and avoid the evil.
So, as I tell my own stories — I realize that I’m creating my own pantheon.
Which is a roundabout way of saying that the Evil Ones, the dark shadows to these heroes’ light, they matter too. Sauron, Shai’tan, Lucifer, the Master, Lex Luthor. If there must be an absolute negative pole in my view of the cosmos, what am I to name it?
Names matter too, maybe most of all.
Which is an even more roundabout way of saying, I’m calling it The Dark. Whatever it is, that quiet force of End, the blotter of sunny skies, the sideways laughter in empty halls. The Option serves The Dark, of that I’m reasonably certain.
So, no one asked, isn’t this just the Nothing and the Gmork all over again? Probably. But I like to think I’m reflecting a universal truth, a universal name. As a child I was afraid of the Nothing and it’s servant — and now when I write I am afraid of the Option and its master.
I’m honestly not sure what I’m getting at.
“It’s one of those things a person has to do; sometimes a person has to go a very long distance out of his way to come back a short distance correctly.”
― Edward Albee, The American Dream & The Zoo Story
And here I am, hey blog. HEY, HEY BLOG.
BLOG. HEY. HEY BLOG.
[This is what I do when I see a cow out the car window. Just replace ‘blog’ with ‘cow’ and it’s the same dialogue. It is incredibly endearing, and never annoys anyone else in the car.]

So, yeah — let’s shake some cobwebs off. My production of Pippin is finished, so now I can reroute those system resources back to all of the other plates I have spinning in the ether. Let’s list them! YAY, LISTS.
1. Spell/Sword Zeta Draft. This would be an amazing name for an anime. This is the big project, my main focus. Incorporating all the feedback from my Beta Readers, and working my way to the penultimate draft. I’m planning to add about 5000 words to the draft, so I’ll need to get one last set of eyes on the manuscript before I move forward to Self Publishing Ragnarok.
2. Self Publishing Ragnarok. Also an amazing anime title. My goal is to get the book into a buy-able format, through CreateSpace and Kindle Direct Publishing through Amazon. I’m researching all of the technical knowledge needed for doing that, so when I am ready to move forward it won’t be a giant learning curve clusterfuck.

3. Cover Art. I’ve seen some early sketches from Mike/Poopbird, and I can’t wait to see the finished product. Got to make sure I have all the specs for pixel limits, image size, etc. to make it easy and painless for him once the design is complete.
4. Titan’s Wake. My occasional Pathfinder campaign. Time to kick it in the shins and get the PC’s moving toward something approaching the plot. Scheduling has been an issue, leading to some signal loss — gotta get the players on some sort of regular game night schedule, or the campaign is just going to fizzle.
5. The Ocean of Not. New and shiny Legend of the Five Rings campaign! Meeting with the players in early January to make characters, and hopefully kick off the game shortly thereafter. I’m planning on having a forum component for this one, and most of the players are Lodestar alumni —very excited to get back in the trenches.
6. Shadeaux Bros. Christmas Album. Got to jump on this one with both feet, as it does have a built in deadline. Unfamiliar with our previous work? Take a listen and be forever changed.
7. A Few Good Men. I have a small part in the next Mainstage production at the theatre. I get to play an actual person, which is not my strong suit.

8. Regular Blogging. I need to get back on a regular update schedule, 3-5 times per week. Maybe I’ll bring back Story on Demand to prime the pump, but I’m hoping now that working on the book is moving back to my main creative focus, I’ll have more time and writerly thoughts to expound upon.
Lot of stuff. Lot of cows. I love the feeling of energy and mind-space coming online – really looking forward to all of these projects!
Hmmm…I was planning on continuing the ‘Three Falcons’ bit I was working on — but I honestly kind
of like how it hangs right now.
This piece is background/world information for my new tabletop campaign and I think it serves the purpose well enough. Introducing some flavor of the world, a tragedy and a bit of a mystery. Too much more and I’ll start giving things away to my players — and we don’t want that do we?
In other news:
Come see my play!
I’m about a week away from beginning final edits in earnest on Spell/Sword.
I wrote an awesome song today for this year’s Shadeaux Bros. Christmas album.
The Emperor waits.
White rain falls and dark earth waits.
Three falcons, red blood.

I, of course, was not present at the Battle of Jato Valley. The Fox Clan was not involved in this skirmish between the Great Clans, and our presence would have been looked at with great anger and disdain by Matsu Tsuko, the Lion Clan general. She would have viewed the inclusion of a small clan of no particular renown in her day of glory as an affront. And her rage at our clan being the witness to her ensuing shame would have been great indeed.
And, of course, I was only seven years old.
Jato Valley is a geographic location of little significance other than this battle. It lies between the Lion and Crane lands, in a small bit of land flanked by a granite mountain range to the north and a small river to the south. It is the homeland of the Falcon, a small Clan similar to our own in size and influence. How could they have angered the Fortunes so? To bring such calamity into their quiet corner of the Empire? I have visited their crumbling keep many times in my studies, and the only stories that Toritaka Yaki tells with any vigor are of the Battle of Jato Valley. As if that one day of blood and sorrow has forever dimmed the past, obscuring the older tales of his clan’s former glory.
I, of course, agree with him – but I would never dishonor the elder’s clan by voicing such thoughts out loud.
For the Battle of Jato Valley did much to obscure the light of many great samurai, and as my studies dare to suggest – continue to darken the honor of many of the Great Clans.
My apologies, honored reader. I write these words as if all were clear to you. We always write as if our time in this world is the only time, and that the things we deem of import shall remain so on down the ever spinning gyre of the wheel. As a young student I was often keenly aggravated by the ancient scholars prattling on for turns and turns of the scroll, before finally making it clear the thrust of their tale. So, I shall speak as if I am long dust, and you know nothing. For, if I may politely remark, when I was a student I knew a great deal of nothing myself.
Please accept my profound apologies. I am certain you are a credit to your clan, and your ancestors.
The Battle of Jato Valley is a riddle. A circumstance that still troubles the students of bushido, the priests of the kami, and lowly scholars such as myself. It concerns the most grave breach of the Celestial Order – a betrayal beyond the ken of the Sun and Moon.
The Emperor had three sons. And then he had three enemies. Blood against blood, the most shocking sacrilege. They fled the Voice of Heaven and took refuge with their allies in the one place they knew would receive them. The hall of Toritaka Yaki, their archery instructor as children — and a defensible position. None of the Great Houses would have dared to shelter them — but the Falcon spread its wings and brought them into the nest.
Hantei Pono. Otomo Tekiko. Otomo Yoru. 17,15 and 10. The heir to the throne and his two younger brothers – the greatest criminals the Empire has ever known.
I take quite a risk writing their names, here in fresh ink. The Emperor has made it a crime to ever refer to them from now until the End of Time. If I were a wiser scholar I would blot them, but I have an unfortunate flaw in my character. I pray that my honored reader will do their best to ignore my indiscretion.
When the Hantei himself stood over their broken bodies, he is said to have called for fire. He took the brand in his own hand, and poured the pitch over them — taking great care, of course, to never touch them. The flames burned for hours, leaving only their bones. The Emperor had their remains put into three jars and had them painted with the mon of the Falcon.
Matsu Tsuko carried the jars herself, and laid them at the feet of the Falcon daimyo and spat in his face.
“The Emperor commands you to keep these urns with you always.” She is recorded as saying. ” These Falcon traitors, these three sons of Toritaka shall forever be a reminder of the dishonor you have brought to your Clan.”
The Lion general then turned and stalked out of the hall, speaking no words of her own dishonor that day.
For the overwhelming force she had brought to bear against the pitiful rabble that had dishonored
themselves so greatly to serve the Three Falcons had paid dearly for her arrogance. The Battle of Jato Valley is one of the few defeats that the Matsu had ever experienced, and with such high stakes – the very honor of the Emperor himself, ah. She had thought to fight an easy skirmish, outnumbered her enemy five to one.
The Matsu’s army won the day — but only at the price of half her army. The Three Falcons and their allies, ronin all, fought like gods of death.
They showed the truth in their souls. And for such dishonored men to show such strength, is perhaps the most disturbing portion of this tale for many of my respected colleagues.
Honor is the samurai’s might. How could these vilest of traitors have faced down so many of the Empire’s best?
I, of course, have a notion.
– Kitsune Miho

Pippin opens on Friday.
If you’ve been wondering why the blog has been so quiet — here’s your answer. I’ve been directing a production of this musical at our Friendly Neighborhood Theater, the Town & Gown Players.
Here’s the part — were I a normal human being — where I would gush about the show. Partly from genuine excitement and pride; partly in a cynical, manipulative attempt to convince you to come see the show.
But as this blog provides ample evidence, I am not a normal human being. I have a complicated relationship with positivity. Most evident in creative projects where I am invested. I have a, shall we say, extreme reluctance to speak without restraint, to truly commit to the excitement. How about a list of your neuroses related to this, I hear you all shouting with animation and curiosity at your computer screens. Okay!
1. Pure superstition. If I say that the show is good, amazing, colossal, etc. etc. I’m calling down the attention of the gods. I live in Athens and hubris-smiting is most definitely on the menu. A musical is a super-complicated, involved creative endeavor with thousands of moving parts. Everything has to gel – the music, the movement, the acting, the vocals. Layered on top of that is the spiritual mumbo-jumbo of any community – you want every person’s chi to align just so. I do not need Hermes to start

feeling capricious or mercurial[HAR HAR HAR] and throw a wrench up in my show, just for giggle-shits.
2. Cynical Directing Style. I’m not quite sure where I picked this up — but I truly believe that if I tell an actor that what they are doing is good, they will immediately get worse. As an actor myself, fear is the best motivator. If you believe that you are doing a good job, you will stop working to get better – you will relax, get comfortable. It’s a short trip to Craptown. Every rehearsal, every performance you should be striving to exceed your previous attempt. Add to that the weird parental aspect of being a director — actor-children work much harder when they are unsure of Daddy’s approval. It’s cynical, but it works. Most of us performers have some sort of approval-need or bone-deep insecurity, as a director you might as well plug in to that and use it to get them to do sharper pirouettes. I’ve actually made a point to get better about this one, giving GRUDGING positive notes. Baby steps!
3. First Impressions. The beginning of a play is a holy moment. The moment when the lights go down — it’s pure, unbridled potential. Anything could happen — a whole new world is being born right in front of you. I treasure that moment, and I hate to pollute it. Especially with generic ‘Rah-Rah Show’s SO AWESOME’ posturing. So, if I started rambling on about how great the show is, or how much I like X scene, or Y song — then I’ve put things in your head. Expectations, judgement, etc. The less said the better. Come to the temple with your eyes unclouded.
So, what can I say about the show – through the net of my psychosis?
The set looks amazing. My designers really outdid themselves – I can comfortably say that it is unlike anything we’ve put on that stage in the past 10 years, easy.
The light design is also excellent. My bacon was Epic Level saved by the last minute addition of our Light Designer.
The choreography is excellent, thanks to my crack Choreography Squadron.
The band is crisp, and the musical director’s re-scoring of several key moments is inspired.

The cast? Solid. I know that sounds like faint praise — but I’ll double-down. This cast is Solid Snake.
I won’t say anything more, due to neuroses listed above. But when the curtain opens Friday night, that’s where you want to be. I want you to see what the cast has accomplished, has earned through months of hard work. I believe you are going to see something exceptional.
If you are anywhere within a 50 mile radius of Athens, GA – you should make a point of attending.
Click on the image up top to buy tickets. You can pick your seat and everything, through the magic of the internet.